Two men beg and borrow money to start a neighborhood bar. Initially the bar thrives, then the crowds start to dwindle. The two then add music and hire a top notch chef, which boosts ...
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Two men beg and borrow money to start a neighborhood bar. Initially the bar thrives, then the crowds start to dwindle. The two then add music and hire a top notch chef, which boosts business again - for a time. Basically the film examines the travails of a small business owner and shows the up and down nature of such a business. The twosome not only suffer business depressions, but also personal problems as one loses his long time girl friend and the other loses his day job. Written by
John Sacksteder <firstname.lastname@example.org>
Horton Foote has often written incisive character studies that are dramatically underpowered, and this effort by his writer-director son follows in Dad's footsteps. The very model of a small, well-meaning, late-1990s independent movie with no major stars (the biggest, third-billed Margaret Cho, has about five minutes of screen time), it's a little-people-about-their-tasks slice-of-life drama where the good guys mess up, clean up, mess up, clean up, and commit some business errors that seem improbably naive. Cameron Dye has a nice Aidan Quinn soulfulness and Kevin Geer is quietly excellent, but they haven't much to play. As another poster mentioned, it's unconvincingly telescoped -- does all the action take place within a year, with the tavern trying so many formats and suffering so many twists of fate? Also, for what it's worth, where would the "Tavern on Main" be? It's a New York-set film with some authentic-looking locations (and others that smack of Toronto), but the only Main Street in the five boroughs is in Flushing, and these bar patrons are definitely not East Queens stock.
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