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Exorcist: The Beginning (2004)

Years before Father Lankester Merrin helped save Regan MacNeil's soul, he first encounters the demon Pazuzu in East Africa. This is the tale of Father Merrin's initial battle with Pazuzu and the rediscovery of his faith.

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Writers:

(movie The Exorcist), (story) (as William Wisher) | 2 more credits »

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Cast

Cast overview, first billed only:
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Joseph
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Andrew French ...
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Semelier
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Father Gionetti
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Jefferies
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Eddie Osei ...
Israel Oyelumade ...
Jomo (as Israel Aduramo)
Patrick O'Kane ...
Bession
James Bellamy ...
James
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Storyline

Archeologist Lankester Merrin is asked to go to East Africa to excavate a church that has been found completely buried in sand. Merrin is also an ordained Roman Catholic priest who, still haunted by what he was forced to do during World War II in his native Holland, eschews any religion or belief. He's fascinated by what he finds and that it dates hundred of years before Christianity was introduced to the area. Accompanied by a young priest, Father Francis, to keep an eye on the religious elements of what they find, Merrin makes his way to the camp. There he meets a young doctor, Sarah and soon realizes there is an air of gloom that envelops the entire site. Workmen go mad and a young boy is mauled by a pack of hyenas while completely ignoring his younger brother Joseph. Inside the church itself they find signs of desecration. Merrin is forced to re-examine his lack of faith and come face to face with the devil. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

God is not here. See more »


Motion Picture Rating (MPAA)

Rated R for strong violence and gore, disturbing images and rituals, and for language including some sexual dialogue | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

20 August 2004 (USA)  »

Also Known As:

Exorcist IV: The Beginning  »

Filming Locations:

 »

Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

$18,054,001 (USA) (20 August 2004)

Gross:

$41,814,863 (USA) (5 November 2004)
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Company Credits

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Technical Specs

Runtime:

| (Unrated Version)

Sound Mix:

| |

Color:

Aspect Ratio:

2.00 : 1
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Did You Know?

Trivia

Renny Harlin: [Finland] small Finnish flag visible on top of a cabin next in Sarah's medical room. See more »

Goofs

When Father Merrin is in the church removing the top of the secret passageway, he drops his hammer. In the next shot he is still holding the hammer. See more »

Quotes

Father Francis: This is the spot where Lucifer fell.
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Connections

Followed by Dominion: Prequel to the Exorcist (2005) See more »

Soundtracks

Sharetny Oyounha
Provided by Opus 1 Music Library
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Frequently Asked Questions

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User Reviews

 
Too brutal, no substance
26 February 2005 | by (usa) – See all my reviews

What do you do when you're stuck with making the third sequel to a long-ago horror classic, and the two previous sequels have played out every possible angle? Why, you make everything as gory and bloody and exploitative as possible, far exceeding all three previous films' violence and gore quotient. You also hire a hack director, in this case Renny Harlin, because any reputable director would either: A. refuse to make this, or B. never be able to top the original, anyhow. In THE EXORCIST, William Friedkin directed a masterpiece to which there should never have been a followup, simple as that. EXORCIST: THE BEGINNING should have been a straight-to-video release, for all the special effects and bloody killings and panoramic desert shots. Stellan Skarsgard is saddled with following in Max Van Sydow's considerable footsteps as a younger Father Merrin in this so-called prequel, and no one else in the cast is worthy of note. There's no Linda Blair or Ellen Burstyn or Jason Miller or J. Lee Cobb here to lend able support. So the whole thing falls on Skarsgard's shoulders, and as mush as I admire the actor, he simply isn't up to it. He spends most of the movie standing around, providing reaction shots to the various doings, which include an endless series of children and adults being shot in the head, some shown repeatedly. As we know, this is really the director's fault. Renny Harlin. How much worse can it get? A couple of scary moments don't make up for all the crap the rest of this film is loaded down with. Plotwise, we have a middle-age, spiritually fatigued Merrin involved in a post-WWII East African dig that unearths the very demon he is destined to meet up with again in a Georgetown townhouse many years later. The good versus evil battle fought here is, shall we say, less than auspicious.


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