Young nurse Sissi lives a secluded life, seemingly entirely devoted to her patients at Birkenhof asylum. Her first encounter with ex-soldier and drifter Bodo has a lasting impact. He causes... See full summary »
Abila (14) lives in one of the most miserable slums in Africa. His girlfriend Shiku belongs to a different tribe, as the result of which he is not really allowed to fraternize with her. And... See full summary »
Medical student Paula Henning wins a place at an exclusive Heidelberg medical school. When the body of a young man she met on the train turns up on her dissection table, she begins to ... See full summary »
Young nurse Sissi lives a secluded life, seemingly entirely devoted to her patients at Birkenhof asylum. Her first encounter with ex-soldier and drifter Bodo has a lasting impact. He causes an accident that results in her lying under a truck, unable to breathe. While he provides life-saving first aid, mesmerized Sissi begins to wonder whether he may be the man of her dreams. But when she tracks him down weeks later her affection is rejected, as Bodo is stuck somewhere between a traumatic past and a criminal future. Written by
Armin Ortmann <email@example.com>
The German title "Der Krieger und die Kaiserin" translates as "The Warrior and the Empress", but Tykwer wanted the English title to be "The Princess and the Warrior" instead. See more »
After Bodo freaks out on the psych ward and is sedated, he is brought to the doctor's office for an interview. The doctor enters carrying a bottle of water and two empty glasses, opens the bottle, pours a glass for Bodo, and recaps the bottle. The doctor's glass, with water in it, then appears on the desk. See more »
Having loved Tykwer's impressively energetic RUN, LOLA, RUN (1998), I was really looking forward to watching his follow-up feature but, somehow, I never managed it until now (I did get to watch his subsequent film, HEAVEN ). Thankfully, it was worth the wait and the result is almost as good. While the film is long and often rambles on rather aimlessly, it is never boring and, at times, disarmingly inventive and emotional; the leading players, especially the enchanting Franka Potente, have a lot to do with the latter quality. THE PRINCESS AND THE WARRIOR's main themes are matters of chance and fate but it also features an elaborate bank robbery and a long stretch of it takes place in an insane asylum (where Potente practices some unorthodox therapy on a couple of her patients) which is not too far removed from the one seen in ONE FLEW OVER THE CUCKOO'S NEST (1975).
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