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Anthology film created from two unaired episodes of Night Visions. A mental patient must not stop behaving in patterns. A maze on collage campus is actually a portal. A town fears music. A court employee can hear thoughts of one defendant.
Looking back a few years later, Jefferson Roth tells the story of the last few weeks of her senior year at a Wisconsin boarding school when she and two girl friends, the naive Lisa and the outrageous Karen, use a pistol to turn the tables on men (boys, really) who make them feel weak, put upon, and desired only as sex objects. They stage a sexual assault on David, who's been hot and cold toward Lisa. Meanwhile, each of the three keeps trying to find love even while Karen wants to attack others: Jefferson falls for a cowboy singer, ignoring a boy she grew up with, Jeremy, who likes her; Lisa tries again to reach David; Karen puts herself at risk with an older man. Can it end well? Written by
I rented this in hopes of seeing, at the least, a film with some memorable lines or fun moments, and hoped that possibly I was stumbling across an underrated, obscure gem. I didn't even get any memorable lines or fun moments. It seems that what the film is trying to do is show a feminist view of sex, but the viewpoint doesn't go very deep or really seem that intriguing. It hardly even makes sense. The characters don't do much to support this attempt at deepness, and the acting is lousy all around. One of the main girls is trying her best to be an Angelina Jolie type, but she has zero charisma or screen presence. I think the best acting in the film was from a minor female character in a bar that one of the male characters was trying to pick up, and she had about three lines. Seriously, the acting is that noticeably bad. Thora Birch must be trying to earn indie cred by appearing in this right around the time her career was taking off, and she does have one of the better moments towards the beginning involving playing a Russian roulette-type game with an almost completely loaded gun, but the fact that the gun is loaded is the only fascinating part about this scene because her acting isn't particularly stellar. Dominique Swain doesn't even shine at all, and she has definitely saved some films I've seen in the past. The pot smoking seemed like a gimmick tacked onto the film. It's a shame. This movie looks good on paper, but suffers from weakness factoring in from all aspects that go into the making of it.
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