1941 in a small town in Nazi occupied France. Against the will of its elderly male and his adult niece residents, the Nazis commandeer a house for one of their officers, Lt. Werner von ... See full summary »
After her father's death and her uncle having drunk all the inheritance, Virginia is left alone. She is accepted by a family of bohemians but a quarrel between the bohemians and the ... See full summary »
Two shoeshine boys in postwar Rome, Italy, save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison where the experience take a devastating toll on their friendship.
Vittorio De Sica
French filmmaker Rene Clement presents Alan Delon as a petty criminal on the run from the underground. On the Rivera, he seeks refuge in a flophouse whose soup line is served by Jane Fonda ... See full summary »
An old woman finds a baby among the cauliflowers in her garden. She takes care of the orphan, and calls him Totò. When she dies, he is sent to an orphanage, which he leaves as a teenager. ... See full summary »
Vittorio De Sica
Oslo, April 19th 1945, as the Third Reich is living its last days, a group of Nazis and sympathizers (a Wehrmacht general; an SS commander and his "assistant"; an Italian industrialist and ... See full summary »
The judge in a Danish town sees his illegitimate daughter facing a trial for the murder of her newborn child, and is rather sure that she will be sentenced to death. She became pregnant ... See full summary »
Carl Theodor Dreyer
A short film about a famous writer (acted by Cocteau himself) who loses control of his hand and begins to write letters and articles denouncing himself, the film is interesting chiefly as an introduction to some of the ideas that Cocteau would develop in later films. The titles are in Cocteau's characteristic handwriting, the same handwriting that the character uses in the film. Mirrors line the wall of his apartment and reveal hidden messages in his texts. The climax, in which Cocteau struggles to unwrite a confession that he is a fraud, runs backwards. An integral, albeit minor, piece in the great narcissistic puzzle of Cocteau's life's work.
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