HEAD IN THE CLOUDS is a sweeping romantic drama set in 1930's England, Paris, and Spain. Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee ... See full summary »
What could be better for the village than a scenic railway to bring in the tourists? What could be worse for tourism than war? Luka builds the railway and shuts his eyes to war. Then Luka's wife runs off with a musician and his son is called up to the army. Luka's life is a war zone. Then he meets Sabaha..
A Russian Jewish father emigrates to America in 1923, with a promise to send for his mother and young daughter when he is settled. When his village is burned in a pogrom, his mother is killed and his daughter is separated from other youngsters who make it to the port to emigrate. She ends up on a ship bound for England, where she is renamed Suzie and raised by a British family. Many years later, Suzie's talent for singing and dancing sees her accepted into a Paris dance troupe where she is befriended by Lola, a fellow dancer from Moscow. Cesar, a handsome brooding gypsy who works with the troupe later becomes her lover. Lola pursues Dante, an egotistical tenor who is performing in the area. All is well until the Nazis march into Paris, and Suzie's Russian Jewish background places her in danger. She must decide whether to leave Cesar and her friends and continue the search for her father in America. Written by
I enjoyed this movie, much more than I thought I would reading the synopsis of the story. I was caught up by this meditation on human spirit.
The cinematography created one stunning image after another, carried along by one of the most beautiful soundtracks that I have heard.
Two couples, sharply contrasted; one couple told you everything about themselves, while the other revealed only what could not be hidden: Susie and Caesar were stoical, passive, watching, and waiting....as a catastrophic moment in history enveloped them.
It seemed to me that the director purposely expected the viewer to participate in the story, using imagination and wonder to ponder the unanswered questions about human nature and need.
The ending of the film was a bit too abrupt. I would have loved to have seen more development leading up to the resolution of Susie's journey. But it certainly didn't mar the film for me, rather it emphasized why 'The Man Who Cried' was so completely non-commercial and why it mystified and therefore angered the 'connect-the-dots' crowd.
If you are in the mood for a beautiful, lyrical, non-linear poem-film, give this one a try.
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