| Photos (See all 40 | slideshow) |
| Rob Schneider | ... | Deuce Bigalow | |
| William Forsythe | ... | Detective Chuck Fowler | |
| Eddie Griffin | ... | T.J. Hicks | |
| Arija Bareikis | ... | Kate | |
| Oded Fehr | ... | Antoine Laconte | |
| Gail O'Grady | ... | Claire | |
| Richard Riehle | ... | Bob Bigalow | |
| Jacqueline Obradors | ... | Elaine Fowler | |
| Big Boy | ... | Fluisa | |
| Amy Poehler | ... | Ruth | |
| Dina Platias | ... | Bergita | |
| Torsten Voges | ... | Tina | |
| Deborah Lemen | ... | Carol | |
| Bree Turner | ... | Allison | |
| Andrew Shaifer | ... | Neil | |
| Allen Covert | ... | Vic | |
| Elle King | ... | Cookie Girl (as Elle Tanner Schneider) | |
| Barry Cutler | ... | Dr. Rosenblatt | |
| Jackie Sandler | ... | Sally (as Jacqueline Titone) | |
| Karlee Holden | ... | Megan | |
| Chloé Hult | ... | Amber | |
| Natalie Garner | ... | Natalie | |
| Robb Skyler | ... | District Attorney | |
| Jason Wall | ... | Bailiff | |
| John Harrington Bland | ... | Dr. Rosenblatt's Patient | |
| Caroline Ambrose | ... | Mother in Bathroom #1 | |
| Louise Rapport | ... | Old Woman in Line | |
| Pilar Schneider | ... | Old Lady at Restaurant | |
| Shain Holden | ... | Waiter at Pool | |
| Gabrielle Tuite | ... | Beautiful Porsche Woman | |
| Charlie Curtis | ... | Half Dressed Girl | |
| Thomas Bellin | ... | Elderly Man in Car | |
| Flora Burke | ... | Elderly Woman in Car | |
| rest of cast listed alphabetically: | |||
| Norm MacDonald | ... | Bartender (uncredited) | |
| Ron Soble | ... | Judge (uncredited) | |
| Marlo Thomas | ... | Margaret (uncredited) | |
| Alicia Tighe | ... | Mother in Bathroom #2 (uncredited) | |
Directed by | |||
| Mike Mitchell | |||
Writing credits(WGA) | ||
| Harris Goldberg | (written by) & | |
| Rob Schneider | (written by) | |
Produced by | |||
| Michelle Archer | .... | associate producer | |
| Barry Bernardi | .... | producer | |
| Enfys Dickinson | .... | content producer | |
| Sidney Ganis | .... | producer (as Sid Ganis) | |
| Jack Giarraputo | .... | executive producer | |
| Harris Goldberg | .... | co-producer | |
| Adam Sandler | .... | executive producer | |
| Alex Siskin | .... | co-producer | |
Original Music by | |||
| Teddy Castellucci | |||
Cinematography by | |||
| Peter Lyons Collister | (director of photography) | ||
Film Editing by | |||
| George Bowers | |||
| Lawrence Jordan | |||
| Doron Shauly | |||
Casting by | |||
| Gail Goldberg | |||
| Donna Morong | |||
| Marcia Ross | |||
Production Design by | |||
| Alan Au | |||
Art Direction by | |||
| Domenic Silvestri | |||
Set Decoration by | |||
| Fontaine Beauchamp Hebb | (as F. Beauchamp Hebb) | ||
Costume Design by | |||
| Molly Maginnis | |||
Makeup Department | |||
| Jeri Baker | .... | key hair stylist | |
| Lisa Buono | .... | additional makeup artist | |
| Jackie Dobbie | .... | key makeup artist | |
| John Rosengrant | .... | special makeup effects artist | |
| Nena Smarz | .... | makeup department head | |
| Candy L. Walken | .... | key hair stylist | |
Production Management | |||
| Karen Hughes | .... | unit production manager | |
| Wayne Morris | .... | production supervisor: Orlando | |
Art Department | |||
| Debbie Andrews | .... | art department coordinator (as Debbi M. Andrews) | |
| Billy Baker | .... | set dresser | |
| Max E. Brehme | .... | property master | |
| Jason Brubaker | .... | storyboard artist | |
| Richard Brunton | .... | leadman | |
| Mike Cachuela | .... | storyboard artist | |
| Michael Cutler | .... | set dresser | |
| Tim Jackson | .... | general foreman | |
| Mark David Kersey | .... | head greensman | |
| Scott W. Leslie | .... | assistant property master | |
| Chandler Vinar | .... | set dresser | |
Sound Department | |||
| Eric Alexander | .... | foley walker | |
| Tom E. Dahl | .... | sound re-recording mixer (as Tom Dahl) | |
| Russell Farmarco | .... | sound editor | |
| Joe Foglia | .... | sound mixer: Orlando | |
| Gary S. Gerlich | .... | supervising sound editor | |
| Thomas Giordano | .... | cable operator | |
| Thomas Giordano | .... | playback operator | |
| Orada Jusatayanond | .... | sound editor | |
| David Kelson | .... | sound mixer | |
| Steve Kohler | .... | dubbing recordist | |
