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Dr. T & the Women (2000)

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Dr. Sullivan Travis "Dr. T." is a wealthy Dallas gynecologist for some of the wealthiest women in Texas who finds his idealist life beginning to fall apart starting when his wife, Kate, ... See full summary »

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3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Kate
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Dee Dee
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Eli
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Holly Pelham ...
Joanne (as Holly Pelham-Davis)
Jeanne Evans ...
First Exam Patient
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Storyline

Dr. Sullivan Travis "Dr. T." is a wealthy Dallas gynecologist for some of the wealthiest women in Texas who finds his idealist life beginning to fall apart starting when his wife, Kate, suffers a nervous breakdown and is committed to the state mental hospital. Dr. T's eldest daughter, Dee Dee, is planning to go through with her approaching wedding despite the secret that she's a lesbian and is romantically involved with Marilyn, the maid of honor. Dr T's youngest daughter, Connie, is a conspiracy theorist freak who has her own agenda to everything, while Dr. T's loyal secretary, Carolyn, has romantic feelings for him, which are not mutual. Dr. T's sister-in-law, Peggy, meddles in every situation she stumbles into, while one woman, Bree, a golf instructor, is the only one who offers him any comfort and salvation. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for graphic nudity and some sexuality | See all certifications »

Parents Guide:

 »
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Details

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Language:

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Release Date:

13 October 2000 (USA)  »

Also Known As:

Dr. T and the Women  »

Box Office

Budget:

$23,000,000 (estimated)

Opening Weekend:

$5,012,867 (USA) (13 October 2000)

Gross:

$13,065,561 (USA) (15 December 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

To make Farrah Fawcett more comfortable for her nude scene in the fountain, director 'Robert Altman' had cleared the entire stage of people, except for himself, the director of photography, and the sound recordist. To everyone's surprise, she refused to do the scene without the crowd, stating she was not at all embarrassed by her naked body. So the extras were let in, she performed the scene completely naked, and received a standing ovation from the crowd afterwards. See more »

Goofs

When we first see Bree pulling into the car park at the golf club and getting out of her car in the rain, her hair is already wet as she steps out of the car. See more »

Quotes

[first lines]
First Exam Patient: Whoo. So uh, so Dr T, I, uh, I hear your wife's sister moved back in with you a few days ago. Is that true?
Dr. Sullivan "Sully" Travis, "Dr. T": Yes it is. Peggy and three kids.
Dr. T's Staff: I'm sorry.
First Exam Patient: Uh, what is your wife's name?
Dr. Sullivan "Sully" Travis, "Dr. T": Kate.
First Exam Patient: Kate. Yes of course, Kate. Oh. And your wife's sister's name is?
Dr. Sullivan "Sully" Travis, "Dr. T": Peggy.
First Exam Patient: Peggy, Peggy, yes, Peggy. So uh how many children does Peggy have now?
Dr. Sullivan "Sully" Travis, "Dr. T": She has three.
[...]
See more »

Crazy Credits

In the opening credits, actors have their names appear in a plain sans serif font while actress have their names appear in a flowing script font. See more »

Connections

Featured in The Making of 'Dr. T and the Women' (2001) See more »

Soundtracks

You've Been So Good Up to Now
(1992)
Composed by Lyle Lovett
Performed by Lyle Lovett
Published by Michael H. Goldsen Inc./Lyle Lovett
Courtesy of MCA Records/Curb Music Co.
Under license from Universal Music Enterprises
See more »

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User Reviews

Scrambled Ovaries
14 October 2000 | by (Virginia Beach) – See all my reviews

Robert Altman is frustratingly inconsistent, and here is at his worst. His very personal style has three characteristics:

1. Many-threaded storylines and characters, many of which raise questions that are not answered in the play. When done well, you get the impression of moving through the world with a curious voyeurism, dipping into many lives which are intriguing enough to learn more about. Except for the youngest daughter, none of these women are worth digging more into. The misogynism could have been an advantage; here it is cheap.

2. Spontaneous acting. Altman doesn't tell his actors what to do, trusting them to bring something fresh. In the best case, the differing visions of the actors add to the manyhued effect described above. But you need powerful actors like he had in "Cookie's Fortune." These folks, some of whom are fine when given direction, simply can't synthesize.

3. Wonderful tracking shots (which move from character to character so enhance the two effects noted above). Check out the first shot in "The Player." That alone is worth the admission. Here, we have a busily choreographed shot at the beginning and a dizzy pullback at the end, but neither to any useful effect.

Avoid this film. The master was asleep.


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