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Otoshiana (1962) More at IMDbPro »


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Overview

User Rating:
7.9/10   697 votes
MOVIEmeter: ?
Up 9% in popularity this week. See why on IMDbPro.
Writers:
Kôbô Abe (screenplay)
Kôbô Abe (story)
Contact:
View company contact information for The Pitfall on IMDbPro.
Release Date:
1 July 1962 (Japan) more
Genre:
Plot:
A man wanders into a seemingly deserted town with his young son in search of work. But after a bit of bad luck, he joins the town's population of lost souls. full summary | add synopsis
User Comments:
Interesting satire more (10 total)

Cast

  (Credited cast)
Hisashi Igawa ... Miner / Otsuka
Sumie Sasaki ... Shopkeeper
Sen Yano ... Toyama
Hideo Kanze ... Policeman
Kunie Tanaka ... Man in white suit
Kei Satô ... Reporter
Kazuo Miyahara ... The miner's son
Akemi Nara
Tadashi Fukuro ... Second union member
Kikuo Kaneuchi ... Photographer
Kanichi Omiya ... Second miner
Shigeru Matsuo ... Farmer
Ton Shimada ... Dead miner
Sanpei Asakura
Heiguro Matsumoto
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Additional Details

Also Known As:
Kashi to kodomo (Japan) (alternative title)
Pitfall (International: English title)
The Pitfall (USA)
more
Runtime:
97 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Westrex Recording System)
Certification:
UK:15 (2004, DVD)

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FAQ

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22 out of 29 people found the following comment useful.
Interesting satire, 23 June 2001
Author: xhari_nairx from Oakland

This film is very difficult to find in the West. It's not on video and you'd probably have to be lucky and find it at a film festival or a revival house. It's the first collaboration between director Teshigahara, writer Kodo Abe, and composer Toru Takemitsu, who went on to make the more widely available WOMAN IN THE DUNES and FACE OF ANOTHER. It's not quite as strong as WitD but is on par with FoA. This is a satire about a deserted town who's inhabitants are ghosts swallowed up by corruption. Teshigahara's direction is solid and Takemitsu comes up with another appropriately dissonant score balancing tension and humor. It's worth seeing for anyone interested in the three principal collaborators, particularly since opportunities to see it are rare. Takemitsu in particular could almost single handedly make a movie worth watching.

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