| Mark McLachlan | ... | Brady Turner | |
| Caitlin Martin | ... | Claire | |
| Chris Solari | ... | Duncan McKay | |
| D.W. Reiser | ... | Kit (as Doug Reiser) | |
| Julie Mintz | ... | Annabelle | |
| Rhett Wilkins | ... | Foster (as Rhett Jordan) | |
| Greg Wayne | ... | Hubs | |
| Harrison Young | ... | Sheriff Bowman | |
| Terrence Evans | ... | Shurkin (as T. Evans) | |
| Vern Crofoot | ... | Harvey (as R. Vern Crofoot) | |
| Larry Udy | ... | Arnold | |
| Adam Gierasch | ... | Lester (as Adam Redmond) | |
| Kip Addota | ... | Stanley The Fisherman | |
| Crystal Atkins | ... | Blonde Bikini Girl | |
| Mark A. Watters | ... | Helicopter Pilot (as Mark Watters) | |
| Miles | ... | Princess | |
| rest of cast listed alphabetically: | |||
| Sommer Knight | ... | Sunny | |
| Chris Innis | ... | Additional voice (uncredited) | |
| James McAuley | ... | Deputy Barney (uncredited) | |
Directed by | |||
| Tobe Hooper | |||
Writing credits(in alphabetical order) | ||
| Jace Anderson | screenplay | |
| Boaz Davidson | story | |
| Adam Gierasch | screenplay | |
| Michael D. Weiss | screenplay | |
Produced by | |||
| Eddy Chamichian | .... | co-executive producer | |
| Vern Crofoot | .... | associate producer (as R. Vern Crofoot) | |
| Alejandra Cárdenas | .... | supervising producer (as Alexandra Cárdenas) | |
| Boaz Davidson | .... | producer | |
| Frank DeMartini | .... | producer | |
| Danny Dimbort | .... | executive producer | |
| Lee Lazarow | .... | associate producer | |
| Avi Lerner | .... | executive producer | |
| Danny Lerner | .... | producer | |
| Trevor Short | .... | executive producer | |
| Antonio Zavala Kugler | .... | line producer (uncredited) | |
| Víctor Zavala Kugler | .... | line producer (uncredited) | |
Original Music by | |||
| Serge Colbert | |||
Cinematography by | |||
| Eliot Rockett | |||
Film Editing by | |||
| Andy Horvitch | |||
| Alain Jakubowicz | |||
Casting by | |||
| Cathy Henderson | |||
| Dori Zuckerman | |||
Production Design by | |||
| Whitney Brooke Wheeler | |||
| Peter Kanter | |||
Art Direction by | |||
| John Marshall | |||
Set Decoration by | |||
| Mae Brunken | |||
Costume Design by | |||
| Carin Hooper | |||
Makeup Department | |||
| Sergio Lopez | .... | key hair stylist | |
| Sergio Lopez | .... | makeup artist: Mexico | |
| Phillip Pico | .... | key makeup artist | |
Production Management | |||
| George Gale | .... | post-production supervisor | |
| Todd Gilbert | .... | post-production supervisor | |
| Dwayne L. Shattuck | .... | unit production manager | |
Art Department | |||
| Vern Crofoot | .... | assistant property master | |
| Chris Dechert | .... | assistant property master | |
| L. Matt Hill | .... | art production assistant | |
| Lee Lazarow | .... | property master | |
| René Marquéz | .... | set dresser | |
| Dan Statler | .... | art director: Mexico | |
| Gabrael Wilson | .... | set dresser | |
Sound Department | |||
| Colin Bates | .... | supervising sound editor | |
| David Chornow | .... | sound mixer | |
| William Munroe | .... | additional boom operator | |
| Eric Shemkovitz | .... | foley mixer | |
| Eric Shemkovitz | .... | sound re-recording mixer | |
| Christopher Sposa | .... | boom operator | |
Special Effects by | |||
| Wes C. Caefer | .... | mechanical department | |
| Chiz Hasegawa | .... | coordinator: KNB EFX Group | |
| Sergio Jara Jr. | .... | special effects assistant | |
| Sergio Jara | .... | special effects coordinator: Mexico | |
| Gregory Nicotero | .... | special creature effects | |
| George Phillips | .... | special effects coordinator | |
Visual Effects by | |||
| John Gust Anderson | .... | digital compositor | |
| Doug Beswick | .... | 3D animation supervisor | |
| Bryan Blevins | .... | 3D animator | |
| Everett Burrell | .... | 3D supervisor | |
| Phil Carbonaro | .... | matte painter | |
| Steve Carpenter | .... | 3D animator | |
| Owen Hammer | .... | 3D modeling | |
| Edward Irastorza | .... | visual effects coordinator: Flat Earth | |
| Adam Klein | .... | digital effects artist | |
| Kevin Kutchaver | .... | digital compositing supervisor | |
