Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
The world's youngest citizen has just died at 18, and humankind is facing the likelihood of its own extinction. Set in and around a dystopian London fractious with violence and warring nationalistic sects, Children of Men follows the unexpected discovery of a lone pregnant woman and the desperate journey to deliver her to safety and restore faith for a future beyond those presently on Earth. Written by
Jasper (Michael Caine) drives a Citroën CX with some plastic add-ons in the front and back. The last one was produced in 1990. Other cars in the movie are the Renault Modus, Renault Avantime, Renault Megane II, and Fiat Multipla. There is also a wreckage of a Peugeot 206. All the "newer" cars in the movie were deliberately made to look aged and battered, despite being relatively recent models. See more »
In the climactic 6-minute battle shot, just before Theo enters the hallway where he finds Kee, the camera is briefly visible in the reflection of a window. See more »
Day 1,000 of the Siege of Seattle.
The Muslim community demands an end to the Army's occupation of mosques.
The Homeland Security bill is ratified. After eight years, British borders will remain closed. The deportation of illegal immigrants will continue. Good morning. Our lead story.
See more »
At the very end, one can read "Shantih, Shantih, Shantih" with children shouting and laughing on the soundtrack, which can be heard repeatedly throughout the end credits. This is the last line of T.S. Eliot's 1922 poem "The Wasteland." "Shantih" means "peace" in Hindi. See more »
I went to see this movie without catching any reviews, expecting something rather depressing and underfunded.
Let me stop there and start again.
This movie is a revelation from start to finish. A convincing future world, deftly conveyed with so many subtle signals that I'm sure it will benefit from further viewings. A completely "other" England which I was amazed to see realised in such detail. Clive Owen FINALLY has the heroic role we have been waiting for and is brilliant in it. Julianne Moore simply glows and I've never enjoyed Sir Michael Caine so much before. The soundtrack is beautifully eclectic. Aside from some excellent classical choices, there's an evocative and alternative Spanish take on "Ruby Tuesday" which is a signature on the film. Wait during the end titles to enjoy an excremental song from Jarvis Cocker.
The movie grabbed my attention right from the start, and never let go. Initially, it's the differences of this future world that intrigue. Then, when the action starts, what I found really surprising was the freshness of direction that made me react to bullets and violence as if I'd never seen them in a movie before. If the script wasn't so wonderfully leavened with wit, it would be a grim and scary movie at times.
Finally, the whole thing is lit brilliantly, from the authentic dim English days to the atmospheric ending.
One to watch alongside "The Handmaid's Tale" some time....
704 of 999 people found this review helpful.
Was this review helpful to you?