Adult siblings Sammy Prescott and Terry Prescott have had a special bond with each other since they were kids when their parents were tragically killed in a car accident. That bond is why single mom Sammy, who still lives in the family home in Scottsville, upstate New York with her eight year old son Rudy, is excited to hear that Terry, who she has not seen or heard from in a while, is coming home for a visit. That excitement is dampened slightly upon Terry's arrival, when she learns that he, broke, is only there to borrow money. As adults, Sammy, who works as a lending officer in the local bank, is seen as the responsible sibling, while unfocused Terry is seen as the irresponsible drifter. Regardless, Sammy welcomes what ends up being Terry's longer than planned visit if only so that he can help take care of Rudy, who has no adult male figure in his life. Rudy has never known his deadbeat biological father, with whom Sammy wants nothing to do. As Terry - acting as the supposed adult ... Written by
Featured in David Sedaris' story "Repeat After Me" in his 2004 book "Dress Your Family in Corduroy and Denim." See more »
The film is set in Scottsville, New York, which is in the far
west of the state, south of Rochester. However, a sign is seen for NY Rt28, which does not run anywhere near Scottsville. This is because the film was shot in and around Phonecia, New York, through which NY Rt28 runs. See more »
Are you out of your mind? You know, I admit I may not be the best mother in the world, but I'm doing the best I know how, and he doesn't need you to rub his face in shit because you think it's good for him! He's gonna find out that the world is a horrible place and that people suck soon enough and without any help from you!
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Jeffrey Sharp would like to dedicate his work on this film to his mother, Virginia Sharp Albright, with love and admiration. See more »
It's like a breath of fresh air to see a drama driven by characters rather than by a typical Hollywood plot. If this were any other drama, someone would get cancer, the little boy would go missing, the stars would look like supermodels, and the characters would talk with a screenwriter's emotional phrase. Here, the characters think, act and talk like real people. They could be us. That's the genius of this movie. If you want fantasy, don't see this film. If you want to be touched by great acting and a wonderful plot that shows the complexities of human relationship, see this film. This isn't Terms of Endearment, Steel Magnolias or One True Thing. This is real.
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