Two twelve-year-old boys, Romeo and Gavin, undergo an extraordinary test of character and friendship when Morell, a naive but eccentric and dangerous stranger, comes between them. Morell ... See full summary »
A story about a troubled boy growing up in England, set in 1983. He comes across a few skinheads on his way home from school, after a fight. They become his new best friends even like family. Based on experiences of director Shane Meadows.
London 1969 - two 'resting' (unemployed and unemployable) actors, Withnail and Marwood, fed up with damp, cold, piles of washing-up, mad drug dealers and psychotic Irishmen, decide to leave... See full summary »
Richard E. Grant,
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
Mark Sherbet is a young man obsessed with American wrestling. He dreams of becoming a professional wrestler but he has no idea what he is letting himself in for. Unfortunately for him, Mike couldn't punch his way out of a paper bag.
Two twelve-year-old boys, Romeo and Gavin, undergo an extraordinary test of character and friendship when Morell, a naive but eccentric and dangerous stranger, comes between them. Morell befriends with the two boys and later asks them to help him pursue Romeo's beautiful elder sister. He gradually becomes more violent after she rejects him ... Written by
L.H. Wong <firstname.lastname@example.org>
Despite the natural chemistry of Andrew Shim and Ben Marshall the two actors almost came to blows during a scene due to Marshall's obnoxious behavior. Paddy Considine admitted in the DVD commentary he had no problem filming the scene at the seaside where he threatens Marshall's character, saying he "couldn't wait to get his hands on the little shit." See more »
Hidden as it was in the BBC schedules, I nearly missed this gem of a film. Shane Meadows seems to improve with every picture, following up the raw promise of 'Small Time' and the almost great 'TwentyFourSeven' with this priceless jewel, which is proof that Meadows alone carries the torch of the British film industry forward amidst the Guy Ritchie pap we churn out on a regular basis.
Although the acting from some of the minor characters was a bit on the dodgy side, Paddy Considine shone as the socially inadequate Morrell and the two lads (and their fathers in a memorably frightening final scene) did a solid job. Credit must also go to the screenwriter Paul Fraser, who has breathed some life into the cliched, patronizing 'working class' sceenplays that featured in 'Brassed Off', or (worse) 'The Full Monty'. The usual 'working class' signifiers (a guest appearance by Kathy Burke, or chain smoking as a character trait) were thankfully missing.
'A Room For Romeo Brass' was an excellent piece of observation. The character Morrell brings back awful memories of acquaintances I had in my youth, and these people still hang around the estate like the foulest of stenches. The film replicated 'life' in a way that Danny Boyle would fail to comprehend.
There were some minor imperfections (for instance, the music was over the top), but Meadows is only 29, he has time to perfect his craft. For everyone disillusioned with British film and its compulsion to chase the dollar, this film will restore that lost faith.
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