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On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from ... See full summary »
Episodic look at the life of Cuban poet and novelist, Reinaldo Arenas (1943-1990), from his childhood in Oriente province to his death in New York City. He joins Castro's rebels. By 1964, ... See full summary »
Olatz López Garmendia
An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist's ... See full summary »
A Russian Jewish father emigrates to America in 1923, with a promise to send for his mother and young daughter when he is settled. When his village is burned in a pogrom, his mother is killed and his daughter is separated from other youngsters who make it to the port to emigrate. She ends up on a ship bound for England, where she is renamed Suzie and raised by a British family. Many years later, Suzie's talent for singing and dancing sees her accepted into a Paris dance troupe where she is befriended by Lola, a fellow dancer from Moscow. Cesar, a handsome brooding gypsy who works with the troupe later becomes her lover. Lola pursues Dante, an egotistical tenor who is performing in the area. All is well until the Nazis march into Paris, and Suzie's Russian Jewish background places her in danger. She must decide whether to leave Cesar and her friends and continue the search for her father in America. Written by
The scenes where the people of Paris are shown leaving town because of Nazi occupation were shot just before the morning traffic jammed the streets. See more »
In the scene where Suzie is following Cesare and his friends on her bike, they go through a passage where you can see the Eiffel Tower in the background and it is lit up. However, the lights were not added to the Tower until 1986. See more »
It's better to run and live than to stay and die.
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I found this DVD by accident in a little resale bookstore on Brand blvd in Glendale, Ca. I was shocked that I had never heard of it and purchased it for the $17.99 and took it home. Why I loved it: many people have complained about the pace, but that is one of my favorite aspects of the film. It moves like a sensual waltz. It has a beautiful pulse that grabs onto you and lets the well exuded emotions of the characters seep into your mind like old sepia photographs that you want to stare at for hours. It is raw and full of multi-layered subtext. I loved the story. There was no censoring or trying to look pretty or appropriate. John, Johnny, Cate and Christina, as well as Harry Dean Stanton and Oleg Yankovsky were all lost in this film and only the characters they played appeared on the screen. So believable and well acted. I have read several comments about the lack of lines for Cesar (Depp's character) and I do not understand that. He spoke so much without needing to speak out loud, besides, it was Susie's story. Amazing cinematography and art direction. The artistic craftiness that was transferred onto the screen in this movie reminded me of a short film called "An Occurrence at Owl Creek Bridge" (based on short story by Ambrose Bierce. I saw it in a film class in college and then went back to my dorm room and painted for hours while listening to Mozart's Requiem and drinking red wine. Every time I closed my eyes, I saw photographs of the movie in my mind. I love to be affected that way.
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