7.7/10
24,507
234 user 66 critic

You Can Count on Me (2000)

R | | Drama | 22 December 2000 (USA)
A single mother's life is thrown into turmoil after her struggling, rarely seen younger brother returns to town.

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ON DISC
Nominated for 2 Oscars. Another 30 wins & 41 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Mabel
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Sheila
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Rachel Louise Prescott
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Thomas Gerard Prescott
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Sheriff Darryl
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Amy
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Young Sammy Prescott
Peter Kerwin ...
Young Terry Prescott
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Minister
Lisa Altomare ...
Waitress
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Storyline

Adult siblings Sammy Prescott and Terry Prescott have had a special bond with each other since they were kids when their parents were tragically killed in a car accident. That bond is why single mom Sammy, who still lives in the family home in Scottsville, upstate New York with her eight year old son Rudy, is excited to hear that Terry, who she has not seen or heard from in a while, is coming home for a visit. That excitement is dampened slightly upon Terry's arrival, when she learns that he, broke, is only there to borrow money. As adults, Sammy, who works as a lending officer in the local bank, is seen as the responsible sibling, while unfocused Terry is seen as the irresponsible drifter. Regardless, Sammy welcomes what ends up being Terry's longer than planned visit if only so that he can help take care of Rudy, who has no adult male figure in his life. Rudy has never known his deadbeat biological father, with whom Sammy wants nothing to do. As Terry - acting as the supposed adult ... Written by Huggo

Plot Summary | Add Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for language, some drug use and a scene of sexuality | See all certifications »

Parents Guide:

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Details

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Release Date:

22 December 2000 (USA)  »

Also Known As:

Puedes contar conmigo  »

Filming Locations:

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Box Office

Budget:

$1,200,000 (estimated)

Opening Weekend:

$118,170 (USA) (12 November 2000)

Gross:

$9,180,275 (USA) (10 June 2001)
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Company Credits

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Kenneth Lonergan plays Minister Ron in two major scenes counseling Terry at Sammy's house, and then counseling Sammy in his office. Since Lonergan had a lot of dialogue in those two scenes, he turned over the directing to Laura Linney and Mark Ruffalo, respectively. See more »

Goofs

The film is set in Scottsville, New York, which is in the far west of the state, south of Rochester. However, a sign is seen for NY Rt28, which does not run anywhere near Scottsville. This is because the film was shot in and around Phonecia, New York, through which NY Rt28 runs. See more »

Quotes

Terry: So how are ya?
Sammy: I'm fine, Terry.
Terry: So um... um, how's Rudy?
Sammy: We're fine, Terry.
[beat]
Sammy: How are you?
Terry: Uhhh, yeaahhh...
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Crazy Credits

Jeffrey Sharp would like to dedicate his work on this film to his mother, Virginia Sharp Albright, with love and admiration. See more »

Connections

Referenced in Saturday Night Live: Ian McKellen/Kylie Minogue (2002) See more »

Soundtracks

85 On 85
Written by Kenny Roby
Performed by 6 String Drag
Courtesy of Monkey Cup Music / Warner Tamerlane Pub. Corp. (BMI)
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User Reviews

 
You Don't Need a Crisis for a Great Movie
12 January 2003 | by (Washington, DC) – See all my reviews

Not all stories need a crisis for the characters to resolve or an issue to press to be compelling. Some stories are just slices of our workaday worlds, packaged and presented in such a way as to entertain us. "You Can Count on Me" is one such story, and its cinematic telling results in one of the best movies of 2000.

The story's protagonists are two siblings, Sammy (Laura Linney), a divorced, single mom living the middle-class life in her small up-state New York hometown, and Terry, her foot-loose, presumed screw-up, brother. Apparently, he rarely visits, but when he does its because he wants something, usually money. "You Can Count on Me" recounts one such visit. That's about it plot-wise. But the movie looks deeper into their lives; Terry's impact on Sammy's 8-year old son, Sammy's relationship with her old boyfriend, and her new boss, Terry and Sammy and their differing expectations of one another.

I hope this doesn't sound boring, because it's not. The movie illustrates these lives and relationships without Freudian analysis or angst. Things are what they are, and it's a treat to share them.


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