Famous film director Guido Contini struggles to find harmony in his professional and personal lives, as he engages in dramatic relationships with his wife, his mistress, his muse, his agent, and his mother.
The year is 1899, and Christian, a young English writer, has come to Paris to follow the Bohemian revolution taking hold of the city's drug and prostitute infested underworld. And nowhere is the thrill of the underworld more alive than at the Moulin Rouge, a night club where the rich and poor men alike come to be entertained by the dancers, but things take a wicked turn for Christian as he starts a deadly love affair with the star courtesan of the club, Satine. But her affections are also coveted by the club's patron: the Duke. A dangerous love triangle ensues as Satine and Christian attempt to fight all odds to stay together but a force that not even love can conquer is taking its toll on Satine... Written by
The majority of the Can Can dancers at the Moulin Rouge have a specifically designed 'persona', most of them based on different male fetishes. The full list of names of the Can Can dancers and their 'persona' is as follows: Antoinette - Based on the famous French Queen, Marie-Antoinette. Arabia - Based on Arabian courtesan garb. Babydoll - Dressed in Infant Clothing (Often mistook for Bo Peep) Chinadoll - Dressed in Chinese silks. Dominatrix - Self explanatory. French Maid - Self explanatory. Garden Girl - A hippie/bohemian/earthy seeming girl. Gypsy - Self explanatory. Harlequin - Based on a court jester's diamond patterned costume. Historic - Based on the Statue of Liberty. Juno - Dressed as an Angel. Liberty - Dressed in 'Napoleonic' garb. Mome Fromage - Dressed in candy/cake/confectionery type colors and fabrics. Nini Legs-In-The-Air - Costume decorated with windmills, as the character is said to have the best legs in the Moulin Rouge and is always showing them off, waving her legs around, likening her legs to a windmill. Dances in the center. Pearly Queen - Decorated in sophisticated clothing; pearls, furs, jewels. Petite Princess - A dwarf woman in a princess costume. Polka Dot- a spirit of winter with evergreen trees drawn on her dress. Schoolgirl - Self explanatory (strongly resembles Gigi (1958) or Madeline (1952)). Spanish - Dressed in a flowing, veiled Spanish costume. Tarot - Costume is decorated with various imagery from tarot cards. Tartan - Costume is a full traditional Scottish Garb, with the skirt designed to look like a kilt. Tattoo - Dancer is covered entirely from the neck down in tattoos. Travesty - Cross-dresser, upper half is of an upper-class man; top hat, tuxedo, and bow tie. Dances with Nini. Urchin - Dressed as a poor street girl (strongly resembles Eponine from Great Performances: Les Misérables in Concert (1995)); bowler hat, patchwork costume. See more »
Toulouse says "you're the voice of the children of the revolution", but his lips don't match the words. See more »
The most original and groundbreaking movie of recent history
I have seen Moulin Rouge at least 25 times. I think it is the most extraordinary movie of my generation and breaks every limit set by the industry. I have heard all the traditional complaints...people didn't like the music, the editing was too swift, or it wasn't "their taste". Moulin Rouge took a risk. A risk films like A Beautiful Mind and Shakespeare in Love don't. It risked by being controversial. To make a likeable movie isn't hard, follow the Hollywood mold and stick in a few attractive actors, some bland dialogue and viola you have a film. Moulin Rouge was made knowing that not everyone would like it, but knowing everyone would at least appreciate it for its artistic ingenuity. Visually it is superb, an indulgent feast for the eyes with every breathtaking, artistic scene. Everything about it is over the top, every scene more stunning than the next, and as it continues your heart becomes more and more intertwined in the love story. The editing in the Roxanne scene rushes through your body and is the most incredible of any movie in history. Nicole Kidman and Ewan McGreggor are the most passionate on-screen couple; entirely convincing as their voices meld them together into one. Never has a movie done what Moulin Rouge did. It realized that the world of film is only being represented in one small way, whereas Moulin Rouge uses a camera and screen to make something bigger and more extraordinary than has ever been made before. It pushes against the confines of convention and leaves you breathless.
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