| Ai-Ling Lee | .... | sound editor | |
| Anthony Ortiz | .... | boom operator | |
| David Peifer | .... | sound editor (as David Luke Peifer) | |
| Klaus Peintner | .... | foley recordist | |
| Klaus Peintner | .... | sound editor | |
| Monique Reymond | .... | foley walker | |
| Elliot Tyson | .... | sound re-recording mixer | |
| Elmo Weber | .... | supervising sound editor | |
Special Effects by | |||
| David Blitstein | .... | special effects coordinator | |
| Lindsay MacGowan | .... | effects supervisor: Stan Winston Studio | |
| Lindsay MacGowan | .... | puppeteer | |
| Bob Mano | .... | key mechanical designer: Stan Winston Studio | |
| Bob Mano | .... | puppeteer | |
| Keith Marbory | .... | special effects supervisor | |
Visual Effects by | |||
| Rick Cortes | .... | visual effects artist | |
| Michael Curtis | .... | digital compositor | |
| Bruce Harris | .... | digital artist | |
| Robert McInnis | .... | visual effects supervisor: Modern VideoFilm | |
| Christopher Nibley | .... | motion control | |
| John T. Van Vliet | .... | visual effects supervisor | |
| Scott Wheeler | .... | digital effects artist | |
Stunts | |||
| John Branagan | .... | stunts | |
| Ricou Browning Jr. | .... | water safety | |
| Marla Casey | .... | stunt double | |
| Laura Lee Connery | .... | stunts | |
| Gary Guercio | .... | stunt double: Rob Schneider | |
| Gloria O'Brien | .... | stunt double: Gail O'Grady | |
| Carrick O'Quinn | .... | stunts | |
| Gregg Smrz | .... | stunt coordinator | |
| Shirley Smrz | .... | stunts | |
| Justin Neal Thompson | .... | stunt double: Oded Fehr | |
Camera and Electrical Department | |||
| Stuart Abramson | .... | key grip | |
| Myles Aronowitz | .... | still photographer | |
| Charles S. Cohen | .... | camera operator: second unit | |
| John Connell | .... | camera operator | |
| Scott Crabbe | .... | video playback operator | |
| Michael Delahoussaye | .... | camera operator: second unit | |
| Darrin DeLoach | .... | first assistant camera | |
| Josh Denering | .... | grip | |
| Tom Fox | .... | video assist operator | |
| Michael E. Gips | .... | electrician | |
| Shane D. Kelly | .... | gaffer | |
| Jordan Klein Sr. | .... | underwater camera operator | |
| Glen Magers | .... | lighting technician | |
| Rell Putt | .... | grip | |
| Dylan Rush | .... | set lighting rigger | |
| Andrea Sachs | .... | gaffer | |
| Gregory Shummon | .... | best boy electric rigger | |
| Daniel Taylor | .... | second assistant camera: second unit | |
| Chuck Cohen | .... | director of photography: second unit (uncredited) | |
| Henry Tirl | .... | Steadicam operator (uncredited) | |
Casting Department | |||
| Terri Douglas | .... | adr voice casting | |
| Terrence Harris | .... | casting associate | |
| Lisa Rochette | .... | casting associate | |
Costume and Wardrobe Department | |||
| Beth Beasley | .... | costumer | |
| Patrick Guzzo | .... | costumer | |
| James Lapidus | .... | costume supervisor | |
Editorial Department | |||
| Laura Behary | .... | first assistant editor | |
| Todd Busch | .... | first assistant editor: avid | |
| Joe Finley | .... | digital color timer | |
| Peter McNulty | .... | assistant editor | |
| Ewa Zbroniec | .... | assistant editor | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| Wende Crowley | .... | music coordinator (as Wende Geikie) | |
| Michael Dilbeck | .... | music supervisor | |
| Benoit Grey | .... | midi score transcriptor | |
| Stuart Grusin | .... | music editor | |
| Jon Kull | .... | orchestrator | |
| Lori Lahman | .... | associate music supervisor | |
| Stephen Lotwis | .... | supervising music editor (as Steve Lotwis) | |
| Frank Macchia | .... | music preparation | |
| Tom Mgrdichian | .... | orchestrator | |
| Gabe Veltri | .... | score mixer | |
| Gabe Veltri | .... | score recordist | |
| Michele Wernick | .... | music consultant | |
| Booker White | .... | music preparation | |
| Christopher Violette | .... | music consultant (uncredited) | |
Transportation Department | |||
| David Neil Enfinger | .... | driver: honeywagon | |
| Edward Flotard | .... | transportation coordinator | |
| Chris Haynes | .... | driver | |
| Shaun Ryan | .... | transportation co-captain | |
