| Claude Perron | ... | Chloé Duval | |
| Albert Dupontel | ... | Darius | |
| Philippe Uchan | ... | Victor | |
| Michel Vuillermoz | ... | Simon | |
| Nicolas Marié | ... | Pierre | |
| Patrick Ligardes | ... | Gildas | |
| Michel Fau | ... | Nicolas | |
| Xavier Tchili | ... | Mietek | |
| Paul Le Person | ... | Le Floch | |
| Yves Pignot | ... | Le père | |
| Christiane Cohendy | ... | La mère | |
| Jacques Herlin | ... | Le Majordome | |
| Micheline Boudet | ... | Edmée | |
| Marie Daëms | ... | Odette | |
| Terry Jones | ... | Dieu | |
| Dominique Bettenfeld | ... | Jésus | |
| Isabelle Candelier | ... | La journaliste | |
| Violette Aupetit | ... | La barmaid | |
| Laëtitia Lacroix | ... | Angélique | |
| Louison Roblin | ... | La vieille journaliste | |
| Frédérique Ruchaud | ... | Vieille dame | |
| Pascal Ternisien | ... | Spectateur | |
| Catherine Pietri | ... | Une spectatrice | |
| Patrick Mazet | ... | Docteur Philippe | |
| Loïc Houdré | ... | Le décorateur | |
| Catherine Duros | ... | La costumière | |
| Frédéric Constant | ... | Voisin furieux | |
| Andrée Saldo | ... | Dame escalier | |
| Pierre Aussedat | ... | Homme escalier | |
| Christian Hecq | ... | Consommateur | |
| Jean-Noël Brouté | ... | Coiffeur Chloé | |
| Fabienne Mai | ... | Bigote 2 | |
| Emmanuelle Bougerol | ... | Voisine escalier | |
| Pierre Trapet | ... | Père de Darius | |
| rest of cast listed alphabetically: | |||
| Violette Palcossian | ... | La barmaid | |
Directed by | |||
| Albert Dupontel | |||
Writing credits(in alphabetical order) | ||
| Albert Dupontel | writer | |
| Gilles Laurent | writer | |
Produced by | |||
| Philippe Liégeois | .... | producer | |
| Jean-Michel Rey | .... | producer | |
Original Music by | |||
| Jean-Philippe Goude | |||
| Ramon Pipin | (as Alain Ranval) | ||
Cinematography by | |||
| Jean-Claude Thibaut | |||
Film Editing by | |||
| Scott Stevenson | |||
Casting by | |||
| Antoinette Boulat | |||
Production Design by | |||
| Denis Renault | |||
Costume Design by | |||
| Carine Sarfati | |||
Production Management | |||
| Ève Albertini | .... | post-production manager | |
| Nicolas Leclère | .... | assistant unit manager | |
| Pierre Wallon | .... | production manager | |
Second Unit Director or Assistant Director | |||
| James Canal | .... | first assistant director | |
| Marianne Capian | .... | third assistant director | |
| Stéphanie Seilhean | .... | second assistant director | |
Art Department | |||
| Farid Kermici | .... | storyboard artist | |
| Gilles Tissot | .... | additional set decorator | |
Sound Department | |||
| Frédéric Attal | .... | sound editor | |
| Hervé Buirette | .... | sound re-recording mixer | |
| François Groult | .... | sound mixer | |
| Sylvain Lasseur | .... | sound editor | |
| Hélène Le Morvan | .... | sound editor | |
| Bertrand Lenclos | .... | sound edit assistant | |
| François Lepeuple | .... | foley artist | |
| Jean Minondo | .... | sound | |
| Olivier Villette | .... | sound | |
Special Effects by | |||
| Séverine De Wever | .... | production coordinator | |
| Patrice Fauquemberg | .... | special effects | |
| Thierry Garcia | .... | special effects | |
| Philippe Hubin | .... | special effects supervisor | |
Visual Effects by | |||
| Thierry Delobel | .... | digital compositor | |
| Thomas Duval | .... | visual effects supervisor | |
| Xavier Fourmond | .... | compositing supervisor | |
| Xavier Fourmond | .... | digital compositor | |
| Afif Heukeshoven | .... | digital artist | |
| Peregrine McCafferty | .... | compositor | |
| Johann Quéré | .... | visual effects | |
| Georges Tornero | .... | digital compositor | |
| Daniel Trujillo | .... | digital effects artist | |
Stunts | |||
| Jean-Louis Airola | .... | stunts | |
| Daniel Breton | .... | stunts | |
| William Cagnard | .... | stunts | |
| Gilles Conseil | .... | stunts | |
| Albert Goldberg | .... | stunts | |
| Pascal Guégan | .... | stunt coordinator | |
| Philippe Guégan | .... | stunts | |
| Catherine Robert | .... | stunts | |
| Lionel Vitrant | .... | stunts | |
Camera and Electrical Department | |||
| Victor Abadia | .... | electrician | |
| David Campbell | .... | crane operator: Technocrane | |
| Nicolas Rideau | .... | assistant camera | |
| Philippe Robert | .... | camera operator | |
| Caroline Swarowsky | .... | assistant camera | |
| Jean-Paul Vallorani | .... | first assistant camera | |
| Richard Weber | .... | best boy | |
Editorial Department | |||
| Hélène Stevenson | .... | assistant editor | |
Other crew | |||
| Anne Descours | .... | production secretary | |
| David Giordano | .... | production administrator | |
| Aruna Villiers | .... | script supervisor | |
|
|
|
|
|
| Schizopolis | Full Frontal | Thank You for Smoking | The Day of the Locust | Nurse Betty |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | IMDb Comedy section |
| IMDb France section |
Dupontel's "Le Créateur" is a refreshing attempt at original directions in humor that put the director somewhat at odds with the French sensibility at comedy. However, this second movie is quite a disappointment for anybody who has seen "Barton Fink", Polanski's "The Tenant" or Roger Corman's "A Bucket of Blood".
The subject is certainly an assumed take on "Barton Fink" but the general mood is something of a mix between "Barton Fink" and "The Tenant". Polanski's movie from is almost ripped off, especially concerning the relationship between Darius and the other tenants in his building and the very dry and dark sense of humor.
Then the main attraction starts with the body count and I noticed the movie used the same exact progression as "A Bucket of Blood": an early accidental killing of a cat that leads to a killing spree.
Dupontel's movie swings back between these three references. Unfortunately, he isn't able to match any of them or combine them with some sort of grace. The most successful moments in his movies are actually short sequences coming out of left-field (generally involving religion) where Dupontel's taste for invention truly shines. Dupontel as a viewer clearly has good taste concerning movies. He still has some way to do to find real inspiration compared to excessive deference as a screenwriter and director. When he's able to do that, he could become a very interesting creator.