How important is the truth when falling in love? Bella is a Manhattan café waitress, about to turn 35, stuck in a long-term affair going nowhere. Paul is a widower, facing old age alone. ... See full summary »
This is the story of Sylvia, who looses her stepchildren on a shopping trip in Poland. For fear of loosing her husband's love, too, she is unable to tell him what has happened and returns ... See full summary »
Sophie Charlotte Conrad,
The idealistic lifestyle of an old West farmer, his Indian wife and half-breed son, who narrates the tale, is disrupted when his grandfather, an old gunslinger, shows up on the farm. ... See full summary »
At the beginning of a nightly Alcoholics Anonymous meeting, Jim seems particularly troubled. His sponsor encourages him to talk that night, the first time in seven months, so he does - and ... See full summary »
As she does every summer, Sam takes a group of friends to accompany her on a retreat to the cottage she grew up in. On this year's trip, Sam and her friends are faced with the terrifying legend of Sam's Lake.
Andrew C. Erin
William Gregory Lee
An omnibus of seven stories, all set in the room 720 of Century Hotel, that illustrate the tense and changing nature of relationships between men and women during each of the seven decades between the 1920s and the 1990s.
In the northeast of contemporary Morocco, Zeinab, a young wife watches her husband leave the country to go underground the day after their wedding. Zeinab is expecting a child. While she is... See full summary »
In the remote countryside of Ilongo, various women are sexually abused by local men. Two sisters meet Simon, the most attractive man in the village, and fight over him--one constantly haunted by Catholic dogma because of the abuse she suffered previously.
Maria Isabel Lopez,
How important is the truth when falling in love? Bella is a Manhattan café waitress, about to turn 35, stuck in a long-term affair going nowhere. Paul is a widower, facing old age alone. Bella's mother sets her up with Bruno, a novelist/cabbie who likes to bed-hop and whose ex-wife expects their two children to stay with him for awhile. While Bruno learns some maturity from his young daughter, Paul answers a personals ad placed by a "widow, 60." The two couples - along with one of Paul's older pals and a Jungian stripper - sort out how to initiate a relationship these days, what to do when someone you like disappoints you, and when to tell the truth. Written by
I really felt great after I saw this somewhat flawed film...
This is the third film I've seen pairing director Amos Kollek and actor Anna Thomson. The other two, "Sue" and "Fiona", were both great and about the most depressing things you could watch ("Sue", in fact, is a masterpiece). So I was curious to see where Kollek was going to go with this, a more light-hearted, and even comic romance. Of course, we aren't talking "Sleepless in Seattle" here, thank goodness. I have to say that while I was watching the movie, there were times whenI shook my head and said to myself, "this is bad" or "that's ridiculous". In fact, this film had many more flaws and awkward scenes than Kollek's earlier work. But at the same time, after it was all over and I was walking home, I really felt like I had seen something special.
I can't explain why exactly, but one thing that was surprising is that Anna Thomson's character, while the driving force in the previous films, was comparatively dull and uninspiring and underdeveloped here. Her love interest, even moreso. But this film was buoyed by a secondary romance plot involving two 60-somethings fumbling their ways into some sort of relationship. Louise Lasser Louise Lasser, hehe, making a comeback of sorts in recent years ("Happiness"), was just wonderful. Her partner (was it Robert Modicka?) was also off-the-map charming. If I have one complaint, there wasn't enough time in the film devoted to this burgeoning romance. There is one scene involving the two that is about as tender as anything i've ever seen on the big screen. It's nice to see good love stories about middle-aged people and above and they show that often the actors, perhaps due to more experience acting, pull it off much better than most of the young and the beautiful.
In sum, another winner for Kollek and Thomson, and I just wonder when, if ever, Thomson will become a star in the states (she is quite popular in France). I kind of hope she doesn't, but that's out of my own selfishness to see her in more of these kinds of films as opposed to the inevitable lure to make the big money in the bad movies. I also hope Louise Lasser continues to get more parts because she rocks. (8 out of 10)
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