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A fascinating story of the truth behind the legend and history of St Patrick. He was Welsh and even though he was thought to be Irish. "Patrick" is released in time for St. Patrick's Day (... See full summary »
Pamela Mason Wagner
Seán T. Ó Meallaigh
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A young Christian boy attends a druid worship that is attacked by invading Irish tribes. Taken captive, he is taken back to Ireland to become a slave. Enduring many hardships, he finds comfort and eventually salvation in his faith. After several years, he escapes back to England, where he joins a convent to prove his faith. His greatest desire is to return to Ireland to convert the Irish to Christianity. Years later, he is given the opportunity. Upon setting foot on the Irish soil, all snakes are aitomatically driven from the land. He then overcomes many obstacles, including disagreements with the British Cardinal (Malcolm McDowell), to fulfill his destiny and ultimately being given Sainthood. Written by
John Sacksteder <firstname.lastname@example.org>
St. Patrick is probably one of the best known saints in the Western World, and certainly America's most revered one, his shamrocks and greenery covering New York and other great cities on his day. But even those devote Irish who proudly parade in or out of uniform, will learn something about the man who brought the Gospel to Ireland, in this splendid biopic which takes Patrick as a young Christian Scot who is captured and taken to Ireland as a slave, only to fall in love with these heathen people, and dedicate his whole life to save them from paganism.
The film is supported by a splendid cast, but its principal merit is the sensible, unobtrusive way in which it mixes the human, heroic story of the man, with the necessary miracles of the saint, and his duel of prodigies with the heathen druids is casually inserted in the more factual story of his labours, not without catering to the Irish by depicting a rapacious "British church" in perhaps the only departure from strict historical truth, since Patrick lived long before the English considered themselves such. Which doesn't prevent Malcolm McDowell from adding another splendid villain to his gallery, as the ambitious and autarchic Bishop Quentin.
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