David Allen Griffin is a cool killer- time and time again, he chooses a female victim, studies her for weeks till he knows her routine to the smallest detail, makes meticulous preparations ... See full summary »
Jane and Will are familiar faces on the Los Angeles club scene. They meet officially at drug rehab after Jane OD'ed and Will crashed her motorcycle driving stoned. They hit it off ... See full summary »
Neal Cassady is living the beat life during the 1940s, working at The Tire Yard and and philandering around town. However, he has visions of a happy life with kids and a white picket fence.... See full summary »
An aimless young man who is scalping tickets, gambling and drinking, agrees to coach a Little League team from the Cabrini Green housing project in Chicago as a condition of getting a loan from a friend.
A talented but disenchanted high school student seeking more advanced instruction sneaks inside the ivy covered gates of nearby Brown University. Masquerading as a college student he is ... See full summary »
Yvonne de la Vega,
David Allen Griffin is a cool killer- time and time again, he chooses a female victim, studies her for weeks till he knows her routine to the smallest detail, makes meticulous preparations using his forensic knowledge to gain entry when she's quite alone, subdues her and administers a long, torturous death. Joel Campbell got so frustrated by his failure to capture Griffin in LA that he quit the FBI, moved to Chicago and remains in psychiatric therapy, unable to function normally. Then he realizes, when opening his mail very late, that a new murder victim is Griffin's, and the killer send him pictures of her. Campbell reports this to the police, but is unwilling to join them in the search, suggesting Griffin is too slick and clever; yet he won't get out of it that easily... Written by
Third-billed Keanu Reeves gave his verbal agreement to director Joe Charbanic several years before production started, after reading his original script. With his involvement, the filmakers were later able to attract a bigger cast and budget than originally envisioned, and Reeves' part (originally meant as little more than a cameo) was substantially rewritten to feature him more prominently. Reportedly Keanu Reeves, who would be paid scale while his costars James Spader and Marisa Tomei would get $1,000,000 paychecks tried to drop out of the film but eventually changed his mind (apparently influenced by the legal precedent of the Kim Basinger/Boxing Helena (1993) debacle). He eventually agreed to do the picture and abstain from bad mouthing it in interviews on the condition that his involvment in the film be downplayed in all promotional material for the film, including trailers. See more »
At the end of the movie, just after James is pulled from the river his clothes are almost dry. See more »
[frustrated that victim never saw her bulletin picture on TV]
Ellie Buckner. Single, 24, parents live in Florida. So far no known boy friend. She has a cat named Frank. Apparently he doesn't watch the news.
See more »
The Watcher portrays the somewhat symbiotic relationship between hero and villain and it explores the peculiar means of communication that develop between the two.
After being identified and harassed by the elusive serial killer David Allen Griffin (Keanu Reeves), the distressed FBI agent Joel Campbell (James Spader) moves to Chicago from Los Angeles in order to secure his own safety and peace of mind. However, tormented by the anguish of past failures, Campbell is unable to ameliorate his physical and mental health and his bruised existence is again challenged by Griffin's reappearance in Chicago. Amused and motivated by Campbell's compassion toward all female victims, Griffin (who spies on lonely women and then kills them) heightens the stakes of his hide-and-seek game with Campbell by sending him a photograph of the intended victim of the day, thus testing his ability to save her. However, when Griffin's final defiance involves Campbell's psychologist (Marisa Tomei), the two test each other's limits.
The Watcher follows its two main characters intimately, often detailing the mechanics of Griffin's moves through Campbell's point of view as an observer who must solve a mystery. By depicting Campbell's dependence on painkillers, for example, The Watcher successfully transmits the deteriorated mental and physical state of this protagonistic character. The Watcher is most intriguing when it attempts to portray a society that --through its indifference-- creates its own victims and delivers, so to speak, the loneliest and most vulnerable to their executioner. The Watcher uses this notion of people's unwillingness to help and builds its suspense by simultaneously emphasizing the protagonist's struggles to beat the murderer's deadline. Furthermore, The Watcher successfully defines both protagonist and antagonist as "the watcher" of the other, thus suggesting a somewhat sado-masochistic bond between the two. In spite of this success, The Watcher relies on an excess of repeated flashbacks in the form of highly stylized, often blurry, shots that depict Campbell's previous interaction with Griffin. This choice weakens The Watcher's attempts to establish realism around both characters' past connection, and loosens the otherwise tight pace of the plot.
The watcher hits on both a realistic level, and an entertaining level never before reached with a movie starring Keanu Reeves.
26 of 36 people found this review helpful.
Was this review helpful to you?