Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
The world's youngest citizen has just died at 18, and humankind is facing the likelihood of its own extinction. Set in and around a dystopian London fractious with violence and warring nationalistic sects, Children of Men follows the unexpected discovery of a lone pregnant woman and the desperate journey to deliver her to safety and restore faith for a future beyond those presently on Earth. Written by
Many of the service rifles carried by the British armed forces are the XM8 rifle. It was intended to replace current US M16/M4 variant service rifles by 2015-2020, but the US Defense Department canceled its contract with the rifle's manufacturer, Heckler & Koch, in 2005. The rifle is now considered experimental. See more »
When Theo, Kee and Miriam move between Syd's vehicle and the bus to take them to Bexhill, the M3 motorway is visible at the top right of the frame. This scene was filmed at Chobham test track in Surrey (the control tower for the test track also features prominently here) but traffic on the motorway is visible underneath the bridge which swoops around to the right of the frame. See more »
Day 1,000 of the Siege of Seattle.
The Muslim community demands an end to the Army's occupation of mosques.
The Homeland Security bill is ratified. After eight years, British borders will remain closed. The deportation of illegal immigrants will continue. Good morning. Our lead story.
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At the very end, one can read "Shantih, Shantih, Shantih" with children shouting and laughing on the soundtrack, which can be heard repeatedly throughout the end credits. This is the last line of T.S. Eliot's 1922 poem "The Wasteland." "Shantih" means "peace" in Hindi. See more »
I've had a particularly bad film year, especially after having seen one particular over-hyped vacuous mess earlier in the year which all but killed my desire to see any films, no matter how interesting they looked or what the critics said about them. So, it was with a little trepidation that I went to see this, especially given that it starred Clive Owen (IMHO, the George Lazenby of British acting).
Well, I loved it and I'm not ashamed. It's unremittingly bleak and violent, but so beautifully filmed and realised that, at one point, I damn nearly burst into tears that someone could have created something so fresh and so moving, so provocative, so disturbing and so grimly beautiful. I thought it brought a real sense of imagination to the screen and that it was possessed of a fantastic visual flair. I felt that it ended on a note of hope, however uncertain and unclear, and certainly a note of redemption for the hero. I'll admit that Owen, while he still hasn't convinced me that he's a great actor, pulls off this role with a hangdog...um, doggedness that I found believable and often even moving.
I left the cinema strangely elated, relieved that cinema still has the power to move.
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