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"The Princess and the Warrior" moves at a leisurely pace, nowadays
commonly mistaken for slow or plodding. It is the pacing antithesis of
"Run Lola Run", yet in remarkable ways, covers the same thematic
ground. Tykwer takes Krzysztof Kieslowski's favorite themes (fate,
chance, destiny) and tells one of the most uplifting existentialist
tales I've ever seen on film. Poetic in its visceral impacts,
heartbreaking in its emotional force, "The Princess and the Warrior"
achieves an astonishing level of humanity which very few films ever
strive to attain.
As a result, "The Princess and the Warrior" becomes the jewel in the crown of Tykwer's filmic repertoire. With Franka Potente as the emotionally-reserved Sissi and Benno Furmann as the jaded Bodo, Tykwer has created two opposites who are fated to attract. Unlike Hollywood, however, there are no magical forces at work, no clever "Meet Cute". It is very conceivable that these two could have never met, and only due to Bodo's criminal actions do they meet. Is it fate or coincidence that Bodo's run in with the law causes a run in with Sissi? Their interactions are quiet with bursts of trauma, their eyes do most of the talking. Tykwer seems to suggest that Bodo and Sissi's entire existence is to affirm each other's life.
Tykwer has crafted a psychological exploration of two misguided souls looking for an escape from their lives. Stuck in perpetual repetition, Sissi and Bodo live without living, searching for some meaning but incapable of doing so or, even more sorrowful, rejecting whatever is presented to them. This is not a "Pretty Woman" clone but an honestly reaffirming look at two unhappy individuals finding what they so desperately need in each other. Bodo and Sissi's relationship of awkward meetings, misconceptions, and soul-binding metaphysical connections culminates in what I can only describe as one of the most impactful and emotional climaxes in all of film history--period.
Kudos to Tykwer for creating one of the most romantic and spiritually-fulfilling films I've ever seen. A perfect and necessary viewing experience for anyone feeling stuck in the mundane routine of life, thrilling, suspenseful, almost painfully aware of what it feels like to be emotionally and spiritually lost. "The Princess and the Warrior" upholds the optimistic idea that even when things go bad, life is still worth living, if only to help someone else. It is, in my opinion, one of the finest motion pictures ever made.
For me, a brilliant movie. There is so much of it, and any holes were not apparent at first viewing. But if it is not universally acclaimed, no-one is at fault. There's much magic in the hands of this director-writer. The casting is perfect; original in looks and body language, Furmann and Potente grace a modern fairy tale that says, well, something about fate, leaving the past behind, finding what you want right under your nose etc. All the old true clichés. This time, told with exquisite pace (slow), and beauty. A couple of shatteringly good scenes, well thought out, plotted and executed, all rounded out with a black humour and tender touch that keeps it CLEAR of pretension. The ending leaves a poignant, puzzled smile and an appetite for more German cinema. If you don't like this you must be a Van Damme fan.
Now, there was a pleasant Sunday evening.
I never got around to seeing it in the theaters, but just caught it by accident on tele, and even from the start. And it works perfectly on that media as well.
It is a rarely beautiful tale told in so few words, that tell so much. It is little wonder that Tykwer got to make Heaven (a script left by Kieslowski). Few has ever described the love between man and woman so catchingly and so real in so not so extraordinary circumstances. And these are the stories that sticks.
And Tykwer also always seems to get the music right, notice the elegance of the end-title number "You can't find peace" by Pale 3 feat. Skin. Thankfully they still show end-titles now and then on danish television.
There's lot more to write, but the morning a another day at work grows frightfully close.
This will be a fond memory.
There´s Bodo. There´s Sissy. They don´t know each
other. A accident happens. Bodo rescues Sissy´s life.
Then he disappears. She tries to find him. Will they
have a chance?
Sometimes it´s hard to find words to describe a movie. It´s an unusual love story, a melodramatic thriller, that is sometimes disturbing, too - especially the scenes in the psychiatry, where Sissy works as a nurse - and with hypnotizing music (which sometimes reminds you of "Lola rennt" and "Winterschläfer"). Director Tom Tykwer shows again that he can tell stories with heart and soul. There are characters you really care for. Especially Benno Fürmanns performance touched me deeply. I could really feel the pain he´s going trough. And of course Franka Potente. I was on her side when she was desperately fighting for Bodo´s love.
Probably the best german film this year, I can highly recommend it. Watch and FEEL it!!!
'Der Krieger und de Kaiserin' (2000), translated as 'The Princess and
Warrior' is brought to our screens by 'Run Lola Run' director, Tom
Tykwer. For myself 'Run Lola Run' was an excellent film, and i would
say that this film is good in its own way. Looking at this film in
comparison with Tykwer's previous debute, it doesn't have the same
energy rush or rythmic motivational feel to it. However, we have to
bear in mind that this is a different film entirly and audiences of
'Run Lola Run' are possibly full of predertermined expectations of
Tykwer's new film, based on the previous.
