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This is a fun film and has several things going for it. Firstly it is sexy
without being vulgar, proving that comedy without vulgarity is feasible.
Secondly it is easy on the eye (Penelope) and the ears (Latin Rhythms).
Thirdly, it is a fairy tale, both in content and format and hence totally
unbelievable. And like all fairy tales, this one too has a moral...which is
for the viewers to discover. The best thing about the movie it its old world
charms, which is so endearing. Though eminently forgettable once you are out
of the cinema hall, while inside, it is worth every minute of yours.
Recommended to take along someone you love.
Isabella (Penelope Cruz) meets her soul mate in her native Brazil,
marries him, and becomes the renowned chef at his restaurant. She
suffers from motion sickness so she insists on driving the car, leading
in a dance partnership and more. Husband Toninho (the handsome Murilo
Benicio) tires of being second in command and develops the roving eye
syndrome. Stunned by her husband's actions, Isabella flees Brazil and
travels to San Francisco. Once there, she catches the eye of a
television producer who helps her become a small-screen celebrity with
her own cooking show. Out of the blue, ex-husband Toninho arrives and
wants his wife back. What will she do?
Penelope Cruz shines in the leading role; she's drop dead gorgeous and gives an irresistible performance. Benicio, also, initiates flutters in the hearts of any female viewers with his charming persona. The movie has many humorous plot elements (a cross-dresser, catty television employees) that keep the plot interesting. Those seeking an entertaining movie with charm and chuckles will be delighted to happen upon this lesser known movie.
This started off very well....really well...and slowly got stupid, very
stupid. The film is a fantastic vehicle, however, for Penelope Cruz to
show us her beauty. The two men chasing her are all right, neither one
The annoying part isn't the actors, it's the script. In this story, you can pray - and get a positive response - to the "sea goddess" - while other ridiculous curses and superstitions abound. Also, a lead character in here - portrayed as perfectly normal - is a transvestite. Despite these strange doings, the film has charm and beautiful, bold colors to it. If only the story wasn't so stupid.
*** This review may contain spoilers ***
''Woman on Top'' is not a big movie. In fact, it's a little silly and easy to be guessed, although it has some nice elements to be showed. I am a Brazilian girl,so for me, it's nice to see a movie who tells a little bit about my country's story or traditions. But if you are a foreigner, please, do not think that all the cities of Brazil are like Bahia or have the same habits. Not everybody here practices Camdoblé as well. The best character of this movie got to be Harold Perrineau in the role of Monica: the guy had a complete transformation to be like a transvestite! And he has a great performance, I do need to say! Well, only brazillians who are going to watch this movie are going to see some famous faces around here, like Lazaro Ramos or Daniele Suzuki.
I saw "Woman on top" yesterday and I found it very nice. It's a very funny story set first in Bahia (Brazil) and then in San Francisco, when Isabella (Penelope Cruz) became a TV star in a TV program about food. Penelope Cruz is very good in the role but it would be better if the role of Isabella was given to a brazilian actress (like for example Giovanna Antonelli, who would be perfect for the role), because a Spanish actress, even if she is good, who plays a sensual brazilian cook do not sound such well. Murilo Benicio (Toninho), one of the best brazilian young actors, is very good, very funny and so handsome and sexy! The story is very colorful and the music is beautiful, with many brazilian bossa nova hits like "Aquarela do Brasil" and "Vocè". The idea of Isabella having a best friend who is a drag queen is very good and also the idea of the TV program about the passion in brazilian cooking is excellent (and it remembers the role of the sensual cook Dona Flora played by Sonia Braga in "Dona Flor and her two husbands" by Bruno Barreto). If you want to feel the passion, the color, the music of Brazil, you have to watch this movie, even if, I repeat again, a brazilian actress would be better for the main role. I give it a 7.
WOMAN ON TOP is one of those films that was made, publicized and viewed
as pastiche and because of its honesty as a simple romantic comedy, it
rates higher than many of the over the top and overproduced
competitors. The film is colorful, filled with wonderful Bossa Nova
music, and has enough eye candy to almost make you forget the main
dishes! Isabella Oliveira (Penélope Cruz) lives in Bahia, Brazil
totally in love with Toninho Oliveira (Murilo Benício) where the two
have a restaurant featuring Isabella's passionate cooking and Toninho's
macho front man role. Isabella has a problem: motion sickness - she
cannot fly, ride in a car, or assume the bottom position during sex or
she becomes violently ill (it seems that the sea goddess compensated
her problem by making her an inimitable chef). All is well until
Toninho has a brief affair that drives the crushed Isabella to move to
San Francisco alone despite her love for Toninho. There she moves in
with her old friend Monica from Bahia (Harold Perrineau as a superbly
enacted crossed dressed drag queen) and begins her unsuccessful search
for a job. In order to overcome her longing for Toninho and regain her
culinary skills she makes a pact with the sea goddess, forsaking ever
loving Toninho again. Eventually Isabella lands a TV show on Passionate
Cooking when desperate producer Cliff (Mark Feuerstein) gets a whiff of
her talent. She is an immediate success. Meanwhile Toninho, unable to
endure life in Bahia without Isabella, flies to San Francisco and
begins a series of Bossa Nova serenades to win her back. Cliff places
Toninho on Isabella's show as background music and the ratings soar.
