| Hisashi Igawa | ... | Miner / Otsuka | |
| Sumie Sasaki | ... | Shopkeeper | |
| Sen Yano | ... | Toyama | |
| Hideo Kanze | ... | Policeman | |
| Kunie Tanaka | ... | Man in white suit | |
| Kei Satô | ... | Reporter | |
| Kazuo Miyahara | ... | The miner's son | |
| Akemi Nara | |||
| Tadashi Fukuro | ... | Second union member | |
| Kikuo Kaneuchi | ... | Photographer | |
| Kanichi Ômiya | ... | Second miner | |
| Shigeru Matsuo | ... | Farmer | |
| Ton Shimada | ... | Dead miner | |
| Sanpei Asakura | |||
| Heiguro Matsumoto |
Directed by | |||
| Hiroshi Teshigahara | |||
Writing credits(in alphabetical order) | ||
| Kôbô Abe | screenplay | |
| Kôbô Abe | story | |
Produced by | |||
| Tadashi Ôno | .... | producer | |
Original Music by | |||
| Toshi Ichiyanagi | |||
| Yuji Takahashi | |||
| Tôru Takemitsu | |||
Cinematography by | |||
| Hiroshi Segawa | |||
Film Editing by | |||
| Fusako Shuzui | |||
Production Design by | |||
| Kiyoshi Awazu | |||
Art Direction by | |||
| Masao Yamazaki | |||
Production Management | |||
| Hajime Funakoshi | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Yasuo Yoshino | .... | assistant director | |
Sound Department | |||
| Kenji Mori | .... | sound effects editor | |
| Shigenosuke Okuyama | .... | sound recordist | |
| Tôru Takemitsu | .... | sound designer | |
Camera and Electrical Department | |||
| Mitsuo Kume | .... | gaffer | |
Music Department | |||
| Tôru Takemitsu | .... | musical director | |
Other crew | |||
| Kiyoshi Awazu | .... | title designer | |
| Eiko Yoshida | .... | archivist | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Japan section |
If you're familiar with Hiroshi Teshigahara's work, especially the notorious "Woman In The Dunes", you will understand the starkness, the harsh reality, the irony of this film. Ostensibly about a miner who is stalked by a man in a white suit and who then is killed for reasons that do not become apparent until nearly the end of the film, the film is, like "Dunes", an uncompromising look at life. The film is technically superb on the DVD box available, and it is highly recommended. This film is not for everyone, it is for people who are interested in serious Japanese cinema. There are nuances in this film that show the mark of a great director, though. Again, be prepared: This is not happy go lucky. It triumphs mostly because of its persistence of vision. That is an endorsement for any filmmaker.