Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
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The world's youngest citizen has just died at 18, and humankind is facing the likelihood of its own extinction. Set in and around a dystopian London fractious with violence and warring nationalistic sects, Children of Men follows the unexpected discovery of a lone pregnant woman and the desperate journey to deliver her to safety and restore faith for a future beyond those presently on Earth. Written by
Shostakovich's "Symphony #10" can be heard briefly playing in the Gypsy's house. See more »
Two characters refer to "jump starting" a car, but what they mean is "bump starting" (or push starting). Jump starting a car involves connecting an extra battery. See more »
Day 1,000 of the Siege of Seattle.
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The Homeland Security bill is ratified. After eight years, British borders will remain closed. The deportation of illegal immigrants will continue. Good morning. Our lead story.
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At the very end, one can read "Shantih, Shantih, Shantih" with children shouting and laughing on the soundtrack, which can be heard repeatedly throughout the end credits. This is the last line of T.S. Eliot's 1922 poem "The Wasteland." "Shantih" means "peace" in Hindi. See more »
Written by Jamie Hince and Alison Mosshart
Performed by The Kills
Published by EMI Music Publishing Ltd
(p) & (c) 2003 Domino Recording Co Ltd
Licensed courtesy of Domino Recording Co Ltd
Taken from the album 'Keep On Your Mean Side' WigCD124 See more »
I have to say I was shocked to find how mediocre I thought this film was. I mean people who I trust about movies loved it -- the people who raved about Million Dollar Baby, or Eastern Promises, or Amores Perros.
But this one I just don't get. Trite plot, obvious twists, trite AND obvious ending, superficial characters, and even Clive Owen wasn't as good as his usual terrific, intense performance. Compared to Inside Man, the role, the character, and the actor were nothing much at all.
Was it awful? No. I remained mildly interested though increasingly disappointed. But a great movie? Not a chance.
It's interesting that a comment has to run to ten lines when there's not much more to say here. But here goes: A good cast (Julianne Moore, Chewy Ejiofer, the wonderful Michael Caine) was wasted playing characters that were more caricatures: the faithful radical, the bad radical, the aging hippie. With the exception of Caine, they (incluidng Owen) sleepwalked through their parts -- and these are actors I love to watch.
That's ten lines, and enough said about this flic.
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