| Videos (see all 2) |
| Jim Caviezel | ... | Jim McCormick | |
| Jake Lloyd | ... | Mike McCormick | |
| Mary McCormack | ... | Bonnie McCormick | |
| Bruce Dern | ... | Harry Volpi | |
| Paul Dooley | ... | Mayor Don Vaughn | |
| Brent Briscoe | ... | Tony Steinhardt | |
| Mark Fauser | ... | Travis | |
| Reed Diamond | ... | Skip Naughton | |
| Frank Knapp Jr. | ... | Bobby Humphrey | |
| Chelcie Ross | ... | Roger Epperson | |
| Byrne Piven | ... | George Wallin | |
| William Shockley | ... | Rick Winston | |
| Matt Letscher | ... | Owen | |
| Richard Lee Jackson | ... | Buddy Johnson | |
| Kristina Anapau | ... | Tami Johnson | |
| Vincent Ventresca | ... | Walker Greif | |
| Cody McMains | ... | Bobby Epperson | |
| John M. Watson Sr. | ... | Walter | |
| James Andelin | ... | Merle | |
| Carl Amari | ... | Jake Merrill | |
| Len Foley | ... | Bill Kittle | |
| Jane Galloway Heitz | ... | Audrey (as Jane Heitz) | |
| Kathleen Ewing | ... | Bank Secretary | |
| Laura Whyte | ... | Bonnie's Mom | |
| Bernie Landis | ... | Lyle Dayhoff | |
| Jim Hendrick | ... | Himself | |
| Dean Biasucci | ... | ABC Reporter | |
| Bob North | ... | Keith | |
| Emily Salutric | ... | Racing Girl #1 | |
| Brie Larson | ... | Racing Girl #2 | |
| Will Bindley | ... | Racing Boy #1 | |
| Cully Smoller | ... | Racing Boy #2 | |
| Roger Wolski | ... | Angry Citizen | |
| W.E. Bindley | ... | Sideburns | |
| Don Youngblood | ... | Another Man | |
| Fran Williamson | ... | Offended Woman | |
| Chris Dennis | ... | Man in Crowd | |
| Don Keaton | ... | Businessman | |
| Sharon Bishop | ... | Darlene | |
| Greg Thomas | ... | Construction Worker | |
| Joy Ellison | ... | Bonnie's Friend | |
| Tony Steinhardt | ... | Hydroplane Fan | |
| Denise Dal Vera | ... | Housewife #1 | |
| Gabrielle Evans | ... | Housewife #2 | |
| Kyle McClanahan | ... | Kent | |
| Randall Gienko | ... | Peter | |
| Mercedes Blanco | ... | Autograph Seeker | |
| Betsey Vonderheide | ... | Gertie | |
| Peter Marmentini | ... | Crew Guy #1 | |
| Zack Rosenfield | ... | Crew Guy #2 | |
| Cynthia Elterman | ... | Miami Race Registrar | |
| Sue Dennis | ... | Chicago Race Registrar | |
| Hank Johnston | ... | Ricky | |
| John Adrian Riley | ... | Captain (as John Riley) | |
| Mel Vonderheide | ... | Priest | |
| Jan Lucas | ... | Woman in Crowd | |
| James Fields | ... | Davy Snyder | |
| John Mellencamp | ... | Adult Mike McCormick (voice) | |
| rest of cast listed alphabetically: | |||
| Marcus Daniel | ... | Fan Boy | |
| Olivia Francessca | ... | Bud Girl | |
| Richard Stiller | ... | Miss Budweiser Crew #1 | |
| Christopher Francis | ... | Regatta Spectator (uncredited) | |
| Corey Large | ... | Johnson (uncredited) | |
| Kimberly Magness | ... | Regatta Spectator (uncredited) | |
| Jane Rulon | ... | Woman in Restaurant (uncredited) | |
Directed by | |||
| William Bindley | |||
Writing credits(WGA) | ||
| William Bindley | & | |
| Scott Bindley | written by | |
Produced by | |||
| Carl Amari | .... | executive producer | |
| Adam Carl | .... | associate producer | |
| Chris Dennis | .... | executive producer | |
| Len Foley | .... | co-executive producer | |
| Roy Millonzi | .... | executive producer | |
| Beau Nortell | .... | co-producer | |
| Hal Olofsson | .... | associate producer | |
| Lisa F. Riley | .... | co-producer | |
| Steve Salutric | .... | executive producer | |
| Martin Wiley | .... | producer | |
Original Music by | |||
| Kevin Kiner | |||
Cinematography by | |||
| James Glennon | |||
Film Editing by | |||
| William Hoy | |||
Casting by | |||
| Amy Lippens | |||
Production Design by | |||
| Dorian Vernacchio | |||
Art Direction by | |||
| Tim Cohn | |||
Costume Design by | |||
| Jane Anderson | |||
Makeup Department | |||
