The story of Bible-thumping Baptists, beer-swilling bar trash and everyone in between in a small Texas town, contrasted with the appearance-driven world of Hollywood and the hysterical ... See full summary »
A poignant romantic drama examines the life of gay 26 year old, ex-monk, school teacher living in Manhattan. When he meets a man at a gay bar, they connect and are soon living together. Unfortunately their views on monogamy don't match.
William, a once obese and depressed adolescent, is able to move past his teenage years when he moves to the city and comes out as being gay. When he returns home though, he can't cope with his memories.
We become intimate with the "Sordid Lives" of a family in a small Texas town preparing for the funeral of the mother. Among the characters are the grandson trying to find his identity in West Hollywood, the son who has spent the past twenty-three years dressed as Tammy Wynette, the sister and her best friend (who live in delightfully kitschy homes), and the two daughters (one strait-laced and one quite a bit looser). Written by
Randall Gellens <email@example.com>
Delta Burke's role was originally supposed to be played as a larger woman, but when she showed up on the set having lost a lot of weight, a pivotal scene was played as if she had lost the weight, but her neglectful husband hadn't noticed. (The role was originally to be played by Patrika Darbo.) See more »
After their arrival to the funeral, sometimes we see Nolita and G.W. in the audience, and sometimes we do not. See more »
Sordid Lives is the screen adaptation of Del Shores' play, and it's a hoot (and a holler) from beginning to end. When I saw it last night, I had no idea what it would be about except that Olivia Newton-John was in it, along with Beau Bridges and Bonnie Bedelia, which was more than enough to get me in the theatre. I was not disappointed. The film starts out over the top and goes only farther in that direction with every scene. It's got a wacked-out cartoon tone to it, but yet the characters ARE real, you do relate to their foibles and situations. The most fully-realized character in the piece has to be Leslie Jordan's cross-dressing Brother Boy, who makes you laugh every time he appears - you are laughing WITH him, though, not AT him, and by the end you are happy for him as well. In the wrong hands, this movie could have been a travesty of major proportions, but Del Shores (who wrote and directed) is confident enough in the value of the piece to make it work.
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