| Videos (see all 3) |
| Dominique Swain | ... | Cat Storm | |
| Brad Renfro | ... | William Sellers | |
| Bijou Phillips | ... | Delilah Milford | |
| Mischa Barton | ... | Grace Bailey | |
| Alberta Watson | ... | Lily Storm | |
| Myles Jeffrey | ... | Pete Storm | |
| Scott Thompson | ... | Kenny | |
| Michael Murphy | ... | Mike Storm | |
| Nora Zehetner | ... | Peg | |
| Jacob Pitts | ... | Toby Logan | |
| Chelse Swain | ... | Heather von Strum | |
| Lacey Chabert | ... | Eloise Logan | |
| Melanie Griffith | ... | Diane Milford | |
| Shawn Lawrence | ... | Fred the Doorman | |
| Peter Snider | ... | Richard Logan | |
| Sherry Miller | ... | Jane Logan | |
| Marcia Bennett | ... | Ms. Major | |
| Mairon Bennett | ... | Jill | |
| Liz Gordon | ... | Miss Myles | |
| Tannis Burnett | ... | Ms. Hooker | |
| Miranda Reeves | ... | Saleslady | |
| Anne Wessels | ... | Sara Bailey | |
| Keleigh Ardell | ... | Mrs. Smoulder | |
| Howard Jerome | ... | Punchy | |
| Bill Lake | ... | Mr. Sellers | |
| Nora McLellan | ... | Mrs. Sellers | |
| Pascal Petardi | ... | New Doorman | |
| Patrick Patterson | ... | Father McBride | |
| David MacKay | ... | Rudolph | |
| Andrew Dolha | ... | News Reporter | |
| J.C. Kenny | ... | Reporter | |
| Conrad Bergschneider | ... | Security Guard | |
| Damon Redfern | ... | Grace's Dad |
Directed by | |||
| Christina Wayne | |||
Writing credits(WGA) | ||
| Christina Wayne | (written by) | |
Produced by | |||
| Patrick D. Choi | .... | producer (as Patrick Choi) | |
| Sam Gaglani | .... | co-producer | |
| Diane Isaacs | .... | producer (as Diane Sillan Isaacs) | |
| Jeremy Lappen | .... | co-producer | |
| Margot Lulick | .... | executive producer | |
| Nile Niami | .... | producer | |
| Clark Peterson | .... | executive producer | |
| Derrick Tseng | .... | line producer: additional New York unit | |
Original Music by | |||
| Jeehun Hwang | |||
Cinematography by | |||
| Stephen Kazmierski | |||
Film Editing by | |||
| Ray Hubley | |||
Casting by | |||
| Kerry Barden | |||
| Mark Bennett | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Marian Wihak | |||
Set Decoration by | |||
| Heather Hobart | |||
Costume Design by | |||
| Gersha Phillips | |||
Makeup Department | |||
| Caryn Brostoff | .... | key makeup artist: New York | |
| Verne Caruso | .... | key hair stylist: New York | |
| Debi Drennan | .... | key makeup artist | |
| Patricia Grande | .... | key hair stylist: New York | |
| Sharon Ilson | .... | assistant makeup artist: New York | |
| Pamela Mills | .... | assistant hair stylist (as Pamela Mills Byer) | |
| Evelyne Noraz | .... | makeup artist: additional New York unit | |
| Marilyn O'Quinn | .... | assistant makeup artist | |
| Zinka Shankland | .... | key hair stylist | |
| Brian Sheratt | .... | assistant hair stylist: New York | |
| Thom Timan | .... | hair stylist: additional New York unit | |
Second Unit Director or Assistant Director | |||
| Julie Brazeau | .... | trainee assistant director | |
| Jean Chien | .... | second assistant director: additional New York unit | |
| Jeremy Graham | .... | trainee assistant director | |
| Neil Huhta | .... | first assistant director | |
| Jonnie Katz | .... | second assistant director | |
| Cameron Kuc | .... | third assistant director (as Cameron C. Kuc) | |
| Marco Londoner | .... | first assistant director: New York | |
| Aida Rodgers | .... | second assistant director: New York | |
| Ann Taylor | .... | third assistant director: New York | |
| Derrick Tseng | .... | first assistant director: New York | |
Art Department | |||
| Mary Arthurs | .... | property master | |
| Paul Berta | .... | storyboard illustrator | |
| Katharine Boyce | .... | assistant props (as Katherine Duke) | |
| Jeff Butcher | .... | property master: New York | |
| Lukas Chovanec | .... | laborer | |
| Kore Delpasqua | .... | assistant props | |
| Danien Dupuis | .... | set dresser | |
| Don Alfred Geyra | .... | camera scenic artist: New York (as Don Geyra) | |
| Shirley Gulliford | .... | lead dresser | |
| Jeremy Hindle | .... | set buyer | |
| Akeo Ihara | .... | assistant property master: New York | |
| Andrew Kawczynski | .... | set dresser | |
| John Kennedy | .... | laborer | |
| John MacNeil | .... | first assistant art director | |
| Andrew McKendy | .... | set dresser (as Andrew Mckendy) | |
| Alain Nadeau | .... | on-set dresser | |
| Carol Nast | .... | set decorator: New York | |
| Vincent J. Orofino | .... | leadman: New York (as Vinny Orofino) | |
| Michael Smith | .... | set dresser | |
| Kaija Vogel | .... | second assistant art director | |
Sound Department | |||
| David Appleby | .... | sound re-recording mixer | |
| Bill Bridges | .... | boom operator | |
| Allan Byer | .... | sound mixer: New York | |
| Elius Caruso | .... | sound re-recording mixer | |
| Michael Cole | .... | boom operator | |
| Erv Copestake | .... | sound mixer (as Ervin G. Copestake) | |
| Roseanne Howell | .... | foley assistant | |
| John Laing | .... | dialogue editor | |
| Ao Loo | .... | sound mixer | |
| Jeremy MacLaverty | .... | supervising sound editor (as Jeremy Maclaverty) | |
| John Sievert | .... | foley artist | |
| James Mark Stewart | .... | first assistant sound editor | |
| Mike Woroniuk | .... | sound re-recording mixer | |
| James Ziegler | .... | stereo sound consultant: Dolby | |
