Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
The world's youngest citizen has just died at 18, and humankind is facing the likelihood of its own extinction. Set in and around a dystopian London fractious with violence and warring nationalistic sects, Children of Men follows the unexpected discovery of a lone pregnant woman and the desperate journey to deliver her to safety and restore faith for a future beyond those presently on Earth. Written by
When Theo enters the dining room in Battersea power station, the large black and white mural behind him is Pablo Picasso's "Guernica." The same image is drawn on the wall of the tunnel which Theo and Kee use to escape in the rowboat. The painting was Picasso's reaction to General Francisco Franco's bombing of Guernica, Spain, the Basque capital, during the Spanish Civil War, which killed an estimated 1,600 civilians. See more »
When Nigel yells at Alex to take his pills, Alex takes the first pill and drinks some water. The next camera shot of Alex shows him taking a second pill but his glass has more water in it than before. Also, in these same three camera swaps Nigel's pill box moves closer to his wine glass, which now has less wine than the previous shot, even though Nigel's position doesn't change. See more »
Day 1,000 of the Siege of Seattle.
The Muslim community demands an end to the Army's occupation of mosques.
The Homeland Security bill is ratified. After eight years, British borders will remain closed. The deportation of illegal immigrants will continue. Good morning. Our lead story.
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At the very end, one can read "Shantih, Shantih, Shantih" with children shouting and laughing on the soundtrack, which can be heard repeatedly throughout the end credits. This is the last line of T.S. Eliot's 1922 poem "The Wasteland." "Shantih" means "peace" in Hindi. See more »
Andante Assai from Violin Concerto No. 2 in G Minor Opus 63
Composed by Sergei Prokofiev (as Serge Prokofieff)
Performed by Kyung-Wha Chung (as Kyung Wha Chung) & London Symphony Orchestra
By permission of Boosey & Hawkes Music Publishers Ltd
Courtesy of Decca Music Group Limited
Under license from Universal Music Operations Ltd See more »
OK, I only got through the first 3 pages of comments but let me add my own.
1) Fantastic cinematography. Some like hand-held, some don't. It certainly worked very well here.
2) Related to (1), very long shots. There is one scene where the camera lens has blood splats on it for quite a few minutes. Hollywood would get rid of it, but for this movie it adds amazingly to the atmosphere that is being created.
3) Like "Code46" the technology is in the background. Just the way it should be, allowing us to focus on the story.
4) Theo as the central character NEVER picks up a gun, despite them being all over the place and easily available. As a viewer you are almost willing him to do so, to manage some of his challenges - but very deliberately the character does not.
5) I've read separately that yes this is a comment on current society. Being an Australian, with our controversial immigration laws and practices, that rings true.
6) Similar to (5), using the term "Homeland Security" in the movie is an obvious reference.
7) The revolutionaries/terrorists/fishes are shown to be just as political and militant as the government they oppose.
There are more, but that is enough. Overall a wonderful movie which leaves me thinking for a long time, which is all I ask.
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