Kevin and Perry are two 15-year-old boys whose desperation to lose their virginity is so great that it inspires a sort of awe. In the rare moments when they're not thinking about girls, ... See full summary »
BBC sketch show that while continuing to show the misadventures of a series of popular characters now also introduces a slew of new oddballs and misfits for us to enjoy including Tory Boy and The Lovely Wobbly Randy Old Ladies.
Popular BBC sketch show that introduces a whole host of memorable characters such as Tim-Nice-But-Dim, Wayne and Waynetta Slob, The Old Gits and teenagers Kevin and Perry. The show spawned a slew of spin-off series and films.
A sitcom about two dreamy roommates in London. Gay unemployed actor Tom Farrell has a vague ambition to become the British Tom Cruise, but his career is going nowhere, and his love life ... See full summary »
The Football Factory is more than just a study of the English obsession with football violence, its about men looking for armies to join, wars to fight and places to belong. A forgotten ... See full summary »
Kevin and Perry are two 15-year-old boys whose desperation to lose their virginity is so great that it inspires a sort of awe. In the rare moments when they're not thinking about girls, Kevin dreams of being a singer, and Perry has ambitions toward becoming a dance music DJ. When Kevin and Perry manage to stop a bank robbery, they're given a sizable cash reward, and they decide to go on a holiday in Ibiza, which is supposedly populated with thousands of beautiful women willing to sleep with anyone. However, after the boys pack plenty of sunscreen and condoms, Kevin's parents announce that they're tagging along. Undeterred, Kevin and Perry make the trip and meet superstar DJ Eyeball Paul , who may or may not listen to their demo tape. The boys also encounter Gemma and Candice, two scruffy teenage girls who are nearly as eager as Kevin and Perry to get horizontal. Written by
Harry Enfield states on the commentary that during the scene where Sharon climbs into bed with him at the end of the party, that was the first time he'd put his tongue in the mouth of another woman since he'd been married. See more »
When Kevin and Perry land in Ibiza, they are seen leaving the airport terminal. as they are leaving, a young man in a Rangers FC shirt is seen walking past behind them. When Kevin and Perry notice their dream girls, the camera pans to the girls then back to them, where the same young man in the same Rangers FC shirt is seen walking past again. See more »
As the end credits start and the delted scenes and out-takes are being shown underneath, there are also shots of members of the crew jumping into the forefront of the shot so you know what they look like. See more »
Throughout film history, the British film industry has contributed many films of varying quality to the world, some of which are arguably among the best films ever made as well as others which represent the true nadir of cinema. One such sad example of the latter would be the 2000 comedy Kevin and Perry Go Large (based on the popular UK comedy sketch Kevin the teenager from the show Harry Enfield and Chums), which due to its hateful characters, poor structuring and overall lack of anything funny, ranks not only as one of British cinema's worst, but arguably one of the worst films in movie history.
The story is that friends Kevin and Perry go on a holiday to Ibiza in order to become DJ's so that they can find their significant others. Along the way they'll come across sun, sex & clubbing as well as an evil DJ by the name of Eye Ball Paul who will test their friendship in the process. The plot is very lazy here, as it follows the typical plot of a British sitcom adaptation: take take the main characters out of their comfort zone and into a different place that they aren't familiar with. While not as undercooked as other sitcom adaptations (i.e. MacGruber, Keith Lemon: The Film), the story is still very generic, and becomes utterly redundant in the process. On top of this, the story is very poorly structured as well, as the film moves on without much narrative thread connecting it all together, eventually feeling closer to its sketch show roots than necessary. It honestly felt like one was watching a string of sketches they scrapped from the TV show, due to their lack of humour.
That's another major problem, as the film isn't funny in the slightest, due to its constant reliance on lowest common denominator humour. There's boner gags (Kevin manages to stop a bank robbery with a boner), gross-out gags (a spot popping scene that is so awful and crass that it feels like it should be in an American Pie straight to DVD sequel) and lots of terrible toilet humor. Another problem is the one-joke nature of the film, that being that Kevin and Perry are deliberately irritating, acting as a satire of teenagers and their culture, but due to how unlikable Kevin and Perry are, it gets very old and annoying very fast.
And they are indeed unlikable characters. They are so hateful in fact that they are some of the worst characters ever seen in a comedy film. They are very inappropriate towards the female characters in the film (including stalking them and sleeping with them against their will) and treat their parents like dirt, with constant verbal abuse and rudeness towards them, despite how kind and caring the parents are. On top of this, they don't seem to have much of a strong friendship, as at the first threat to their friendship in the film (Eye Ball Paul manipulating them for his own gain), they immediately refuse to speak to one another. Why are we meant to like these characters again?
And yes, I do understand that they are meant to be a satire of both teenagers and their culture, but it doesn't excuse how truly detestable the main characters are, and the fact that it isn't at all funny (or even good satire, considering how the humour is aimed at, ironically, at the same lowest common denominator audience the film is meant to be making fun of) only serves to make matters worse. In short, it would probably be fine in a 20 minute show, but in a full length film, these characters become utterly unbearable, and considering that they take up the most screen time, it makes the film legitimately painful to sit through.
It doesn't help that the other characters are as underwritten as Kevin & Perry (but thankfully not as unlikable), and feel like their only purpose in the film is to make it even longer, mainly that of Kevin and Perry's girlfriends and the aforementioned parents. This also sadly applies to the villain, Rhys Ifans' DJ Eye Ball Paul, as despite the fact that he doesn't really have any effect on the story, is the most sympathetic character, mainly due to how he bullies and is horrible to Kevin and Perry, and you can't help but feel that some of his behaviour towards them is deserved, considering how utterly horrible they both are. It also helps that Rhys Ifans (as always) is very good, and in turn, becomes the only thing in this film anybody could stomach.
It is because of all these problems that I feel that Kevin and Perry Go Large is not only one of the worst British films ever made (a title it takes very easily), but is one of the worst films ever made. Everything is completely inept, whether it be the hateful main characters, the poorly developed supporting characters, the lack of any laughs, a plot that is lazily recycled, a very poor structure to the film and the utterly toothless satire. Bottom line: Kevin and Perry Go Large stinks, and it should be avoided like the plague.
1 of 1 people found this review helpful.
Was this review helpful to you?