Other crew | |||
| Jody Beaudin | .... | first assistant accountant | |
| Paul Belenardo | .... | production accountant | |
| Ralph Bertelle | .... | production coordinator | |
| Darin Bouyssou | .... | silicone fish | |
| Joe Brown | .... | office production assistant | |
| Ricou Browning Jr. | .... | water safety | |
| Chris Duchscher | .... | production assistant | |
| Rob Frank | .... | key assistant location manager | |
| James Fregia | .... | office production assistant | |
| Michelle Gold | .... | extras and second unit | |
| Nancy Karlin | .... | script supervisor | |
| Elizabeth Maxwell | .... | caterer | |
| Michael Maxwell | .... | caterer | |
| Tom Mgrdichian | .... | midi arranger | |
| Michael Neale | .... | location manager | |
| Stefan Rhys | .... | office production assistant | |
| Stefan Rhys | .... | runner | |
| Adam Shankman | .... | choreographer | |
| K.L. Connie Wang | .... | assistant script clearance administrator (as Connie Wang) | |
| Matt Woodard | .... | production assistant | |
| Ted Yonenaka | .... | craft service | |
| Tim Ballou | .... | script clearance administrator (uncredited) | |
| Allison Heaps | .... | assistant: Barry Bernardi (uncredited) | |
| Thomas Krueger | .... | medic (uncredited) | |
| Anne Lockhart | .... | adr voice (uncredited) | |
| Kei Rowan-Young | .... | assistant location manager (uncredited) | |
| Eli Wolstan | .... | assistant: Jack Giarraputo (uncredited) | |
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| My Own Private Idaho | Half Baked | Deuce Bigalow: European Gigolo | Cafe Society | The Accused |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
While watching `Deuce Bigalow: Male Gigolo,' you may well find yourself laughing out loud from time to time and hating yourself for it afterwards. For this lame brained comedy, beyond being incredibly juvenile and silly in its comedic temperament, also manages to be as politically incorrect as possible, using as its targets the obese, the handicapped and an assortment of social outcasts and misfits. And, although the ribbing is generally quite good-natured and even affectionate at times, one can't help but feel a little guilty about laughing.
The formula for the film adheres very closely to the one employed by virtually all "Saturday Night Live" or "Second City" alumni in their initial forays into big screen comedies. Once again we have the usual bumbling nerd trying to win acceptance as a `cool dude,' making a shambles of everything he touches, yet ultimately managing to garner the respect of his peers and the love of a beautiful woman. Rob Schneider plays the title role, a professional fish tank cleaner who, through a complicated series of circumstances, finds himself delving into the realm of `man whore' in order to earn some much needed money. The stupidity of the premise and the situations cannot be underestimated as Schneider is put through a series of pratfalls, misunderstandings and verbal slugfests that are often quite amusing almost in spite of themselves. It takes either a certain amount of daring or a shocking degree of insensitivity (or perhaps a little of both) to line up a series of jokes and sight gags aimed at people who suffer from obesity, Tourettes Syndrome, Narcolepsy, blindness and limb amputation - but this film does it. Somehow, though, the film manages to treat its characters with such a genial fondness that it never seems particularly harsh or mean spirited. Whether or not that mitigates the feeling of guilt resulting from one's laughter must, finally, be a matter of personal conscience I suppose.
Schneider plays the lead in a nicely relaxed fashion, not succumbing to the hyperbolic mugging that so many comics are prone to indulge in when faced with similar roles. And what a pleasant surprise to encounter Marlo Thomas of all people in an uncredited cameo appearance and still looking like a knockout in her sexy lingerie.
`Deuce Bigalow' may not sit well with the easily offended or with those who prefer their comedy to be of a bit more - um, shall we say - cerebral nature. Still, unabashed silliness makes for a fun time every now and then and, in that spirit, this film deserves to be seen.