Hiroshi Teshigahara's camera takes us over, under, around, and into buildings and a park designed by Antonio Gaudí (1852 - 1926), Catalan architect, ceramist, and sculptor. Teshigahara ... See full summary »
Life of a pornographer who tries to stay under the radar of the mob. He has a mistress, a step-son, a step-daughter (whom he's attracted to) and a wife who believes her first husband was reincarnated as a restless carp.
A day in the life of Ako, a 16 year old Japanese girl, and her friends and co-workers. An alarm clock wakes her in a dorm; she gets ready for work and travels to a large bakery. We see her ... See full summary »
The history and art of ikebana, a centuries old Japanese art of flower arrangement and a look inside the Sogetsu School of Ikebana, where the director's father Sofu Teshigahara worked as the grand master of the school.
A documentary fantasy. Penniless miners talk in passing about labor unions. A miner and his young son go to a village in Kyushu where the miner has been told he'll find work, but it's a ghost town, save for one woman. The miner leaves and is followed by a man in a white suit and white gloves. A murder takes place: faked footprints, bribery and intrigue, investigations, a frame-up, and a ghost who wants to know why meet in a story of realism and the surreal. A child mutely witnesses all. Does the truth count for anything in this world or in the next? Can everything be manipulated? Written by
If you're familiar with Hiroshi Teshigahara's work, especially the notorious "Woman In The Dunes", you will understand the starkness, the harsh reality, the irony of this film. Ostensibly about a miner who is stalked by a man in a white suit and who then is killed for reasons that do not become apparent until nearly the end of the film, the film is, like "Dunes", an uncompromising look at life. The film is technically superb on the DVD box available, and it is highly recommended. This film is not for everyone, it is for people who are interested in serious Japanese cinema. There are nuances in this film that show the mark of a great director, though. Again, be prepared: This is not happy go lucky. It triumphs mostly because of its persistence of vision. That is an endorsement for any filmmaker.
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