| Peter Persaud | .... | foley recordist (uncredited) | |
Special Effects by | |||
| Jeff Skochko | .... | special effects coordinator | |
| Steve Skochko | .... | special effects foreman (uncredited) | |
Stunts | |||
| Randy Butcher | .... | stunt coordinator | |
Casting Department | |||
| Jessica Cooper | .... | casting assistant | |
| Deborah Maxwell Dion | .... | casting associate: Los Angeles | |
| Susan Forrest | .... | casting: Toronto | |
| Jennifer McNamara | .... | casting associate: New York | |
| Krisztina M. Neglia | .... | extras casting (as Kristina Meuring) | |
Costume and Wardrobe Department | |||
| Koreann Ciandre | .... | wardrobe supervisor (as Koreanne Ciandre) | |
| Heather Crepp | .... | wardrobe truck assistant | |
| Natasha Dodd | .... | wardrobe buyer | |
| Wayne Godfrey | .... | wardrobe truck assistant | |
| Kim Harkness | .... | assistant costume designer | |
| Sarah J. Holden | .... | costumes: additional New York unit | |
| Jeannie H. Kelly | .... | wardrobe supervisor: New York (as Jeannie Kelly) | |
| Pamela Kezal | .... | wardrobe supervisor: New York | |
| Nicole Pearson | .... | wardrobe truck assistant (as Niclole Pearson) | |
| Barbara Presar | .... | assistant costume designer: New York | |
| Adrienne Tyson | .... | wardrobe truck assistant | |
Editorial Department | |||
| Arthur Montreuil | .... | color timer (as Art Montreuil) | |
| Dawn M. Stoliar | .... | first assistant editor (as Dawn Stoliar) | |
Music Department | |||
| Joe Fischer | .... | music supervisor (as Joe Fisher) | |
| David Friedman | .... | music consultant | |
| Leon Gray | .... | composer: additional music | |
| Michele Van Valey | .... | music consultant (as Michelle Van Valey) | |
| Scottpatrick J. Sellitto | .... | music consultant (uncredited) | |
Transportation Department | |||
| Rik Anglen | .... | driver | |
| Graeme Atherton | .... | driver | |
| N. Babishuk | .... | driver | |
| Okko Berkhuysen | .... | transportation captain | |
| Dan Carleton | .... | driver | |
| Kerry Clark | .... | parking coordinator: New York | |
| Albert Ezerzer | .... | driver | |
| Kenny Gaskins | .... | transportation captain: New York | |
| William K. Gaskins | .... | transportation co-captain: New York (as Willie Gaskins) | |
| Steve Karaszi | .... | driver | |
| Glen McGugan | .... | head driver | |
| Mohan Ramdath | .... | driver | |
| Thomas Sams | .... | driver | |
| Paul Walker | .... | driver: honeywagon | |
| Matthew Wolchock | .... | transportation coordinator | |
| Gerald Wood | .... | driver | |
| Rick Anglin | .... | production driver (uncredited) | |
Thanks | |||
| Anthony B. Unger | .... | special thanks (as Tony Unger) | |
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| Heavenly Creatures | The Ice Storm | Little Fish | Outside Providence | The Nanny Diaries |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
"Tart" is a good illustration of old the Yogi Berra saying: "If you don't know where you are going, you will probably end up someplace else". Writer/Director Christina Waye (in her first feature) has managed to make a $3 Million movie that ends up someplace else. "Tart" is either a coming of age story devoid of characters that a rational person can connect with, a black comedy without any humor, or a sexploitation movie without anything that is particularly sexy.
Unlike the standard Swain film, "Tart" actually employed a competent and experienced production designer. Good enough to provide two extremely nice shots: the scene of Swain and Barton taking a bubble bath together and the scene of Swain in the park-featuring a nice montage of the "Alice in Wonderland" sculpture. The symbolism incorporated into these elements supports the possibility that Waye (despite the absence of a linear logic or unity of tone) actually has some visionary talent and aspirations for making a quality film.
It is even possible that Waye was trying for a fusion of the somewhat expressionistic "Metropolitan" and the camp classic "Cruel Intentions" which also deal with the Manhattan upper class. There are many camera shots framed by windows and doors yet few tight shots of faces and eyes. The former technique hinting at symbolism and the latter at intentional distancing from the characters and their motivations. "Tart" seemed on the verge of veering into camp territory at least twice and would have been well advised to keep going in that direction. First there was the scene where they try to dump the seemingly deceased Swain into the garbage chute. Then there is the whole bit about her father being Jewish (played to the same extreme as Joel Grey dancing with the Jewish guerrilla in "Cabaret").
In her other films Swain's acting technique is to overwhelm each scene in which she appears (insert scenery chewing here) but in "Tart" she actually shows an ability to restrain herself. This is the best performance of her career. It also provides some clues about her physical deterioration from willowy super cute in "Girl" to hulking lumpy-faced in "Pumpkin". This transformation was about half-complete by the time she made "Tart"; so go the ravages of time.
Mischa Barton ("Sixth Sense's" I feel better girl) and Lacey Chabet are excellent in supporting roles. The rest of the cast is simply horrible, although some of the blame for this should go to Waye's script and direction.