A truly mad concoction, blending 1950s juvenile delinquents, sci-fi melodrama, song-and-dance, and a touch of horror, everything in just the right combination to create an engaging big ... See full summary »
De Anna Joy Brooks
Bank teller and widower with seven kids, Bob Hope finds $10,000 in a parking lot. His luck quickly changes when it's discovered that his bank discovers a substantial money shortage in their... See full summary »
Bob Hope is a New York theater critic and his wife (Lucille Ball in their final motion picture pairing) writes a play that may or may not be very good. Now Hope must either get out of ... See full summary »
Single father Bob Holcomb, dissatisfied with his daughter JoJo's choice of partner, seizes an unexpected opportunity to bring her on a trip to Sweden in order for her to forget all thoughts... See full summary »
A. J. Niles is the author of a series of 'Bachelor Books'. These books describe the romantic life of a bachelor in various cities of the world. But when he runs into trouble with the I.R.S.... See full summary »
In this sequel to "The Paleface", Bob Hope and Jane Russell return as the lead characters. Hope plays Junior Potter, who returns to claim his father's gold, which is nowhere to be found. ... See full summary »
A returning moon capsule with vital information goes off course and lands in Africa where the little-known Ekele tribesmen find it. Washington orders the great African Authority Matthew ... See full summary »
As an employee at the United Nations building in New York City, Bob Hope finds himself in charge of an infant abandoned at the UN. Besides being a bachelor trying to cope with an infant, he... See full summary »
Ed Wood meets Luis Buñuel meets Rod Serling meets David Lynch
Paul Bunnell's quirky 1994 short film (53 minutes), "That Little Monster" appears to be influenced in equal measure by Ed Wood, Luis Buñuel, Rod Serling and David Lynch, and served up with more than a little caustic, over-the-top, decidedly dark humor. Bunnell and his team succeed admirably in stirring a Lynch-like queasiness. Misty, expressionistic scenes are punctuated by seemingly unrelated (and unsettling) shots of doll parts, grotesque statuary and kitschy bric-a-brac. Selected scenes go on and on, testing the viewer's patience, tolerance for truly off-the-wall characters, and appetite for surrealism. Longtime genre buffs will either appreciate or repudiate a canny reconstruction of the "warning" issued by Edward Van Sloan in the prologue to the '31 "Frankenstein." Standing in for Van Sloan is an eerily-lit Forry Ackerman. In the accompanying commentary track, Bunnell points out that Ackerman's wife Wendayne had only recently passed away prior to the filming of his scene. Stranger still is the presence of Bob Hope -- yes THE Bob Hope. Not only does Hope turn up in a clip from his 1934 screen debut, "Going Spanish," he peppers the closing credits with one-liners shot in 1994 expressly for "That Little Monster!" A class act all the way!
The story concerns an exchange student who takes on a babysitting gig in a truly strange household. The mop-topped husband croons country western tunes, mom slathers on the mascara and blows obnoxiously huge bubble-gum bubbles, and the toddler, well, he's "That Little Monster," an aggressive, goo-gooing grotesque who makes Chucky seem well-behaved. Director Bunnell says in an interview that the film was originally conceived as an episode for a TV horror anthology. His story could easily have been told in half an hour. At 53 minutes, he's milking the surrealism a tad. But Bunnell is adept at synthesizing his influences and at ease indulging his twisted passions. Also a part of the DVD package is Bunnell's 1981 short, "The Visitant," which is arguably more intriguing, but certainly not as well executed.
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