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Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
The world's youngest citizen has just died at 18, and humankind is facing the likelihood of its own extinction. Set in and around a dystopian London fractious with violence and warring nationalistic sects, Children of Men follows the unexpected discovery of a lone pregnant woman and the desperate journey to deliver her to safety and restore faith for a future beyond those presently on Earth. Written by
Sir Michael Caine plays an award-winning political cartoonist. In his house, you can see some of his cartoons in the background. They were drawn by Steve Bell, an award-winning political cartoonist for The Guardian newspaper. See more »
Just before Theo leaves the "Ark of the Arts", when the camera moves to a closeup of the painting they were discussing the shadow of the cameraman is visible. See more »
Day 1,000 of the Siege of Seattle.
The Muslim community demands an end to the Army's occupation of mosques.
The Homeland Security bill is ratified. After eight years, British borders will remain closed. The deportation of illegal immigrants will continue. Good morning. Our lead story.
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At the very end, one can read "Shantih, Shantih, Shantih" with children shouting and laughing on the soundtrack, which can be heard repeatedly throughout the end credits. This is the last line of T.S. Eliot's 1922 poem "The Wasteland." "Shantih" means "peace" in Hindi. See more »
A gut-wrenching look at an all too possible future - but also an immensely entertaining thrill ride featuring some of the best cinematography you'll ever see
I first saw 'Children of Men' when it came out, 10 years ago, and while I liked it a lot, I kind of forgot about it soon. At the time, it failed to resonate with me on a deeper level - which in hindsight I find astounding.
Last month, a decade later almost to the day, I suddenly felt the urge to revisit the film (because it was mentioned in an article about "long takes"), and upon re-watching it, it just blew my mind. This film is so, so, good!
It not only manages in many aspects to be the most prophetic - and most shockingly realistic - sci-fi film I have ever seen: it achieves that feat with a level of style and through such an abundance of fantastic creative choices and innovative camera techniques that I was simply left in awe.
I was forced to conclude that this film was a visionary piece of art (and how that fact had eluded me the first time around I couldn't - and still can't - explain). It's a cinéphile's dream come true; it's a masterpiece in the true sense of the word.
'Children of Men' is a gut-wrenching look at an all too possible future, but it also works as a heart-stopping, adrenaline-rush-inducing piece of entertainment featuring some of the most breathtaking camera work you'll ever see.
The performances are flawless. The artwork, the production design, the music; I could go on and on: this is one of those few real masterworks where everything just comes together right. And I believe the final 30 minutes of the film rank among the finest achievements in the history of Cinema. Period.
10 Stars out of 10.
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