Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
The world's youngest citizen has just died at 18, and humankind is facing the likelihood of its own extinction. Set in and around a dystopian London fractious with violence and warring nationalistic sects, Children of Men follows the unexpected discovery of a lone pregnant woman and the desperate journey to deliver her to safety and restore faith for a future beyond those presently on Earth. Written by
Alfonso Cuarón has stated that he "didn't want to make a film that ends when the credits roll. He wanted to make a film that, when the final credits roll...that's really the beginning of the film". See more »
During the first continuous shot following Theo leaving the coffee shop, the reflection on the coffee shop door shows the faces of a patrol officer and a group of people just outside the door and walking to the right. Yet when the camera exits the shop, the cop does not appear in view as expected from the reflection, rather the cop and group instantly appear further down the street to the right. See more »
Day 1,000 of the Siege of Seattle.
The Muslim community demands an end to the Army's occupation of mosques.
The Homeland Security bill is ratified. After eight years, British borders will remain closed. The deportation of illegal immigrants will continue. Good morning. Our lead story.
See more »
At the very end, one can read "Shantih, Shantih, Shantih" with children shouting and laughing on the soundtrack, which can be heard repeatedly throughout the end credits. This is the last line of T.S. Eliot's 1922 poem "The Wasteland." "Shantih" means "peace" in Hindi. See more »
Written by Jamie Hince and Alison Mosshart
Performed by The Kills
Published by EMI Music Publishing Ltd
(p) & (c) 2003 Domino Recording Co Ltd
Licensed courtesy of Domino Recording Co Ltd
Taken from the album 'Keep On Your Mean Side' WigCD124 See more »
I went to see this movie without catching any reviews, expecting something rather depressing and underfunded.
Let me stop there and start again.
This movie is a revelation from start to finish. A convincing future world, deftly conveyed with so many subtle signals that I'm sure it will benefit from further viewings. A completely "other" England which I was amazed to see realised in such detail. Clive Owen FINALLY has the heroic role we have been waiting for and is brilliant in it. Julianne Moore simply glows and I've never enjoyed Sir Michael Caine so much before. The soundtrack is beautifully eclectic. Aside from some excellent classical choices, there's an evocative and alternative Spanish take on "Ruby Tuesday" which is a signature on the film. Wait during the end titles to enjoy an excremental song from Jarvis Cocker.
The movie grabbed my attention right from the start, and never let go. Initially, it's the differences of this future world that intrigue. Then, when the action starts, what I found really surprising was the freshness of direction that made me react to bullets and violence as if I'd never seen them in a movie before. If the script wasn't so wonderfully leavened with wit, it would be a grim and scary movie at times.
Finally, the whole thing is lit brilliantly, from the authentic dim English days to the atmospheric ending.
One to watch alongside "The Handmaid's Tale" some time....
734 of 1,054 people found this review helpful.
Was this review helpful to you?