A young soprano becomes the obsession of a disfigured musical genius who lives beneath the Paris Opéra House. He kidnaps the soprano and forces the owners of the play to keep her as the lead role of the play.
Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin, Australia, by Japanese forces firsthand.
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives forever.
The year is 1899, and Christian, a young English writer, has come to Paris to follow the Bohemian revolution taking hold of the city's drug and prostitute infested underworld. And nowhere is the thrill of the underworld more alive than at the Moulin Rouge, a night club where the rich and poor men alike come to be entertained by the dancers, but things take a wicked turn for Christian as he starts a deadly love affair with the star courtesan of the club, Satine. But her affections are also coveted by the club's patron: the Duke. A dangerous love triangle ensues as Satine and Christian attempt to fight all odds to stay together but a force that not even love can conquer is taking its toll on Satine... Written by
The majority of the Can Can dancers at the Moulin Rouge have a specifically designed 'persona', most of them based on different male fetishes. The full list of names of the Can Can dancers and their 'persona' is as follows: Antoinette - Based on the famous French Queen, Marie-Antoinette. Arabia - Based on Arabian courtesan garb. Babydoll - Dressed in Infant Clothing (Often mistook for Bo Peep) Chinadoll - Dressed in Chinese silks. Dominatrix - Self explanatory. French Maid - Self explanatory. Garden Girl - A hippie/bohemian/earthy seeming girl. Gypsy - Self explanatory. Harlequin - Based on a court jester's diamond patterned costume. Historic - Based on the Statue of Liberty. Juno - Dressed as an Angel. Liberty - Dressed in 'Napoleonic' garb. Mome Fromage - Dressed in candy/cake/confectionery type colors and fabrics. Nini Legs-In-The-Air - Costume decorated with windmills, as the character is said to have the best legs in the Moulin Rouge and is always showing them off, waving her legs around, likening her legs to a windmill. Dances in the center. Pearly Queen - Decorated in sophisticated clothing; pearls, furs, jewels. Petite Princess - A dwarf woman in a princess costume. Polka Dot- a spirit of winter with evergreen trees drawn on her dress. Schoolgirl - Self explanatory (strongly resembles Gigi (1958) or Madeline (1952)). Spanish - Dressed in a flowing, veiled Spanish costume. Tarot - Costume is decorated with various imagery from tarot cards. Tartan - Costume is a full traditional Scottish Garb, with the skirt designed to look like a kilt. Tattoo - Dancer is covered entirely from the neck down in tattoos. Travesty - Cross-dresser, upper half is of an upper-class man; top hat, tuxedo, and bow tie. Dances with Nini. Urchin - Dressed as a poor street girl (strongly resembles Eponine from Great Performances: Les Misérables in Concert (1995)); bowler hat, patchwork costume. See more »
In the "Elephant Love Medley" scene, Satine and Christian are obviously lip-syncing. A few times, they miss saying the word all together, or they are just a part of a second behind the pre-recorded vocals. See more »
I have not ever felt for a movie the way I do about "Moulin Rouge." It is not just a movie...it is a cinematic experience the likes of which I have never before seen. The story, the music, the acting, the visual imagery strikes emotion in me I never before thought possible from a film. It is without a doubt the most brilliant piece of cinematic art I have ever seen. It is dizzy, maddening, beautiful, and heartbreaking! The music is rapturous, and Ewan McGregor and Nicole Kidman's voices compliment each other and the story perfectly. This movie takes its story to a mythic level and surrounds these two star-crossed lovers with music and imagery that simply will take your breath away. The story is grand, huge, and operatic, as is the music. The brilliant score skillfully weaves many modern, popular songs, and rescores them as the libretto to this grand opera. There are some images in this film unlike anything you have ever seen. And the performances are absolutely incredible, particularly Nicole Kidman's. I truly felt for these two people, and truly felt that they were in love. My heart broke into a million pieces for them every time I saw this movie, and I've seen it 8 times. It's an absolutely breathtaking, visionary, masterpiece that did not get the credit it deserved by American critics, who seem to complain that every movie is the same. Yet when an original, daring, shocking film like this comes along, they don't know what to do with it. But then again, this really is not just a film. No mere film could strike me the way this one has, in a way that reaches to the very fibres of my being in a way only "The Wizard of Oz" ever has before. Yes, the story is sad, but what a journey it takes you on! A journey I will be sure to repeat over and over and over again.
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