But it is the ultimately the conflict resolution between Isabella and
Toninho that brings the story to its expected end.
The story may be light and the script may be pedestrian, but the direction and camera work suffuse this film with Latin American magical realism and that keeps it lighthearted and fun. Cruz is terrific, Perrineau is the true star of the show displaying a sophisticated and sensitive acting skill that is very special, and Murilo Benício is not only a hunk and eye candy but also a fine singer and a warm actor who deserves a lot of attention. Story five, stars six. Have fun with this one! Grady Harp, March 06
One of the hallmarks of independent cinema is that the filmmakers do not
under-estimate their audiences, who tend to be better informed, more
intelligent, and more demanding than those who view only Hollywood's
outpourings. Thus, they are emancipated from the necessity to be blunt.
can create films of integrity, subtlety, and convey emotions and
intellectual content that is never present in more mainstream films.
However, this is not the case with Woman on Top. Despite being an
independent film, distributed by Searchlight, who also handled the
Boys Don't Cry, it seems to want nothing more than to be a mainstream film.
This is, perhaps, what is most offensive about it.
It is at this point that I ought to inform you that in the proceeding paragraphs, there are comments which may reveal elements of the plot of this film, such as it is.
In the hour or so that I managed to stomach of this unrelentingly vapid film, the plot barely managed to limp forward from its starting point. The characters were not developed beyond their appearances. The primary character, a female chef from Brazil who moves to San Francisco after the breakdown of her marriage, and all her actions, seem based solely on her aesthetic appeal. Indeed, this is also one of the few sources of the tired humour present in the film. These comedic moments are, without exception, crude and desperately unfunny. Listless slapstick moments rub shoulders with endless scenes of men drooling over the young Brazilian woman and staring in disbelief at her transvestite friend, evidently present to add some essential uniqueness to the film and because, as everyone is aware, anyone who lives in San Francisco is either an intellectual or a transvestite.
Cinema, without doubt, has huge potential as a medium for artistic expression, and there are independent films that are intelligent, well-made and engaging. However, Woman on Top, in striving desperately to be a mainstream success, sacrifices any shred of dignity or integrity one could hope to see in a film. Thus, and in sum, it is nothing more than a lazily made, dim-witted film, painfully unfunny and, if taken as an indication of the drift of independent movies (which, incidentally, I don't think, or at least hope, it is) rather worrying, and certainly sickening.
I think you have to understand myth's and ideas in other parts of the
world to be able to understand the movie. Personally, I loved it. It
gives you that trip to Brazil without leaving your house.
The music was great, the story was a bit cheesy but refreshing. Open your eyes to other cultures. Allow yourself to enjoy the simple things such as cooking. I think it was sensual, funny and refreshing.
I think Penelope Cruz did a great job. Having seen most of her movies, I can say that her best movies are the ones that are not overly popular. Woman on top gives women the opportunity to be successful and show men that we can do it.
This is a modern day romantic fairy-tale, minus the charm. The storyline is
silly, the treatment of the subject -- if there is one - is disappointingly
silly, even for what's supposed to be a lighthearted romantic comedy.
I don't know who the target audience of this film is; surely today's moviegoing young women know that a woman deserves better than to be stashed away in the kitchen; and surely they know that "educating" a boyfriend or husband is a difficult task (if at all achievable), requiring more than running away to fashionable S.F. and applying some hocus-pocus. Perhaps the film is aimed at men, who get an extended chance to drool at Penelope Cruz, who indeed looks lovely and "fetching". As for myself, I'd rather watch this lovely actress in better films, such as All About My Mother.
*** This review may contain spoilers ***
I loved this film! It's very picturesque, and imaginative and tells the story of love very well. The script is solid and has Penelope Cruz (pre-Hollywood rubbish and Tom Cruise days) starring as Isabelle, a beautiful young cook who moves to San Francisco when her husband cheats on her. She becomes a very popular and highly rated TV show host which helps her husband to track her down and try to win her back. This is a very romantic film! It just tugs at your heart, makes you laugh, makes you cry and makes you want this sort of romanticism in your life! Oh and by the way, What is San Francisco without a drag queen? and this film serves up one as one of the main characters in the most deliriously hilarious way! A+ A must see!
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