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All his life, Leonard (Joshua Leonard, Humpday (2009)) has dreamed of being a famous filmmaker, but he's better at making excuses than making art. A chance encounter with a wasted A-list ... See full summary »
For those of you that blinked and missed the few episodes aired, the premise of this show was a divorced professional woman in her thirties living in a posh hotel who becomes involved with a considerably younger hotel worker. Of course you are going "wink, wink, nudge, nudge" at this point and I'm sure this is what ABC was hoping to accomplish. The concept is much more interesting than the execution; witness the short lifespan of this show. The two lead characters are about the same ages as my husband and me when we first met, so I feel well qualified to judge this show. Quite honestly, the only way anyone would have been able to maintain the physical standards implied on this show is to have absolutely have no outside life or obligations whatsoever and be wealthy enough to go live in a hotel and not do much else. You do not root for this couple because you cannot fathom how they could possibly have any sort of future together outside of a hotel room. You do not sense any sort of emotional connection or attraction. For the sake of realism, it would be refreshing if we heard a realistic ambiguity from Billie, such as "Oh my gosh, I can't believe that when I was a college freshman you were in kindergarten!" The whole younger man/older woman concept is used here for titillation purposes mostly. I do not expect it to be a politically correct vehicle to show how these relationships can actually work, but making it so shallow helped to determine its doomed fate. This show, or atleast the premise, would have been better suited to a something in the vein of "Once and Again." It can be done with some romance, drama, a touch of humor and emotion, and the concept hasn't been beaten to death, either.
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