This film is stylish, if not more stylish than than 'Run Lola Run', despite being quite slow moving, it does make you feel 'locked' to see the film through to the end. This film is a captivating experience which will exhilarate and 'move' you in the quest for Sissi's (Franke Potente (Run Lola Run)) survival and then her quest to seek out Bono and help him to the end.
OK, maybe not the 'complexist' of story lines, but it works, and is good.
This is a enigmatic love story, and really if your more inclined to a Hollywood, big-budget, huge special effects etc film, then maybe this isn't the one for you. Personally, this is a slick (the film-making), stylish, captivating film and i would recommend it to anyone who likes a 'visual' film (i know that sounds mad, but e.g. very visual and superb camera angles etc)!
See it before you buy it, because it might not be your cup of tea!
This is a rich, layered film with characters behaving in believable,
realistic manners. There are no holes I could find anywhere in the
film, and no clichés either. A fresh script that revisits the CUCKOOS
NEST asylum setting with a woman as the anti-McMurphy - she is employed
there but thinks it may be time to leave.
The man she encounters in a harrowing little moment underneath a semitruck is the trigger that allows her to confront the life she has in comparison to the one she may want. But the only way she can know for sure is to meet up with this stranger once again.
Coincidence as a theme plays heavily in this director's oeuvre (Lola was based entirely on the premise of what is needed for no coincidences to have occurred). But the plot is much deeper after initial relationships are laid out.
Only a fool would expect this to be a second Run Lola Run. But
unfortunately, there will be a lot of fools out there: This won't be the hit
that Tykwer's former film was. And, just to say that: Run Lola Run still
plays in a higher league.
But that's, of course, not to say that The Princess And The Warrior is a bad movie. Quite the contrary: there should be more films like this one. It's slow at times, yes, but to the ones with keen eyes it's meditative. It's metaphysical, in the end even surreal, it's down-to-earth, but at the same time very outlandish, it's a love story, but without the usual assets: there's no kissing, let alone sex; yes, even holding hands just occurs for a second. It's about a spiritual love, something epic, as the title suggests.
Many people won't like it; far too few people will love it. And I'm somewhere in between: It's a bold movie to make, especially in the dull (to be polite) movie scene of Germany, and a good one, too. Something refreshingly different (and wonderfully written, directed, shot and acted, I might add...). But somehow, you can't help feeling just a little disappointed after the milestone of modern film making that Tom Tykwer released two years ago.
8 out of 10.
This film was playing in our little theater here, as part of the Beyond
Normal Films promotion about a year & a half ago. I must say that before
then, I had never heard of Tom Tykwer.
Since then, he has become 1 of my favorite writers & directors. I immediately went out & got the highly acclaimed *Lola rennt* & I must say that I was very impressed. I also got to check out his most recent film *Heaven* as part of this year's Beyond Normal ticket; I LOVED it.
If you are not familiar with Tykwer's work, I would suggest you start with *Der Krieger.* The story has several elements that almost everyone will enjoy & although the story may be a little slow in a few parts, it is nonetheless, interesting. It is not really a film for kids though.
I was once a little intimidated by films in a language I could not understand (German, for instance). There were several times that I did not even have to read the subtitles to know what was going on, it was great & even a little inspiring to me for wanting to learn some German (Danke schön, Tom). I encourage you all to check this flick out if you have not yet.
My rating: 8/10
This is a modern fairy tale, treat and appreciate it as so. The characters
are bold, and their actions are representative of who they are than what
actual people do. I say this because I noticed every negative review of
film was caught up in looking for realism- there isn't any. The setting
be proposed as so but the method through which the story is told unfolds
like a performance piece.
This film is brilliant- stark personalities, dynamic relationships, and a mix of modern, classical, and fanciful direction. The allegorical context is brilliant when mulled over. I would compare it to `Last Tango in Paris'.
Having loved Tykwer's impressively energetic RUN, LOLA, RUN (1998), I was really looking forward to watching his follow-up feature but, somehow, I never managed it until now (I did get to watch his subsequent film, HEAVEN ). Thankfully, it was worth the wait and the result is almost as good. While the film is long and often rambles on rather aimlessly, it is never boring and, at times, disarmingly inventive and emotional; the leading players, especially the enchanting Franka Potente, have a lot to do with the latter quality. THE PRINCESS AND THE WARRIOR's main themes are matters of chance and fate but it also features an elaborate bank robbery and a long stretch of it takes place in an insane asylum (where Potente practices some unorthodox therapy on a couple of her patients) which is not too far removed from the one seen in ONE FLEW OVER THE CUCKOO'S NEST (1975).
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