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The Man Who Cried (2000)

 -  Drama | Music | Romance  -  8 December 2000 (UK)
6.2
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Ratings: 6.2/10 from 11,351 users   Metascore: 40/100
Reviews: 109 user | 58 critic | 22 from Metacritic.com

A young refugee traveling from Russia to America in search of her lost father falls for a gypsy horseman.

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Cast

Cast overview, first billed only:
...
Oleg Yankovskiy ...
Father
Claudia Lander-Duke ...
Danny Scheinmann ...
Man in Suit
Anna Tzelniker ...
Mother of Man in Suit
Barry Davis ...
Thom Osborn ...
Frank Chersky ...
Daniel Hart ...
Peter Majer ...
Hana Maria Pravda ...
Grandmother
Ayala Meir ...
Child
Abraham Hassan ...
Child
Lloyd Martin ...
Child
Uri Meir ...
Child
Edit

Storyline

A Russian Jewish father emigrates to America in 1923, with a promise to send for his mother and young daughter when he is settled. When his village is burned in a pogrom, his mother is killed and his daughter is separated from other youngsters who make it to the port to emigrate. She ends up on a ship bound for England, where she is renamed Suzie and raised by a British family. Many years later, Suzie's talent for singing and dancing sees her accepted into a Paris dance troupe where she is befriended by Lola, a fellow dancer from Moscow. Cesar, a handsome brooding gypsy who works with the troupe later becomes her lover. Lola pursues Dante, an egotistical tenor who is performing in the area. All is well until the Nazis march into Paris, and Suzie's Russian Jewish background places her in danger. She must decide whether to leave Cesar and her friends and continue the search for her father in America. Written by Alexander Lum

Plot Summary | Add Synopsis

Plot Keywords:

america | gypsy | village | russian | dancing | See more »

Genres:

Drama | Music | Romance | War

Motion Picture Rating (MPAA)

Rated R for sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Release Date:

8 December 2000 (UK)  »

Also Known As:

Čovjek koji je plakao  »

Box Office

Opening Weekend:

$123,577 (USA) (25 May 2001)

Gross:

$739,583 (USA) (12 October 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

|

Sound Mix:

| |

Color:

| (Duboicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Final film of Don Fellows. See more »

Goofs

When Suzie is following on her bicycle, we can see that it is a multi-speed bike with a rear derailleur, which were not in use until 1949. See more »

Quotes

Cesar: It's better to run and live than to stay and die.
See more »

Connections

References Pas de deux (1968) See more »

Soundtracks

Je crois entendre encore
(1863)
from "Les pêcheurs de perles (The Pearl Fishers)"
Music by Georges Bizet
Libretto by Michel Carré and Eugène Cormon (uncredited)
Performed by Salvatore Licitra and The Orchestra of the Royal Opera House
Concertmaster Vasko Vassilev
See more »

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User Reviews

Grade: B-
15 January 2005 | by (San Fernando Valley, CA) – See all my reviews

Christina Ricci sings more than she speaks in the movie, but she manages to hold your attention nevertheless for a pretty solid hour and a half in this well-acted and profound, but uneven period piece. Sally Potter, who also directed the similarly problematic "Orlando", clearly has the visual and thematic talent to be a much better respected director than she is - she just needs to learn how to tell a story.

The first forty minutes of the film, which begins in the year 1927, are absolutely masterful. The sublime Claudia Lander-Duke plays young Fegele, an impoverished Russian-Jewish girl whose beloved father decides to journey to America in search of a better life. After that, Fegele and her family are set upon by unnamed bad guys (probably either Cossacks or Communists), and Fegele is separated from them. She ends up on an ocean liner bound for England, where her name is changed to Susan, she is adopted by an English family that doesn't understand her, and she is forced to begin the process of assimilation.

Flash forward ten years or so (Potter is regrettably and consistently unspecific about such things). Fegele (now Suzie and now played by Christina Ricci, she of the large, expressive eyes) wants to be a showgirl so she can earn money to go to America and find her father. She auditions and is accepted by a group based out of Paris. Once in Paris, she rooms and becomes tight with fellow showgirl Lola (Cate Blanchett), a somewhat vapid and materialistic creature with no ambition save that of landing a rich man - which she manages to do in the form of opera singer and Mussolini supporter Dante Dominio (John Turturro, in one of his better performances). Around the same time, Suzie meets and falls in love with Cesare (Johnny Depp), the leader of a band of gypsies.

Once all the dominoes are in place, Potter wastes no time in knocking them down. You can see trouble coming a mile away: Lola, Suzie's one confidant who is aware of her Jewish ancestry, begins falling under the emotional and political spell of anti-Semitic, gypsy-hating fascist Dante. Meanwhile, the Nazis have invaded Poland and, despite everyone's self-assured predictions that they'll stop there, the French border is neither geographically nor historically distant. Suddenly, it's a race against time for all involved, but especially for Suzie - will she stay behind with her gypsy king, or, given a choice, will she escape certain death? The problem with all of this is that it's all so familiar. Potter adds nothing to the old story. There are some wonderful messages in this film about multiculturalism, nationalism, and the sometimes subtle nature of fascism, but if you don't care about the story you're not going to be interested in listening to the messages. The gypsy subplot, for instance, seems tacked on, like it was an excuse to give Ricci a love interest and have him be played by Johnny Depp.

The really interesting plot line here involves Lola and Dante, and I would pay ten dollars to see a movie that was just about them. Both Blanchett and Turturro create real, flesh-and-blood human beings, and it's in their scenes that Potter's writing really soars. Watching Dante sink deeper and deeper into a political philosophy fueled by his own insecurity while the irrepressibly optimistic Lola tries to turn a blind eye to it all is a fascinating and marvelous experience.

Ricci gives a good performance too, although occasionally that Valley Girl tone she uses in most of the rest of her movies slips out a little too much here and there. Fortunately, Potter doesn't give the shy, quiet Suzie very much to say. Most of her acting is done with her eyes, and she's really quite good. Johnny Depp does what he can with Cesare, but there's only so much an actor can accomplish when playing a plot device.

Art direction, music, and cinematography were all top-drawer. As is par for the course with Sally Potter's films, it looked good and had some interesting things to say. I just wish it had been more compelling.


62 of 70 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Senseless, laughable, junk barghus
I love the sex scene between Ricci and Depp! Lucky girl! N/T DanRadLovr
did anyone cry? jamiecoolgirl
Who the hell is THE MAN WHO CRIED? dylanschaefer
She's too young 4 him kyliedawn
Excellent to Watch, except for Ricci breaking-pretty
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