Make the Wiseguys Weep follows the career of Jimmy Roselli, the Italian-American crooner destined to become the next Frank Sinatra, but who was nearly destroyed by his own erratic integrity, his refusal to compromise and his lifelong feud with Sinatra.
Stephen Dorff narrates this tale about how his life goes astray as his character attempts to strike a balance between the demands of directing his first film and the pressures of his new ... See full summary »
Confused, non-linear film tells the sexual story of a film director from his life at age 5, age 12, age 16, a man embarking on his first film in 1950's Tunisia, and finally to his current ... See full summary »
Danny returns to the Bronx after serving in WWII. He dreams of becoming a songwriter and instead gets sidetracked by an aging boxer tired of taking dives. After an ingenious ploy, both ... See full summary »
An unseen narrator looks back to 1956, on Staten Island, when Buddy, an Italian guy with big dreams, buys a house planning to live upstairs with his wife Estelle and run a bar downstairs. The first problem is Estelle's lack of confidence in Buddy. Then, Irish tenants upstairs refuse to move and won't pay rent; plus, the woman upstairs is about to have a baby. The next problem is the baby: once he's born, it's clear his father was Black. The Irish guy splits; Buddy evicts mother and child, then feels guilt and sets her up in a flat while she sorts out an adoption. Estelle's lack of faith, the Irish lass's spirit, Buddy's dream, racial prejudice, and the baby's fate play out. Written by
During one shot, the Bayonne Bridge is shown with the Goethals Bridge beyond it, on the right. Adjacent to it, the B&O Arthur Kill Vertical Lift Bridge is shown. This wasn't built until 1959, replacing an older swing bridge. See more »
Special thanks to ... the people of Bentley Avenue, Jersey City, NJ, ... the people of Port Richmond & Stapleton neighborhoods, Staten Island, NY, ... the crew of The Highlander ... See more »
This film produces laughs and sighs by presenting the very believable antagonism of two working class ethnic groups in what then was New York City's rural borough, Staten Island. As in life generally there isn't a happy ending for all involved in relationships that are jarred by the real bigotry directed against an Irish immigrant who bore a black child while married to a drunkard of the first water (or whiskey).
While Mary is clearly victimized, physically and psychologically, by her boorish Lushington of a husband the symbolic violence is the attitude of the Italian men and women who accept without thinking stereotypes of blacks and Irish. Their comfort in the supposed security of their shared little world was then and is now the hallmark of daily bias in America.
The acting is superb. So what if Mary is gorgeous and Buddy average (a safe euphemism). Gregory Peck in a working class Staten Island neighborhood you're not going to find (hmm, is THAT a stereotypical remark?).
Rent this film! It's terrific!!
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