Stanislas Hassler blazes the development of modern art in his gallery, packed with works of surprising shapes, colours and textures, and where exhibitions turn into media events. Gilbert ... See full summary »
Clive Langham (Sir John Gielgud) spends one tormenting night in his bed suffering from health problems and thinking up a story based on his relatives. He is a bitter man and he shows, ... See full summary »
1941 in a small town in Nazi occupied France. Against the will of its elderly male and his adult niece residents, the Nazis commandeer a house for one of their officers, Lt. Werner von ... See full summary »
The business tycoon Nicolas Saccard is nearly ruined by his rival Gunderman, when he tries to raise capital for his company. To push up the price of his stock, Saccard plans a publicity ... See full summary »
Two shoeshine boys in postwar Rome, Italy, save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison where the experience take a devastating toll on their friendship.
Vittorio De Sica
In fog-dripping, barren and sometimes macabre settings, 11th-century Scottish nobleman Macbeth is led by an evil prophecy and his ruthless yet desirable wife to the treasonous act that ... See full summary »
During the first World War, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
Road movie about two children (Voula and Alexandre) searching for their father who is supposed to live in Germany. Their obsession for this father figure will take them to the boundaries ... See full summary »
In the First World War, when Paris is expected to fall to the Germans, the attractive widow, Princesse de Bormes, organises a convoy of cars to evacuate the wounded from the front, and ... See full summary »
A short film about a famous writer (acted by Cocteau himself) who loses control of his hand and begins to write letters and articles denouncing himself, the film is interesting chiefly as an introduction to some of the ideas that Cocteau would develop in later films. The titles are in Cocteau's characteristic handwriting, the same handwriting that the character uses in the film. Mirrors line the wall of his apartment and reveal hidden messages in his texts. The climax, in which Cocteau struggles to unwrite a confession that he is a fraud, runs backwards. An integral, albeit minor, piece in the great narcissistic puzzle of Cocteau's life's work.
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