A hunted man breaks into the castle at Oberwald to kill the Queen, but faints before doing so. He is Sebastian, the splitting image of the King who was assassinated on his wedding day. The ... See full summary »
A documentary on China, concentrating mainly on the faces of the people, filmed in the areas they were allowed to visit. The 220 minute version consists of three parts. The first part, ... See full summary »
The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading ... See full summary »
Near the Tiber river, in a Roman park, a prostitute was killed. The police tracks down people that were inside the park during that night. They are questioned and have to explain why they ... See full summary »
Giancarlo De Rosa,
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a ... See full summary »
Bernardo Bertolucci, along with co-scenarist Gianni Amico, used Dostoievski's 1846, pre-imprisonment novella The Double: A Petersburg Poem, which they moved to Italy and updated to the pro-Vietcong student-protest present,
Athos Magnani, a young researcher, returns to Tara, where his father was killed before his birth, at the request of Draifa. The father, also named Athos Magnani and looking exactly like the... See full summary »
Antonioni films great monuments and sights in Rome, ending up at the roof of the Cistene chapel in Vaticano. He films it so beautifully that, at an art gallery screening, you almost forget that this is essentially a tourism film.
It is a rare treat to see such beautiful celluloid expended on just sight-seeing. But, having been to Rome, i know the sights really deserve seeing!
This is really Antonioni's passion. He probably enjoyed making this much more than he enjoyed making La Notte (which was all about character).
But I personally wish Antonioni wouldn't spend his time filming other people's great works of art instead of making the next Blowup - but he's 83 at time of writing, and that's how he did choose to spend it, so we have to just savour those few features he did make.
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