| Photos (See all 18 | slideshow) | Videos (see all 2) |
| Nathalie Baye | ... | Her | |
| Sergi López | ... | Him | |
| Jacques Viala | ... | Interviewer (voice) | |
| Paul Pavel | ... | Joseph Lignaux | |
| Sylvie Van den Elsen | ... | Madame Lignaux | |
| Pierre Gerranio | ... | Hotel receptionist (as Pierre Géranio) | |
| Hervé Sogne | ... | Ambulance driver | |
| Christophe Sermet | ... | Hospital employee |
Directed by | |||
| Frédéric Fonteyne | |||
Writing credits(in alphabetical order) | ||
| Philippe Blasband | writer | |
Original Music by | |||
| André Dziezuk | |||
| Marc Mergen | |||
| Jeannot Sanavia | |||
Cinematography by | |||
| Virginie Saint-Martin | |||
Film Editing by | |||
| Chantal Hymans | |||
Casting by | |||
| Gerda Diddens | |||
| Bruno Levy | |||
Production Design by | |||
| Véronique Sacrez | |||
Set Decoration by | |||
| Marc-Philippe Guerig | |||
Costume Design by | |||
| Anne Schotte | |||
Makeup Department | |||
| Françoise Andrejka | .... | makeup artist | |
| Cédric Chami | .... | hair stylist | |
Production Management | |||
| Bachir Arfaoui | .... | assistant unit manager | |
| Marc Dalmans | .... | unit manager | |
| Cathy Deharynck | .... | post-production supervisor | |
| Patrick Pesenti | .... | unit manager | |
| Olivier Rausin | .... | production manager | |
Art Department | |||
| Marie-Pierre Bourboulon | .... | set dresser | |
| Guy Cantraine | .... | property master | |
| Bernard Ferrandis | .... | constructor | |
| Géraldine Glorieux | .... | assistant art director | |
| Edouard Pallardy | .... | painter | |
| Mélissa Ponturo | .... | assistant set dresser | |
| Paul Rouschop | .... | constructor | |
| Stephan Rubens | .... | construction coordinator | |
| Bruno Ruwet | .... | constructor | |
| Laurent Stoffyn | .... | constructor | |
| Thierry Van Cappellen | .... | set decorator (as Thierry Van Cappelen) | |
| Bart van Lint | .... | carpenter (as Baert van Lint) | |
Sound Department | |||
| Benoît Biral | .... | adr recordist | |
| Benoît Biral | .... | foley recordist | |
| Etienne Curchod | .... | sound editor | |
| Nathalie Delvoye | .... | sound editor | |
| Frédéric Fichefet | .... | assistant sound editor | |
| David Gillain | .... | sound recordist | |
| Pascal Jasmes | .... | boom operator | |
| Valène Leroy | .... | assistant foley artist | |
| Jo Masset | .... | post-synchronization | |
| Frédéric Meert | .... | sound editor | |
| Henri Morelle | .... | sound recordist | |
| Franco Piscopo | .... | sound mixer | |
| Gréggory Poncelet | .... | sound recordist | |
| Antoine Rigaud | .... | sound editor | |
| Luc Thomas | .... | sound recordist | |
| Carlo Thoss | .... | sound engineer | |
| Carlo Thoss | .... | sound recordist | |
| Philippe van Leer | .... | sound effects editor | |
Camera and Electrical Department | |||
| Hichame Alaouie | .... | second assistant camera | |
| Hugues Balagny | .... | electrician | |
| Séverine Barde | .... | first assistant camera | |
| Marc Baudrillart | .... | electrician | |
| Marc Bo | .... | still photographer | |
| Marc Bossaerts | .... | still photographer | |
| Patrick de Ranter | .... | Steadicam operator | |
| Olivier Dirksen | .... | electrician | |
| Patrick Errera | .... | grip | |
| Guy Ferrandis | .... | still photographer | |
| Raymond Fromont | .... | camera operator (as Rémon Fromont) | |
| René Haan | .... | electrician | |
| Moune Jamet | .... | still photographer | |
| Jean-Paul Kieffer | .... | still photographer | |
| Sébastien Koeppel | .... | camera operator: second unit | |
| Laurent Leonard | .... | key grip | |
| Vincent Merveille | .... | grip | |
| Vincent Piette | .... | gaffer | |
Costume and Wardrobe Department | |||
| Leila Adjir | .... | costumer | |
Editorial Department | |||
| Christophe Bousquet | .... | color timer | |
| Gisela Hochuli | .... | post-production coordinator: Switzerland | |
| Maria Holland | .... | negative cutter | |
| Virgine Messiaen | .... | assistant editor: second unit | |
| Sylvie Petat | .... | assistant editor | |
| Irène Rupp | .... | post-production coordinator: Switzerland | |
Music Department | |||
| Emmanuel Gaspart | .... | music consultant | |
Other crew | |||
| Julien Azoulay | .... | production trainee | |
| Cécile Bachelier | .... | production administrator: France | |
| Lelia Di Luca | .... | production secretary | |
| Patrice Fiorina | .... | accountant: Luxembourg | |
| Sabine Guermouche | .... | production secretary: France | |
| Hamid Haddache | .... | accountant: Belgium | |
| Tom Heene | .... | production assistant | |
| Frédérique Larmagnac | .... | production assistant: Belgium | |
| Evelyne Laz | .... | accountant: France | |
| Dany Leyder | .... | production secretary: Luxembourg | |
| Claude Ludovicy | .... | location manager | |
| Josiane Morand | .... | script supervisor | |
| Michel Norman | .... | travelling car | |
| Patrick Robineau | .... | travelling car | |
| Aurore Schneidesch | .... | accountant: Luxembourg | |
| Dominique Segall | .... | press attache | |
| Sylvie Van Ruymbeke | .... | production secretary: Belgium | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
This is one French movie which I am pretty sure will not run through an American remake. It has all the elements that attract the intellectual European movie goer, and all what is rejected by the typical American viewer. It is a love story with two characters, almost everything happens in just two places (a restaurant and a hotel room), drama is based on characters development, and eroticism is all but explicit. It is a love story, but it departs the usual romantic comedy pattern and escapes the cheap happy end that spoils that many American movies. Acting is superb, and actually the best part in the film, though it is sometimes too static, more Russian or East European style than French. At the end, you are left with a simple story of un-realized love, the message being that the imposed limits of communication according to which the heros decided to play decide their ultimate faith, and the faith of their relationship. Not too much, but decent cinema if you like the style and genre. 8/10 on my personal scale.