| Photos (see all 6 | slideshow) |
| Melissa Baum | ... | Jamie | |
| Reggie Bannister | ... | Twelvetrees | |
| Andi Wenning | ... | Mrs. Willock | |
| William Mills | ... | Mr. Willock | |
| Forrest J Ackerman | ... | Edward Van Groan | |
| rest of cast listed alphabetically: | |||
| Bob Hope | ... | Himself (uncredited) | |
Directed by | |||
| Paul Bunnell | |||
Writing credits(in alphabetical order) | ||
| Paul Bunnell | writer | |
Produced by | |||
| Merrill P. Mack | .... | associate producer | |
| Carl Mastromarino | .... | co-producer | |
| Cristina Casanova Schweitzer | .... | executive producer (as Cristina Casanova) | |
Original Music by | |||
| Jerry Danielsen | |||
Cinematography by | |||
| Craig Bassuk | |||
Film Editing by | |||
| Carl Mastromarino | |||
Production Design by | |||
| Fredrick Alcantar | |||
Set Decoration by | |||
| Fredrick Alcantar | |||
Makeup Department | |||
| Cristina Casanova Schweitzer | .... | hair stylist (as Cristina Casanova Mack) | |
| Cristina Casanova Schweitzer | .... | makeup artist (as Cristina Casanova Mack) | |
| Patrick Simmons | .... | special makeup effects artist | |
Art Department | |||
| George E. Green | .... | rock people creations (as Dordi) | |
| Kurt Ford Perkowski | .... | set dresser | |
| Patrick Simmons | .... | sculptures | |
| Richard D. White | .... | mask creations | |
Sound Department | |||
| Paul Bunnell | .... | sound designer | |
| Jerry Danielsen | .... | sound mixer | |
Stunts | |||
| Jennifer Prettyman | .... | stunt double | |
Camera and Electrical Department | |||
| David DeBell | .... | gaffer | |
| David DeBell | .... | still photographer | |
| Bruce Heinsius | .... | camera operator | |
| Bruce Heinsius | .... | still photographer | |
| Paul Labo | .... | grip | |
| Steve Lazur | .... | camera operator | |
| Dave Mack | .... | key grip | |
| Chris Reynolds | .... | grip | |
| Joe Rios | .... | grip | |
| Joe Rios | .... | still photographer | |
| Dirk Sanders | .... | grip | |
| Chris Telford | .... | best boy | |
| Evan Unruh | .... | grip | |
| Mark Willoughby | .... | grip | |
Costume and Wardrobe Department | |||
| Jean Crawford | .... | costume designer: Wolper | |
Editorial Department | |||
| Syd Cole | .... | negative cutter | |
Other crew | |||
| Glenn Campbell | .... | title designer | |
| Kristie Shanahan | .... | script supervisor | |
| Glenn Sweitzer | .... | title designer | |
| George E. Green | .... | voice: "Hey-doll" (uncredited) | |
| Julianne Humbert | .... | voice: "talking" appliances (uncredited) | |
| Jennifer Prettyman | .... | voice double: Melissa Baum (uncredited) | |
Thanks | |||
| Ward Grant | .... | special thanks | |
| Terrance Hines | .... | special thanks | |
| Jack LaLanne | .... | special thanks | |
| Michael Lantieri | .... | special thanks | |
| Steve Lazur | .... | special thanks | |
| Andrew Magarian | .... | special thanks | |
| Kristie Shanahan | .... | special thanks | |
| Stuart Shostak | .... | special thanks | |
| Mark Willoughby | .... | special thanks | |
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| Eraserhead | Trainspotting | Repo Man | The Big Lebowski | Gummo |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
I finally saw this indescribable film tonight! What a splendiferous concoction of visual delights and laughs.
I most loved and appreciated the photography/lighting, the fantastic camera angles and all the imaginatives (the surreal scenes--this is a weak description for what I'm trying to describe).
Paul Bunnell has a good feel for the camera, and how what he sees in the camera will appear to the audience, and what effect if will have.
The humour in this black comedy reminded me of Joe Dante's
"Gremlins."
Of course, I see "Eraserhead" resemblances, from the industrial drone in the beginning, to the different use of time--painfully slow, detailed and bizarre--I love them all.
I liked the composed music (the last chord came to a "resolution," but with very disturbing notes in it). The two songs sung out of the blue by the father--is this what the DVD notes mean by a Gene Autry movie? And that 20's 78rpm record--I liked it.
Was there anything I didn't like? Let me think. Oh, I have more I liked. Forry Ackerman--beautiful lighting, macabre, his delivery was quite fitting. And I like the "heroine's" acting.
Even the length was good--a real "B" film length.
Isn't that funny? I can't think of any criticism. I'm serious. I'll leave it at that.