Madison (2001)

Director:

William Bindley

Writers (WGA):

William Bindley (written by) &
Scott Bindley (written by)

Release Date:

22 April 2005 (USA)

Genre:

Drama | Sport

Tagline:

A town's future is riding with one man.

Plot:

A story about a man's personal struggle to victory in the 1971 Madison, Indiana hydro-plane regatta.

Plot Keywords:

Hydroplane | Father Son Relationship | Boat Racing | Memoir | Independent Film

Cast

James Caviezel	...	Jim McCormick (as Jim Caviezel)
Jake Lloyd	...	Mike McCormick
Mary McCormack	...	Bonnie McCormick
Bruce Dern	...	Harry Volpi
Paul Dooley	...	Mayor Don Vaughn
Brent Briscoe	...	Tony Steinhardt
Mark Fauser	...	Travis
Reed Diamond	...	Skip Naughton
Frank Knapp Jr.	...	Bobby Humphrey
Chelcie Ross	...	Roger Epperson
Byrne Piven	...	George Wallin
William Shockley	...	Rick Winston
Matt Letscher	...	Owen
Richard Lee Jackson	...	Buddy Johnson
Kristina Anapau	...	Tami Johnson

MPAA:

Rated PG for some mild language and sports peril.

Runtime:

94 min | USA:99 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Australia:G | Argentina:Atp | USA:PG

Filming Locations:

Chicago, Illinois, USA

Company:

Addison Street Films

Trivia:

Sat on the shelf for nearly five years following its completion before being given a limited release in April 2005. It ended up being the last film ever released by MGM as an independent company.

Goofs:

Anachronisms: The Miss Budweiser raced through the film in its all-red color scheme, which was not adopted by the team until 1994. As one of the most recognizable boats in the history of hydroplane racing, this mistake may have been made deliberate by filmmakers.

Good--if you know absolutely NOTHING about hydro racing.

Madison is not too bad-—if you like simplistic, non-offensive, "family-friendly" fare and, more importantly, if you know absolutely nothing about unlimited hydroplane racing. If, like me, you grew up with the sport and your heroes had names like Musson, Muncey, Cantrell, Slovak, etc., prepare to be disappointed.

Professional film critics have commented at length on the formulaic nature of the film and its penchant for utilizing every hackneyed sports cliché in the book. I needn't repeat what they've said. What I felt was sadly missing was any sense of the real excitement of unlimited hydro racing in the "glory years" (which many would argue were already past in 1971).

Yes, it was wonderful to see the old classic boats roaring down the course six abreast, though it was clear that the restored versions (hats off to the volunteers at the Hydroplane and Race Boat Museum) were being nursed through the scenes at reduced speed. But where was the sound? Much of the thrill of the old hydros was the mind-numbing roar of six Allison or Rolls-Merlin aircraft engines, wound up to RPM's never imagined by their designers, hitting the starting line right in front of you. You didn't hear it, you FELT it. Real hydro buffs know exactly what I'm talking about. There's none of that in Madison. Instead, every racing scene is buried under what is supposed to be a "heroic" musical score.

And then there are the close-up shots of the drivers, riding smoothly and comfortably in the cockpits as if they were relaxing in the latest luxury limousines, in some cases taking time to smile evilly as they contemplate how best to thwart the poor home-town hero. Or, in one particularly ridiculous shot, taking time to spot Jake Lloyd giving a "Rocky" salute from a bridge pier. In reality, some unlimited drivers wore flak vests to minimize the beating they took as the boats slammed across the rock-hard water at speeds above 150 mph.

As one reviewer so aptly put it, "The sport deserves better than this."

Finally, since another user brought up anachronisms, I'll add one: the establishing shot of Seattle shows the Kingdome and Safeco Field. Neither existed in 1971