| Jeni Lee Dinkel | .... | makeup department head | |
| R.J. McCasland | .... | makeup artist | |
| Myke Michaels | .... | makeup department head | |
| Janette Nielsen | .... | makeup artist | |
| Suzi Ostos | .... | makeup artist | |
| Jeffrey Lyle Segal | .... | assistant hair stylist | |
| Richard Wetzel | .... | makeup artist | |
Production Management | |||
| Daniel Carrey | .... | additional post-production supervisor | |
| Albert Coleman | .... | post-production supervisor | |
| Greg Malone | .... | production supervisor | |
| Robin Mulcahy Fisichella | .... | production supervisor: Los Angeles | |
| Martin Wiley | .... | unit production manager | |
Art Department | |||
| Paul Baker | .... | assistant props | |
| Greg Boes | .... | lead welder | |
| Flip Filippelli | .... | art director: second unit | |
| Charles Guanci Jr. | .... | prop master | |
| Gabriel Higgins | .... | property master | |
| Maria Higgins | .... | buyer | |
| Kevin Long | .... | property master | |
| Graham Robertson | .... | graphic designer | |
| Eric Steinway | .... | set dresser | |
| Thomas 'Noe' Welch | .... | set dresser | |
Sound Department | |||
| Gregg Barbanell | .... | foley artist | |
| Chris David | .... | sound re-recording mixer | |
| Matthew T. Duncan | .... | temp. sound recordist | |
| William Edward Duran | .... | assistant sound editor | |
| Nicholas James | .... | sound effects editor | |
| Mike Le Mare | .... | supervising sound editor | |
| David Marcus | .... | assistant sound editor | |
| Geoff Maxwell | .... | sound mixer | |
| Andy Peach | .... | post-production sound recordist | |
| Terry Rodman | .... | sound re-recording mixer | |
| Matthias Schmitz | .... | sound effects editor | |
| Karola Storr | .... | foley supervisor (as Carola Storr) | |
| Karola Storr | .... | sound editor (as Carola Storr) | |
| Brent Thacker | .... | cable person | |
| Joel R. Wilhelmi | .... | boom operator | |
| Matthias Schmitz | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Thomas Rasada | .... | special effects technician: Long Beach | |
Visual Effects by | |||
| Christopher Hagerthy | .... | digital compositor | |
| Mark Herman | .... | visual effects editor | |
| Yusaku Mizoguchi | .... | main title designer | |
| Mitch Paulson | .... | digital preview colorist | |
| Rod Schumacher | .... | visual effects supervisor | |
| Kristen Simmons | .... | digital effects artist | |
| Scott Simmons | .... | digital effects supervisor: Live Wire Productions | |
| Kevin Tuxford | .... | digital effects artist | |
| Eric Whitfield | .... | visual effects editor | |
| Richard Wirth | .... | compositor | |
Stunts | |||
| Tom Bahr | .... | stunt boat driver | |
| Cort Hessler | .... | water safety | |
| Artie Malesci | .... | marine coordinator | |
Casting Department | |||
| Claire Simon | .... | location casting | |
Costume and Wardrobe Department | |||
| Laura Guzik | .... | costume supervisor | |
| Annalisa Strickland | .... | additional key set costumer | |
| Erica Toriello | .... | costumer | |
Editorial Department | |||
| Carey A. Campbell | .... | post-production assistant | |
| Martha Pike | .... | first assistant editor | |
| Ron Rauch | .... | first assistant editor | |
Music Department | |||
| P.J. Bloom | .... | music supervisor | |
| Ray Espinola Jr. | .... | music supervisor | |
| James Fitzpatrick | .... | music contractor | |
| Evyen Klean | .... | executive music producer | |
| Christopher Young | .... | composer: original themes | |
Transportation Department | |||
| Adrian Cannon | .... | driver: Ms. McCarthy | |
| J. Armin Garza II | .... | driver: camera car | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I'd like to first address the folks who haven't seen the film and are unfamiliar with it, or its topic...
