They recount their impressions to the Interviewer. They met through a magazine ad, She and He. They corresponded through the Internet. He responded to her ad seeking someone to fulfil her ...
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This movie is foremost distinguished by the use of a subjective camera, and nearly 100 % of the time consists of close-up of Isabelle Carré's face. She is capable of changing her facial ... See full summary »
A failed London musician meets once a week with a woman for a series of intense sexual encounters to get away from the realities of life. But when he begins inquiring about her, it puts their relationship at risk.
Antoine has always been fascinated with hairdressers, and this story is the embodiment of the wishful thinking of a young boy dreaming of marrying a hairdresser and the fulfilment of a perfect, idealised love.
A successful entrepreneur in his fifties will decide to abandon his loved ones and the empire he has built, just to find the liberty he has been seeking, not knowing that the itinerary of one's life often changes in the funniest of ways.
They recount their impressions to the Interviewer. They met through a magazine ad, She and He. They corresponded through the Internet. He responded to her ad seeking someone to fulfil her fantasy for "a pornographic affair". This is their first meeting in a Paris café. He's a little reticent. She wants to know whether or not he's hairy. (He is; he's Spanish.) They retire to a nearby hotel room. The door of the room closes. Unseen, the affair is consummated... They continue to see one another regularly each week. They find they get along well together. Soon she suggests that they try normal sex the next time... Written by
This little movie is simply sublime. I ran across it again when searching for more Sergi Lopez films. His range is simply amazing, from sensitive fantasy lover (as in this film) to the most dastardly twisted villain. I would be hard-pressed to think of any more talented male actor in European film today. I particularly liked him in "Dirty Pretty Things", due to its serious, thoughtful treatment of the pressures on immigrants. "A Friend Like Harry" was just great entertainment, humor of the darkest sort.
"Une Liason Pornografique" is still another type of film altogether. The French produce many interesting films on sex, some successful, some less so. This is of the best I can recall from my own 20-year love affair with European art films. Another recent French film that I can whole-heartedly recommend is Coline Serreau's Chaos, which took several years to cross the ocean to the U.S., but was originally released in 2001. Also Chocolat by Claire Denys, another quiet but piercingly accurate character study.
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