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Children of Men (2006)

In 2027, in a chaotic world in which women have become somehow infertile, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea.

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(screenplay), (screenplay) | 4 more credits »
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856 ( 70)

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Nominated for 3 Oscars. Another 48 wins & 75 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Juan Gabriel Yacuzzi ...
Baby Diego (as Juan Yacuzzi)
...
Mishal Husain ...
Rob Curling ...
...
Jon Chevalier ...
Café Customer
...
Rita Davies ...
Café Customer
...
Kim Fenton ...
Café Customer
...
Chris Gilbert ...
Café Customer
Phoebe Hawthorne ...
Café Customer
Rebecca Howard ...
Café Customer
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Storyline

The world's youngest citizen has just died at 18, and humankind is facing the likelihood of its own extinction. Set in and around a dystopian London fractious with violence and warring nationalistic sects, Children of Men follows the unexpected discovery of a lone pregnant woman and the desperate journey to deliver her to safety and restore faith for a future beyond those presently on Earth. Written by Production

Plot Summary | Plot Synopsis

Taglines:

The Year 2027. See more »

Genres:

Drama | Sci-Fi | Thriller

Motion Picture Rating (MPAA)

Rated R for strong violence, language, some drug use and brief nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Release Date:

5 January 2007 (USA)  »

Also Known As:

Niños del hombre  »

Box Office

Budget:

$76,000,000 (estimated)

Opening Weekend:

£1,284,254 (UK) (22 September 2006)

Gross:

$35,286,428 (USA) (9 March 2007)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The first of two films released in the US in 2007 to feature Clive Owen in a role protecting a newborn child. The other was New Line Cinema's action-comedy Shoot Em Up, in which he plays an ambiguously named gunman who helps a woman give birth and protect her child from assassins. See more »

Goofs

When Theo enters the building to find and rescue Kee from the shooting, earplugs can be seen as he climbs the stairs. See more »

Quotes

[first lines]
Newsreader: Day 1,000 of the Siege of Seattle.
Newsreader: The Muslim community demands an end to the Army's occupation of mosques.
Newsreader: The Homeland Security bill is ratified. After eight years, British borders will remain closed. The deportation of illegal immigrants will continue. Good morning. Our lead story.
See more »

Crazy Credits

At the very end, one can read "Shantih, Shantih, Shantih" with children shouting and laughing on the soundtrack, which can be heard repeatedly throughout the end credits. This is the last line of T.S. Eliot's 1922 poem "The Wasteland." "Shantih" means "peace" in Hindi. See more »

Connections

Referenced in Pointless: Episode #3.7 (2010) See more »

Soundtracks

Opa Opa
Written by Giorgos Alkaios
Performed by Antique
Published by Universal Music Publishing Ltd
(p) & (c) 1999 Bonnier Music - A Division of Bonnier Amigo Music Group AB
Licensed from Bonnier Amigo Music Group AB
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Frequently Asked Questions

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User Reviews

 
Restored my faith in the art of cinema
23 October 2006 | by (London, England) – See all my reviews

I've had a particularly bad film year, especially after having seen one particular over-hyped vacuous mess earlier in the year which all but killed my desire to see any films, no matter how interesting they looked or what the critics said about them. So, it was with a little trepidation that I went to see this, especially given that it starred Clive Owen (IMHO, the George Lazenby of British acting).

Well, I loved it and I'm not ashamed. It's unremittingly bleak and violent, but so beautifully filmed and realised that, at one point, I damn nearly burst into tears that someone could have created something so fresh and so moving, so provocative, so disturbing and so grimly beautiful. I thought it brought a real sense of imagination to the screen and that it was possessed of a fantastic visual flair. I felt that it ended on a note of hope, however uncertain and unclear, and certainly a note of redemption for the hero. I'll admit that Owen, while he still hasn't convinced me that he's a great actor, pulls off this role with a hangdog...um, doggedness that I found believable and often even moving.

I left the cinema strangely elated, relieved that cinema still has the power to move.


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