A story about a troubled boy growing up in England, set in 1983. He comes across a few skinheads on his way home from school, after a fight. They become his new best friends even like family. Based on experiences of director Shane Meadows.
Gal, Deedee, Aitch and Jackie, having left behind respective lives of ill-repute, bask in the sun of Spain and in the most essential brand of leisure. A hazy yarn of barbecues, beer and botched hunting expeditions make up their retirements, until a sudden and unforeseen disruption emerges from their past. Enter the childishly violent and hilariously edgy Don Logan. Through a series of side-splitting negotiations and irrevocable acts, retired crook Gal is forced to shake off the rust and accept one last mission, put forth by the menacing Logan, his ex-mentor. A heist of legendary proportion and personal implications, this job should make for one hell of an encore. Written by
The boulder was made of fiberglass. A large net was kept open on the ledge of the pool so that if the boulder went over the pool, it would not continue down the hill into the village below. Additional shots involving the boulder were created digitally. See more »
In the scene before Teddy and Gal go to visit the bank manager, Teddy is driving a 1990-1994 Silver Porsche 911 (964 model). When it shows them going to the airport it is a 1995-98 model (993 model number). See more »
[Gal is sunbathing by poolside]
Oh, yeah. Bloody hell. I'm sweating in here. Roasting. Boiling. Baking. Sweltering. It's like a sauna. Furnace. You can fry an egg on my stomach. Ohh, who wouldn't lap this up? It's ridiculous. Tremendous. Fantastic. Fan-dabby-dozy-tastic.
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Special thanks to Hammersmith and Fulham Council. See more »
(Back In The Day Mix)
Performed & Written by Wayne Marshall
Produced by W. Marshall & O. Gittens
Additional Keyboard J. Chue
Courtesy of Soultown Records
Published by Westbury Music Ltd / House of Magic See more »
The best Brit gangster movie since The Long Good Friday
I just don't know why this movie didn't get a large release in America despite Kingsley being up for yet another very justified Oscar. It manages to be tense, funny, and totally absorbing all at the same time. The story is told at breakneck speed and never lets up for a second. All the performances are incredible, most notably Ray Winstone, Amanda Redman and Lovejoy himself, Ian McShane, but as everyone points out, Kingsley just steals the show even when he is not onscreen. If this movie doesn't get a major big screen release in the States, it will be a crime larger than any job that Don Logan or Teddy Bass could plan.
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