Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
Set in a future where a failed climate-change experiment kills all life on the planet except for a lucky few who boarded the Snowpiercer, a train that travels around the globe, where a class system emerges.
The world's youngest citizen has just died at 18, and humankind is facing the likelihood of its own extinction. Set in and around a dystopian London fractious with violence and warring nationalistic sects, Children of Men follows the unexpected discovery of a lone pregnant woman and the desperate journey to deliver her to safety and restore faith for a future beyond those presently on Earth. Written by
The first of two films released in the US in 2007 to feature Clive Owen in a role protecting a newborn child. The other was New Line Cinema's action-comedy Shoot Em Up, in which he plays an ambiguously named gunman who helps a woman give birth and protect her child from assassins. See more »
Arabic graffiti next to the word "uprising" is a misspelling
of "intifadah" ('uprising' in Arabic). It was written with the letter dal instead of dad. The correct spelling of intifadah uses the letter dad; it also ends with a ta marbuta, not an alef. See more »
Day 1,000 of the Siege of Seattle.
The Muslim community demands an end to the Army's occupation of mosques.
The Homeland Security bill is ratified. After eight years, British borders will remain closed. The deportation of illegal immigrants will continue. Good morning. Our lead story.
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At the very end, one can read "Shantih, Shantih, Shantih" with children shouting and laughing on the soundtrack, which can be heard repeatedly throughout the end credits. This is the last line of T.S. Eliot's 1922 poem "The Wasteland." "Shantih" means "peace" in Hindi. See more »
I went to see this movie without catching any reviews, expecting something rather depressing and underfunded.
Let me stop there and start again.
This movie is a revelation from start to finish. A convincing future world, deftly conveyed with so many subtle signals that I'm sure it will benefit from further viewings. A completely "other" England which I was amazed to see realised in such detail. Clive Owen FINALLY has the heroic role we have been waiting for and is brilliant in it. Julianne Moore simply glows and I've never enjoyed Sir Michael Caine so much before. The soundtrack is beautifully eclectic. Aside from some excellent classical choices, there's an evocative and alternative Spanish take on "Ruby Tuesday" which is a signature on the film. Wait during the end titles to enjoy an excremental song from Jarvis Cocker.
The movie grabbed my attention right from the start, and never let go. Initially, it's the differences of this future world that intrigue. Then, when the action starts, what I found really surprising was the freshness of direction that made me react to bullets and violence as if I'd never seen them in a movie before. If the script wasn't so wonderfully leavened with wit, it would be a grim and scary movie at times.
Finally, the whole thing is lit brilliantly, from the authentic dim English days to the atmospheric ending.
One to watch alongside "The Handmaid's Tale" some time....
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