4.1/10
473
1 user 4 critic

Love, Money, Love (2000)

L'amour, l'argent, l'amour (original title)
David, a recently fired scrapyard worker and Marie, a prostitute, both about 20 years old, meet on New Year's Eve in Berlin and decide to run away together. As David's arm is plastered from... See full summary »

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6 wins & 5 nominations. See more awards »
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Cast

Credited cast:
Sabine Timoteo ...
Marie
...
David
...
Imbissmann
Dierk Prawdzik ...
Zuhälter
Marquard Bohm ...
Einweiser Schrottplatz
Gerhard Fries ...
Penner
Rest of cast listed alphabetically:
Thomas Gimbel ...
Taxifahrer (as Tom Gimbel)
Lothar Kompenhans ...
Wachmann
Julia Lindig ...
Pensionswirtin
Mia Moser ...
Peepshowkollegin
Meral Perin ...
Kollegin Mary
Helmut Rühl ...
Schrottplatzchef
Heiner Stadelmann ...
Witwer
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Storyline

David, a recently fired scrapyard worker and Marie, a prostitute, both about 20 years old, meet on New Year's Eve in Berlin and decide to run away together. As David's arm is plastered from an accident Marie continues to prostitute herself to finance their restless journey through the Ruhr area. Their love and their will to survive guide them though all problems. Written by Moritz Muehlenhoff <jmm@inutil.org>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

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Details

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Release Date:

21 November 2002 (Germany)  »

Also Known As:

Love, Money, Love  »

Filming Locations:

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Company Credits

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Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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User Reviews

 
A waste of good music and my $7
27 January 2001 | by (Salt Lake City, UT) – See all my reviews

I won't waste any more of my time than is necessary to say how poor this film is. In a story that should explore love and money and the motives that drive our search for each, there should certainly be more character development than exists in this drawn-out film. It's hard to connect with either of the main characters in the story -- so much so that by the end you wish they would just go away.

The music is very good at times, I'm just sad that Yo La Tengo and Velvet Underground are associated in any way with this underachieving cinematic failure.


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