An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist's ... See full summary »
Episodic look at the life of Cuban poet and novelist, Reinaldo Arenas (1943-1990), from his childhood in Oriente province to his death in New York City. He joins Castro's rebels. By 1964, ... See full summary »
Olatz López Garmendia
A Russian Jewish father emigrates to America in 1923, with a promise to send for his mother and young daughter when he is settled. When his village is burned in a pogrom, his mother is killed and his daughter is separated from other youngsters who make it to the port to emigrate. She ends up on a ship bound for England, where she is renamed Suzie and raised by a British family. Many years later, Suzie's talent for singing and dancing sees her accepted into a Paris dance troupe where she is befriended by Lola, a fellow dancer from Moscow. Cesar, a handsome brooding gypsy who works with the troupe later becomes her lover. Lola pursues Dante, an egotistical tenor who is performing in the area. All is well until the Nazis march into Paris, and Suzie's Russian Jewish background places her in danger. She must decide whether to leave Cesar and her friends and continue the search for her father in America. Written by
The actors and musicians that play Cesar's family are members of the Romanian music group Taraf de Haidouks. See more »
In the scene where Suzie is following Cesare and his friends on her bike, they go through a passage where you can see the Eiffel Tower in the background and it is lit up. However, the lights were not added to the Tower until 1986. See more »
It's better to run and live than to stay and die.
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I enjoyed this movie, much more than I thought I would reading the synopsis of the story. I was caught up by this meditation on human spirit.
The cinematography created one stunning image after another, carried along by one of the most beautiful soundtracks that I have heard.
Two couples, sharply contrasted; one couple told you everything about themselves, while the other revealed only what could not be hidden: Susie and Caesar were stoical, passive, watching, and waiting....as a catastrophic moment in history enveloped them.
It seemed to me that the director purposely expected the viewer to participate in the story, using imagination and wonder to ponder the unanswered questions about human nature and need.
The ending of the film was a bit too abrupt. I would have loved to have seen more development leading up to the resolution of Susie's journey. But it certainly didn't mar the film for me, rather it emphasized why 'The Man Who Cried' was so completely non-commercial and why it mystified and therefore angered the 'connect-the-dots' crowd.
If you are in the mood for a beautiful, lyrical, non-linear poem-film, give this one a try.
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