| Kevin O'Neill | .... | visual effects supervisor | |
| John Ortman | .... | 3D animator | |
| Robert F. Peppler | .... | 3D animator | |
| David Rednour | .... | digital compositor | |
| Eric Reinhard | .... | digital compositor | |
| Theresa Rowlee | .... | visual effects producer | |
| Josh Saeta | .... | digital artist: Flat Earth Productions | |
| Kevin Struckman | .... | digital effects artist: Flat Earth productions | |
| Mark Tamny | .... | digital compositor | |
| Todd Vaziri | .... | lead composite artist: Flat Earth Productions | |
| Yancy Calzada | .... | 3D animator (uncredited) | |
| Michael Melchiorre | .... | data manager (uncredited) | |
Stunts | |||
| Carin Berger | .... | stunts | |
| Bruce Carson | .... | safety advisor | |
| Maximillian D. Day | .... | stunts | |
| Tammilynn Lane | .... | stunts | |
| Pete Porteous | .... | co-stunt coordinator | |
Casting Department | |||
| Rebecca Quiroz | .... | casting assistant | |
Editorial Department | |||
| Jordan Kessler | .... | post-production coordinator | |
| Alison Learned Wolf | .... | assistant editor (as Alison Learned) | |
Transportation Department | |||
| Robert Rowland | .... | driver | |
| David G. Todd | .... | production van operator | |
| Jay Wylie | .... | transportation coordinator: USA and Mexico | |
Other crew | |||
| Marc Bedia | .... | production coordinator | |
| Natalie Borresen | .... | production assistant | |
| Keith E. Cooper | .... | lawyer | |
| Dave Duce | .... | production coordinator: Los Angeles | |
| Chris Innis | .... | adr voice | |
| Michael Perkal | .... | production accountant | |
| Steven Ritt | .... | dog trainer | |
| Mark Santora | .... | assistant production coordinator | |
| Lina Shanklin | .... | script supervisor | |
| Wayne T. Silva | .... | production assistant | |
| Kent D. Smith | .... | key set production assistant | |
| Alejandro Sánchez de la Peña | .... | key set production assistant | |
| Vivian Velasco | .... | production coordinator: Mexico | |
| Nicole Wilder | .... | production coordinator: USA and Mexico | |
| Tate Wittenberg | .... | production assistant | |
|
|
|
|
|
| Dreamcatcher | Freddy vs. Jason | Freeway | Nowhere | I'll Always Know What You Did Last Summer |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Maybe I don't get this movie. Is it supposed to be as bad as it seems? When I watched Cabin Fever (and let's face it, Crocodile is similar with a different enemy) I thought I'd misunderstood it because there was a chance that the sheer awfulness was deliberate.
It's the usual (and annoyingly repetitive) Teenager Elimination flick (along with Cabin Fever, Wrong Turn, Texas Chainsaw Massacre, Jeepers Creepers, etc, etc) and, predictably, the characters are so obnoxious and shallow that you don't care who dies next. The afore- mentioned movies have a few things in common. Firstly you need a few teenagers to hate. Secondly, the enemy (which could be anything) needs to start wiping out the teenagers. Also required are some locals who know the history behind the enemy. Sound familiar? I can't understand why movie makers still write this kind of trash.
The CGI was awful. Another comment left here explained that this movie was supposed to be rubbish and the CGI was supposed to be unrealistic. What?! Why would a movie company want to spend its money on a film with unconvincing special effects on purpose? Ludicrous. This was released in 2000 and there's no excuse for bad effects these days.
The acting was substandard too. The writers have injected a love story into the mix which, quite frankly, didn't help things along. There was a little insight to the characters but after establishing that, you still didn't care who was going to die and when.
Won't be watching this one again in a hurry - if I'd read the review in the TV guide, I wouldn't have bothered at all. It's just the same old formula with a different enemy. Doesn't matter whether it's a contagious disease, piranhas, man with chainsaw, demon, alien or crocodile - stick a selection of unconvincing teenagers into the situation and you've got movie-making at its worst.