Young Cuban Rafael just buried his mother, and comes to Houston to meet his father John for the first time. The difficult part is that John doesn't know he is Rafael's father. John runs a ... See full summary »
Sara wants to be a ballerina, but her dreams are cut short by the sudden death of her mother. She moves in with her father, who she has not seen for a long time. He lives on the other side of town, in a predominantly Black neighborhood. She gets transferred to a new school where she is one of the few White students there. She becomes friends with Chenille, and later, falls in love with Chenille's brother, Derek. Written by
The film makers originally wanted to film at Mount Assisi Academy, an all-girls Catholic school in Lemont. When they asked the school if they could remove the religious decorations, the president of the school refused. See more »
There are several mistakes in the movie's depiction of Metra trains. See more »
Get It on Tonite
by Montell Jordan, Joerg Evers, Juergen Korduletsch, Darren Benbow, Antoine Wilson,
Brian Palmer & Sergio Moore
Performed by Montell Jordan
Courtesy of Rush Associated Labels Recordings
Under license from Universal Music Enterprises
Contains sample from "Love for the Sake of Love"
Performed by Claudja Barry
Courtesy of Lollipop Productions Inc.
By Arrangement with Radikal Records See more »
This movie is a sort of updated Romeo and Juliet- meets- Dirty Dancing, and attempts to take on the complex issues surrounding racism and stereotypes while showcasing some fun dancing. Unfortunately, it fails on every level, thanks to a poor script that allows this movie to lapse into the many stereotypes it was hoping to dispel.
The two leads - Julia Stiles and Sean Patrick Thomas - do what they can, but nobody could sell this drivel. The writing is cringe-worthy in many, many spots. At times, even the actors seem to be unable to believe that they're actually require to say some of the things that they say. Everyone in the film besides the leads speaks in the sort of "gansta" talk that seems like a Hollywood/MTV notion of how kids really speak. Then there are the clichés: the teenage mothers, the drive-by shootings, the drug dealers and pretty much everything else you could think of.
Even the dancing - the film's supposed highlight - is poorly shot, so you don't get to see the sequences properly. Stiles insisted on doing all her own ballet, rather than using a body double - an admirable sentiment, perhaps, but someone should've noticed that it made the whole subplot of her being good enough to audition for Julliard rather unbelievable when she's shown stumbling over even simple steps. The dance scenes at the club were so chopped up that the audience is denied even the simple pleasure of some great dance scenes to break up this saccharine, eye-rolling plot.
Save The Last Dance could never have been a truly excellent movie, but it could have at least been fun and entertaining. But the writing was so terrible, it doesn't even achieve this goal.
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