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Law & Order: Special Victims Unit 

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This show introduces the Special Victims Unit, a new elite squad of NYPD detectives who investigate sexually related crimes.

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Season 18 Premiere


Wednesday, September 21

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Most Recent Episode


Wednesday, May 25
S17.E23 Heartfelt Passages
9.2
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The case against corrections officer Gary Munson continues, Barba continues to receive death threats, and Dodds winds up in a hostage situation with the accused in Munson's home.


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Wednesday, May 18
S17.E22 Intersecting Lives
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Cast

Series cast summary:
...
 Olivia Benson (389 episodes, 1999-2016)
...
 Odafin Tutuola (367 episodes, 2000-2016)
...
 Donald Cragen (331 episodes, 1999-2015)
...
 John Munch (326 episodes, 1999-2016)
...
 Elliot Stabler (272 episodes, 1999-2011)
...
 Dr. George Huang (230 episodes, 2001-2015)
...
 Dr. Melinda Warner (221 episodes, 2000-2015)
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Storyline

In the criminal justice system, sexually based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories. Written by John Craig

Plot Summary | Add Synopsis

Taglines:

Where Risks are Taken See more »


Certificate:

TV-14 | See all certifications »

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Details

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Release Date:

20 September 1999 (USA)  »

Also Known As:

Law & Order's Sex Crimes  »

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Did You Know?

Trivia

Richard Belzer carried his role of Det. John Munch over from the series Homicide: Life on the Street (1993) and the TV movie Homicide: The Movie (2000). He also played John Munch in Law & Order (1990) which had several crossover episodes with "Homicide", an episode of The X-Files (1993), an episode of The Beat (2000), an episode of Law & Order: Trial by Jury (2005), the season 3 finale of Arrested Development (2003) and an episode of The Wire (2002). This is a record for appearances by an actor playing the same character in different programs. Det. John Munch's character was also played in Sesame Street (1969) voiced by Joey Mazzarino. See more »

Quotes

[Looking through a victim's purse for ID]
Olivia Benson: No jewelry. I always carry at least a pair of earrings in my purse.
Elliot Stabler: Yeah, like you carry a purse.
Olivia Benson: That's 'cause you carry it for me.
Elliot Stabler: Heh...
See more »

Crazy Credits

From the second episode of the second season (2000-2001), the opening credits break the pattern followed by the earlier episodes of SVU, the original Law & Order, and Criminal Intent. Instead of the credits ending with a shot of the cast walking towards the camera, they instead are shown sitting around a desk. See more »

Connections

Referenced in The Client List (2010) See more »

Soundtracks

I'm Not Driving Anymore
(remix)
Written and Performed by Rob Dougan
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A worthy follow-up
23 December 2004 | by (Southern Hemisphere) – See all my reviews

Around 2000, Law & Order had become one of the longest-running television shows based on a fictional premise, although it still has a long way to go in order to catch up with the record holders. Such was the continued popularity of the series that creator Dick Wolf saw a market for a spin-off, and was obviously glad to oblige. Hence, over ten years after Law & Order burst onto the airwaves, Special Victims Unit was born, so to speak.

Of course, the show had a little problem finding its feet at first. This is only natural, even for a series spun off from a successful formula. The challenges Special Victims Unit faced included a major deviation from the normal Law & Order structure. The segment dealing with the trials of suspects was dispensed with, emphasising for the most part the efforts of the detectives to bring victims a sense of justice. As the series progressed, work with a District Attorney began to find its way into the plots, but in a manner more complementary to the work of the detectives.

As in any series, the key ingredient is finding sympathetic leads that the audience can relate to. Where the original Law & Order eventually found solid ground in the form of Jerry Orbach, Special Victims Unit more or less got this element right from the start. Mariska Hargitay and Christopher Meloni play so well off one another that it is certainly going to make life difficult for the unlucky actors who get to replace them. Another side benefit of the reduction in emphasis on the legal dealings is that we get to see more of the personal lives of the detectives, without them necessarily having to be worked into the plot. Every now and again, insight into the impact the job has on Stabler's family life in particular is offered, and it works wonderfully.

The fundamental weakness in Special Victims Unit to date has been the supporting cast. Richard Belzer's schtick can get tiring, but adds the ironic comic touch (delivered so brilliantly by Orbach in the original series), which Meloni seems incapable of delivering. One has to wonder, however, whose bright idea it was to cast Ice-T as a replacement for one of the early detectives, as no matter how hard he tries to sound the part, one cannot believe him as a detective. Especially not one in this particular squad. The relative underdevelopment of most of the support characters does not help.

Another challenge faced with every episode of Law & Order in any form is to come up with cases interesting enough to grab the attention. The original series is faltering slightly on this score, but when it does succeed, it succeeds enough to more than make up for all the average stories. Special Victims Unit, on the other hand, sets a consistent level for each episode. Because of the extreme nature of the crimes being investigated, they each become alike for the most part. It is the little details that make the big difference. This is, of course, a much better deal than the other spin-off, where the stories are consistent in how uninteresting they are.

In all, Special Victims Unit is a well worthy follow-up to the original Law & Order. It is not recommended for sensitive viewers, but as an insight into the lot of those who have to clean up the mess in one of the modern world's most sexually violent societies, it works brilliantly. It even has potential to get better.


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