When Dr. Edwin Lorrimer, a forensic scientist working at a private laboratory is found killed, Detective Superintendent Adam Dalgliesh is sent to investigate. Dalgliesh had been in the area...
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Sir Paul Berowne (Bosco Hogan) - a prominent Government Minister - turns to his old friend Adam Dalgleish following a series of threatening letters delivered to his London home. The ... See full summary »
Frustrated with his career, Commander Dalgliesh is invited to Toynton Grange, a home for the disabled, by his old teacher, Father Baddeley, who is resident there. But unbeknown to Dalgliesh... See full summary »
Chief Superintendent Adam Dalgliesh investigates the death of Alice Liddell who ran a home for unwed mothers. One of those residents is Sally Jupp who was a witness in a drugs smuggling and... See full summary »
When a student nurse with a penchant for petty blackmail is lethally poisoned during a routine procedure, Commander Dalgliesh and Inspector Massingham have to discover which, of the many ... See full summary »
Commander Dalgleish of Scotland Yard investigates the apparent murder of a well-known author who is found floating in a dinghy with his hands chopped off. The man, Maurice Seton, had ... See full summary »
Peverell Press, respected London publishing house with two hundred years of tradition, is taken over by new management. Gerard Etienne, new yuppie CEO, wants to implement radical changes. ... See full summary »
Scotland Yard Commander Adam Dalgliesh has been on leave following the death on duty of a member of his team, DS Sarah Hillier. His superiors order him back to work to investigate the ... See full summary »
When Dr. Edwin Lorrimer, a forensic scientist working at a private laboratory is found killed, Detective Superintendent Adam Dalgliesh is sent to investigate. Dalgliesh had been in the area a few months previously investigating the murder of a young woman found in an abandoned car. There are several suspects: Lorrimer's subordinate, Clifford Bradley, who despises him; the new head of the laboratory, Maxim Howarth, who is jealous of his sister's relationship with him; a colleague, Paul Middlemass, who had a fight with Lorrimer. There is also a gruff and likely unethical policeman who was on the grounds of the laboratory at the time of the killing and a local pathologist who is raising his two young children after his wife leaves him for another man. When one of the suspects is also murdered, Dalgliesh learns a key piece of information. Written by
Nobody knows mystery and drama better than the British, and this 1983 miniseries is first-rate British drama. As a fan of BBC drama/mystery (but unfamiliar with author PD James), I was completely unaware of the plot when I first watched this, which made it all the more riveting. From the start, the viewer is plunged into an interconnecting plot with lots of clues, suspects, red herrings, forensics, and all the usual stuff that mystery lovers love!
Roy Marsden is superbly natural as detective Adam Dalgliesh, portraying a man who is both charming and hardcore (a little like Sherlock Holmes, and his assistant, played by John Vine, as a kind of Watson). The supporting cast features such familiar BBC players as Geoffrey Palmer, Brenda Blethyn (long before her Academy Award nomination), and wonderful Barry Foster (who still impresses me with his incomparable performance of Kaiser Wilhelm in Fall of Eagles). The rest of the characters are well played (ignore the reviews that say otherwise; this is British mystery, remember, and a little theatrics is expected). Since juvenile actors are never mentioned in reviews, another minor but featured supporting player is Annabelle Lanyon, a terrific child actress who appeared in a bunch of BBC shows around this time (a notable performance being the Marchioness in The Old Curiosity Shop; she is still recognized today in the cult classic arena for playing Oona the fairy in Ridley Scott's Legend).
Remember that this was filmed in the early 80s, so it is shot on video rather than film, which gives it a little less visual style. But this was true of most of the BBC shows of the time, and once the story gets moving, you forget all about camera techniques and find yourself fully engrossed in the twisting, turning plot.
A great experience for mystery and drama fans, and especially for fans of classic BBC productions, which, granted, were thin on action and technique, but big on acting, characters, dialogue, and plot!
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