Matteo Scuro is a retired Sicilian bureaucrat (responsible mainly for the writing of birth certificates) and a father of five children, all of whom live on the mainland and hold responsible... See full summary »
A hunted man breaks into the castle at Oberwald to kill the Queen, but faints before doing so. He is Sebastian, the splitting image of the King who was assassinated on his wedding day. The ... See full summary »
A documentary on China, concentrating mainly on the faces of the people, filmed in the areas they were allowed to visit. The 220 minute version consists of three parts. The first part, ... See full summary »
Inspired by real events, this is a black comedy about 20 years of history of Sicily from 1970s to 1990s, mocking Mafia Bosses and restoring the generosity of the heroes of Antimafia. Its ... See full summary »
The son of the owner of a large Italian cheese factory is kidnapped, but as the factory is on the verge of bankruptcy the owner hatches a plan to use the ransom money as reinvestment in the... See full summary »
The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading ... See full summary »
Painful family events lead Augusta to leave Italy. On a small boat, immersed in the Amazon Forest grandness, she begins a travel between Indios villages. From the favela to the isolation in the Forest, Augusta will go in search of herself.
Bernardo Bertolucci, along with co-scenarist Gianni Amico, used Dostoievski's 1846, pre-imprisonment novella The Double: A Petersburg Poem, which they moved to Italy and updated to the pro-Vietcong student-protest present,
Three stories of well-off youths who commit murders. In the French episode a group of high school students kill one of their colleagues for his money. In the Italian episode a university ... See full summary »
Anna Maria Ferrero,
Antonioni films great monuments and sights in Rome, ending up at the roof of the Cistene chapel in Vaticano. He films it so beautifully that, at an art gallery screening, you almost forget that this is essentially a tourism film.
It is a rare treat to see such beautiful celluloid expended on just sight-seeing. But, having been to Rome, i know the sights really deserve seeing!
This is really Antonioni's passion. He probably enjoyed making this much more than he enjoyed making La Notte (which was all about character).
But I personally wish Antonioni wouldn't spend his time filming other people's great works of art instead of making the next Blowup - but he's 83 at time of writing, and that's how he did choose to spend it, so we have to just savour those few features he did make.
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