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Alison Lynne Ward,
In 1979, a delivery truck makes its way up a lonely southern California highway in a storm, bound for the San Diego Zoo with a deadly tropical rattlesnake as cargo. When the truck suffers a blowout, the driver loses control and hits a tree, shattering the snake's aquarium in the back and the window separating the snake from the driver. The snake slithers into the front of the truck, kills the driver with its bite and then moves off into the forest. Flash forward to 1999. The small southern California town of San Vicente has grown from 6,000 to 30,000, and the rattler, which escaped nearby years ago, has bred. There are now 25,000 of these hybrid rattlesnakes, and they are slowly making their way downhill into the town, attracted by the movement of the blasting as the town paves its way toward progress. Progress, in this case, brings terror, in this tale originally penned by John Carpenter. Written by
This was based on "Fangs", a script John Carpenter did back in the 1970s when he wrote as a gun for hire. In the original, according to Carpenter himself, there were scares and jumps all over the place. One scene included a man who hears a rattle, thinks it's his infant, and finds a rattlesnake in the crib. See more »
The movie is supposedly set somewhere in America but when they run into the bush when the first man is bitten, the trees in the background are stringy bark etc. and the leaf litter in the ground is also Eucalypt found in Australia. See more »
hacks use every Hollywood cliché in hopes of furthering careers
This is standard movie fare done extremely bad. Big rattlesnakes kill people, and the people who know how dangerous the snakes are can't get anyone to listen. The writers and director try to use every cliché to further their careers. The pity is that this usually works. We're also inundated with the all American look of every man having dark hair and every woman having blonde hair, a neo-Nazi trend used to glorify the Hitler Nazi machine by many movie makers. Again, there are so many rich neo-Nazis who insist upon this being "classic", that directors and writers who use this technique go rewarded with bigger and bigger budgets. And don't be fooled. This is a big budget movie. This is expensive work. Don't ever let someone tell you some of these movies are low budget, because they aren't. You couldn't get this much capital to make a movie, unless you are rich yourself. There just isn't anything good about this movie.
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