This sleeper film, as noted, is based around the true story of an under-dog hometown racing boat team that tried to win the "big one" against long odds in front of their home crowd. But the boat, the effort required to make the race happen, and the race itself is really secondary to the relationship between a 10 year-old son (Jake Lloyd) and his father (Jim Caviezel) as the demands of work, family, the sense of civic duty and the boat begin to pull the relationship, as well as his marriage, apart under a great deal of stress.
Some have criticized this film as a formula driven "feel-good" sports film, and I suppose that this is true to a point. However, the acting is very believable and heart-felt. In fact, I think the emotion that Lloyd exhibits in the film is far superior to the rather wooden appearance he later made in Star Wars as young Anakin. Caviezel also does a great job as Jim McCormick, the father and husband who finds himself thrown into situations not necessarily of his choosing.
The cinematography definitely conceals the low-budget nature of the film. Filmed in the "where it really happened" location of Madison, Indiana, "Madison" definitely shows off this visual gem on the Ohio River as well as its surrounding country side and wide vistas of the river valley.
The film was shot and then set on a shelf for about five years. I was tickled to see that it at least was allowed distribution to the general public via DVD.
This film will fill an evening of family entertainment and allow you to see a fine performance from two actors before they went on to add their talents to two block busters: The Passion, and The Phantom Menace.
OK, part two... This is for the fans of the sport featured in this film that have been critical of the way things are portrayed in the movie. Two words: Lighten Up. I've been a sporadic fan of the Hydros, my in-laws are from the Madison area, and I had the fortune to be at the 1971 Madison "Gold Cup" race (granted I was seven at the time) and remember the hoopla surrounding the race (I also still have my admission badge). Despite all of the carping about the dramatic license taken with the story line, the fact remains that the core of the film is true. People looking for a documentary on the Miss Madison of 1971 should look elsewhere.
This film is hardly the first non-fiction related sports event that has been "re-worked" for the big screen. Take a look at any informed fan's review of their favorite past-time as presented in the cinema and you'll find plenty of the same: "XYZ batted left-handed, but was a 'righty' in the film", "They didn't really play XYZ in the final game", "They got the score wrong", "The fuel those race cars use burns flameless", "They spliced footage from different locations together during the scenes of the game", "They didn't use that type of equipment back then", etc., etc., etc. Here's a newsflash people: Movie-goers that aren't passionate about your favorite sport don't care. That's right, read that again... "They don't care." They want good "entertainment". Sure it's nice if all the facts are dramatic enough to make it to the screen, but don't be surprised if you see a "blow-out" turned into a "nail-biter", or a plot twist or two thrown in for effect. Don't get all bent out of shape and let it ruin your enjoyment of the film. People aren't going to think "Madison" is a fraud if they learn, among other things, that a P-51 was never parked in the courthouse square in Columbus in 1971. Nor to they care what the APBA calendar looked like that year.
At least the plot and acting in "Madison" are great. My number one sports passion is open-wheel Champcar racing and when "Driven" came out, not only was the film full of technical inaccuracies and impossibilities, the plot and acting stunk. Now THAT was an embarrassment to that form of racing! Finally, considering that Jim McCormick's son, his widow, and many others were more than happy with the treatment that "Madison" gave to the U-6 of 1971. If they are OK with it, then why can't you be too? If nothing else, it gives people a peak into the world of something they might never have heard of before: unlimited hydroplane racing. It might actually be good for the sport For example, I now have a pretty good idea where I'll be come next 4th of July weekend. Sitting on the banks of the Ohio, eating one of my mother in-law's ham salad sandwiches, while watching the hydros pass under the Madison-Milton bridge sounds pretty good right now!