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Moulin Rouge! (2001)

PG-13 | | Drama, Musical, Romance | 1 June 2001 (USA)
A poet falls for a beautiful courtesan whom a jealous duke covets.

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Popularity
929 ( 118)

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Won 2 Oscars. Another 83 wins & 130 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Garry McDonald ...
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The Unconscious Argentinean
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Kerry Walker ...
Caroline O'Connor ...
Christine Anu ...
Arabia
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Môme Fromage
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Audrey
...
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Storyline

The year is 1899, and Christian, a young English writer, has come to Paris to follow the Bohemian revolution taking hold of the city's drug and prostitute infested underworld. And nowhere is the thrill of the underworld more alive than at the Moulin Rouge, a night club where the rich and poor men alike come to be entertained by the dancers, but things take a wicked turn for Christian as he starts a deadly love affair with the star courtesan of the club, Satine. But her affections are also coveted by the club's patron: the Duke. A dangerous love triangle ensues as Satine and Christian attempt to fight all odds to stay together but a force that not even love can conquer is taking its toll on Satine... Written by O.G.

Plot Summary | Plot Synopsis

Taglines:

This Story Is About Beauty See more »

Genres:

Drama | Musical | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

1 June 2001 (USA)  »

Also Known As:

Moulin Rouge  »

Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

$167,540 (USA) (18 May 2001)

Gross:

$57,386,369 (USA) (19 April 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Moulin Rouge (Red Mill) dancers really wore split knickers under their dresses, a technical point that the film-makers chose not to follow in order to obtain a PG-13 rating. See more »

Goofs

When Satine gets on top of Christian when they're in the elephant for the first time, his bowtie is sometimes on and sometimes off. See more »

Quotes

[first lines]
Toulouse-Lautrec: [singing] There was a boy, a very strange enchanted boy...
See more »

Crazy Credits

The ending credits are printed on two (very long) hand painted rolls of paper. The camera is still while the paper is scrolled past. The place where the two pieces are joined is clearly visible. The crew tried to hide the splice, but couldn't make it look good enough, and so decided to keep it as seen in the movie. See more »

Connections

Referenced in The Marc Pease Experience (2009) See more »

Soundtracks

Hindi Sad Diamands
Featuring:
"Chamma Chamma"
Written by Sameer
Performed by Alka Yagnik
'Chamma Chamma' licenced courtesy of Dashmesh International Ltd.
"Diamonds Are A Girl's Best Friend"
Written by Jule Styne & Leo Robin
Performed by Nicole Kidman
Produced by Blam, Marius De Vries (as Marius Devries) and Steve Sharples
"The Hindi"
Written by Steve Sharples
Performed by John Leguizamo
Produced by Blam, Marius De Vries (as Marius Devries) and Steve Sharples
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Stunning Bag Of Wind
23 May 2005 | by (United States) – See all my reviews

I wonder if that line from the Duke "I don't care about your ridiculous dogma" was directed to Lars Von Triar. It could be, the film is full of knowing lines "He could make you a star and you're dallying with the writer!" or "They dressed me with the Argentinean's best clothes and passed me for a famous English writer" There is something of Ken Russell's second period in "Moulin Rouge" Everything is emphasized, underlined and repeated at least three times for safety. Excess seem a rather feeble term to describe it and yet, it works. The film, for the most part, is a delight. Nicole Kidman, ravishing and spectacular, spectacular. Ewan McGregor, superb, and so charismatic that no one would blame me if I confess I had a had crush on him as soon as he broke into "The Hills are alive with the sound of music..." Kidman and McGregor, this film proves it, are the closest thing we've had in years to the big stars of yesteryear. They could make anything shine and they have. Another detail that shouldn't go amiss, "Moulin Rouge" opened the door again for musicals and that's always a good thing even if we're bound to be bombarded by some terrible stuff. I say it doesn't matter as long as it allows glorious film talents of the caliber of Kidman and McGregor to give us the pleasures they have even in a bag of wind such as "Moulin Rouge"


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