Fast Food Fast Women (2000)

Director:

Amos Kollek

Writer:

Amos Kollek (written by)

Release Date:

27 July 2000 (Israel)

Genre:

Comedy | Romance

Tagline:

There are 18 million people in New York City, but only one like Bella.

Plot:

How important is the truth when falling in love? Bella is a Manhattan café waitress, about to turn 35...

Plot Keywords:

Love | Waitress | Regular Customer | Lie | Bubble

Awards:

1 win & 3 nominations

Cast

Anna Levine	...	Bella (as Anna Thomson)
Jamie Harris	...	Bruno
Louise Lasser	...	Emily
Robert Modica	...	Paul
Lonette McKee	...	Sherry-Lynn
Victor Argo	...	Seymour
Angelica Torn	...	Vitka
Austin Pendleton	...	George
Sandrine Holt	...	Giselle
Valerie Geffner	...	Wanda
Mark Margolis	...	Graham
Judith Roberts	...	Bella's Mother
Lynn Cohen	...	Jesse
Salem Ludwig	...	Leo
Irma St. Paule	...	Mary-Beth (as Irma St. Paul)

Also Known As:

Fast Food, Fast Women (France)

MPAA:

Rated R for sexuality/nudity and language.

Runtime:

95 min

Country:

USA | France | Italy

Language:

English

Color:

Color

Sound Mix:

Dolby

Certification:

France:U | Germany:6 | Norway:11 | Spain:13 | Sweden:7 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | USA:R

Company:

Fast Productions LLC

Soundtrack:

Nothing Stands Still

Magical Reality in New York

This film ran through the art house circuit so quickly most people missed it, and that's too bad. Now it's finally beginning to show up on cable, and I hope it gets a larger audience. Amos Kollek's other films are also hard to come by in the U.S. -- I know I'D like to see more of them, after having seen this one, but this seems to have the lightest touch, from what I can tell.

Among the many things it has going for it, is the incomparable Anna Thomson (Levine), a character actor I've followed since her days in the rep company of the original Tracy Ullmann Show on Fox television, through her unforgettable role in Clint Eastwood's UNFORGIVEN, to this interesting role of Bela.

Magical Realism is a kind of sub-genre I always enjoy, and when it plays against the gritty, wonderful city of New York (my home town), I sit up and take notice. This is the kind of dark underbelly of one of my favorite (also underappreciated) TV shows, Jay Tarses' "The Days and Nights of Molly Dodd." If you knew and liked that, and can do with something darker and more sexually explicit, you'll probably like this.

Bela triumphs, and so do her strange friends, in this pretty unique film, which is slow paced, as slice-of-life character studies are, so be prepared for that. If you tend to criticize films for being "too slow" or not having enough plot, you might not like this, but if you are happy examining characters and living with great dialogue and situations, hang in there. If you like "Smoke" or "Blue in the Face," you'll probably love this.